IMDb रेटिंग
7.8/10
8.2 हज़ार
आपकी रेटिंग
अर्नोल्ड एक समलैंगिक व्यक्ति है जो 1971 एनवाईसी में ड्रैग क्वीन के रूप में काम कर रहा है।अर्नोल्ड एक समलैंगिक व्यक्ति है जो 1971 एनवाईसी में ड्रैग क्वीन के रूप में काम कर रहा है।अर्नोल्ड एक समलैंगिक व्यक्ति है जो 1971 एनवाईसी में ड्रैग क्वीन के रूप में काम कर रहा है।
- पुरस्कार
- 1 जीत और कुल 3 नामांकन
Axel Lott
- Marina Del Rey
- (as Axel Vera)
फ़ीचर्ड समीक्षाएं
A notable film on several levels. First, it was way ahead of America in being a relatively mainstream film that treated gay men as people of depth, value, humor and worth making a film about. (Although there is sad irony in the fact this huge hit play took so long to make it to the screen that AIDS had already totally altered the landscape by the time of its release. That's something the film only notes in the closing credits, and gives it a bit of a 'rose colored glasses' hue).
But beyond any politics or social significance this is also a very well acted, funny and moving look at one man, Arnold, (played by the unique and charismatic Harvey Firestein, who wrote the play and screenplay) as he looks for love – both romantic and familial in a sometimes very cold world. If Firestein's performance can occasionally feel theatrical, it's also entirely appropriate for the starting-to-age drag queen performer he plays. What's wonderful is how Firestein always keeps the humanity under Arnold's occasional flamboyance very alive, as does Anne Bancroft as his 'difficult' mother. Later in her career Bancroft could tend towards theatricality on screen as well, but she tones it down just enough to feel real here, and anyway, lets face it, next to a drag queen, who is more innately dramatic than a Jewish mother? (I grew up with one, trust me).
Matthew Broderick and Brian Kerwin also do very good work in support, Broderick as a sexy but understated young man totally at ease with his sexuality, and Kerwin as a confused bi- sexual trying to work out his. While never rising to the level of a great film (the direction is very straightforward and bland, there's almost a TV movie look to it, it never completely surpasses it's theatrical origins), it's certainly a good, touching, human, and important one – although to a generation growing up with the reality of gay marriage and deeper integration of gay people into society, some of the historical importance may be lost. But not the essential, timeless embrace of kindness, love, respect and understanding
But beyond any politics or social significance this is also a very well acted, funny and moving look at one man, Arnold, (played by the unique and charismatic Harvey Firestein, who wrote the play and screenplay) as he looks for love – both romantic and familial in a sometimes very cold world. If Firestein's performance can occasionally feel theatrical, it's also entirely appropriate for the starting-to-age drag queen performer he plays. What's wonderful is how Firestein always keeps the humanity under Arnold's occasional flamboyance very alive, as does Anne Bancroft as his 'difficult' mother. Later in her career Bancroft could tend towards theatricality on screen as well, but she tones it down just enough to feel real here, and anyway, lets face it, next to a drag queen, who is more innately dramatic than a Jewish mother? (I grew up with one, trust me).
Matthew Broderick and Brian Kerwin also do very good work in support, Broderick as a sexy but understated young man totally at ease with his sexuality, and Kerwin as a confused bi- sexual trying to work out his. While never rising to the level of a great film (the direction is very straightforward and bland, there's almost a TV movie look to it, it never completely surpasses it's theatrical origins), it's certainly a good, touching, human, and important one – although to a generation growing up with the reality of gay marriage and deeper integration of gay people into society, some of the historical importance may be lost. But not the essential, timeless embrace of kindness, love, respect and understanding
I absolutely love this movie. It certainly was created for gay men, but as a lesbian, I feel a kinship with other gay people, and I believe this is an excellent movie. The depiction of female impersonators is genuine, and doesn't give the false glamourpuss view that probably causes many outsiders to think all drag queens are just like RuPaul (nothing against her, she's a diva, but not everyone has so much money!). The portrayal of a relationship involving one gay person and one bisexual person is also beautifully realistic. Ann Bancroft's performance as the Ma is stunning. I believe this movie would also appeal to open-minded heterosexuals who may not have too much involvement with our culture, as it depicts a grittier side of life than the commonly-seen rich gay boy lifestyle. (Movie viewers with an eye toward the cinematography of films will also enjoy the artistry presented here.)
TST is like Harvey Fierstein himself: you love it or you loathe it; I love it. Preachy and heavy-handed as "Torch" is at times, it's also a brilliant, hilarious, and truly heartfelt look at how gay men love each other and their families. Arnold Beckoff, like Harvey, apologizes to no one for who and what he his, and his pride is infectious. And Matthew Broderick, as Arnold's model lover, has never been more appealing.
A touching portrayal of the difficulties involved in family relationships among gays. Noteworthy performances by Fierstein, Broderick and Bancroft. Lotsa laughs and tears. An underground film that deserves more attention. Daring and disturbing, this film examines the trying reality of being rejected by family, friends and co-workers for no other reason than homosexuality.
10sibie
This film is very deep and superbly acted. It requires a viewer with a heart, but once you got that working you will surely fall into this touching drama. What is most appealing about this film is its realism and the fact that scenes of heartfelt drama are followed by light hearted humour, leading one easily through this well designed
क्या आपको पता है
- ट्रिवियाEstelle Getty originated the role of Ma Beckoff on Broadway. She was unavailable filming The Golden Girls (1985) as Sophia, Dorothy's mother, to reprise the part for the movie so Anne Bancroft was cast instead.
- गूफ़Arnold hires a car service to take him and Ma to the cemetery, and the car is seen waiting for them. But when Ma storms off and leaves in the car, it's not the same driver that brought them to the cemetery.
- साउंडट्रैकDames
Music by Harry Warren
Lyrics by Al Dubin
Performed by Harvey Fierstein (uncredited), Ken Page (uncredited), Charles Pierce (uncredited), Axel Lott (uncredited), Nick Montgomery (uncredited), Robert Neary (uncredited), and Harriet C. Leider (uncredited)
© 1934 (renewed) Warner Bros. Inc. (ASCAP)
[Performed in the drag show during the opening credits; reprise in the first 1973 scene]
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Torch Song Trilogy?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषाएं
- इस रूप में भी जाना जाता है
- Das Kuckucksei
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $48,65,997
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $70,022
- 18 दिस॰ 1988
- दुनिया भर में सकल
- $48,70,903
- चलने की अवधि
- 2 घं(120 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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