IMDb रेटिंग
7.9/10
11 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंTwo children journey the long road to Germany to find the man they believe to be their father.Two children journey the long road to Germany to find the man they believe to be their father.Two children journey the long road to Germany to find the man they believe to be their father.
- पुरस्कार
- 12 जीत और कुल 5 नामांकन
Stratos George o'Glou
- Orestis
- (as Stratos Tzortzoglou)
फ़ीचर्ड समीक्षाएं
10sleex07
Seen the movie in HK International Film Festival over 16 years ago and still could not stop crying whenever I think of the kids in the movie. Be prepare for a sad story. Yet, the whole movie was filmed so artistically and many scenes are so creative (esp. at the age of the production.) This is the only movie still linger in my brain from time to time. Still miss the kids in the movie and wish to be there to get them out of the difficult situations. It is the power of the movie, the power of the director/writer, the little actress and actor. No more description can replace the movie itself. To fill up lines - being a mom of 2 now after the years, I miss the kids in the movie even more.
A journey is often the best way to find yourself, even if you are looking for something else. Greek director Theo Angelopoulos' film traces two runaway children – 11-year-old Voula (Tania Palaiologou) and her five- year-old brother Alexandros (Michalis Zeke) – as they search for a fictive father their mother made up stories about. On the road, they learn the realities of life – cruelty, violence and the crude struggle for survival, but also friendship and the first stirrings of romance. In a particularly startling scene, joy and sorrow are revealed simultaneously as a horse dies before their eyes, even as a marriage is mirthfully celebrated nearby. In another, the hand of a statue pulled out of the water could symbolise fragmentation, among several other things. In the end, the quest is hopeless. It's a desperate search for value, for meaning, for that indistinct dream you cling on to which gives life a sense of purpose.
(1988) Landscapes In The Mist/ Topio stin omihli
(In Greek with English subtitles)
DRAMA/ ART HOUSE
Co-produced, co-written and directed by Theodoros Angelopoulos which the tone that is similar Michelangelo Antonioni's "L'Avventura" but there's a lack of rhythm or flow in terms of the structure centering on a couple of children going on an odyssey in search of their real father they had never met. There are way too many pause shots of them standing around doing nothing walking along the highway which can be metaphorically confusing and can frustrate the average impatient viewer, and it is those scenes that makes this 124 minutes quite long to watch. I never liked this film as I initially saw it, but as a result of reading and hearing other peoples interpretations I have grown to accept it. This is the third of three films of Angelopoulos's 'Silent Trilogy', even though they still can be watched without the others being seen. The other two are "Voyage to Cythera" released in 1983 and then "The Beekeeper" released in 1986.
Co-produced, co-written and directed by Theodoros Angelopoulos which the tone that is similar Michelangelo Antonioni's "L'Avventura" but there's a lack of rhythm or flow in terms of the structure centering on a couple of children going on an odyssey in search of their real father they had never met. There are way too many pause shots of them standing around doing nothing walking along the highway which can be metaphorically confusing and can frustrate the average impatient viewer, and it is those scenes that makes this 124 minutes quite long to watch. I never liked this film as I initially saw it, but as a result of reading and hearing other peoples interpretations I have grown to accept it. This is the third of three films of Angelopoulos's 'Silent Trilogy', even though they still can be watched without the others being seen. The other two are "Voyage to Cythera" released in 1983 and then "The Beekeeper" released in 1986.
10peedur
A hard film to watch but an unforgettable experience. I was deeply moved by the damage done to these children in the raw, emptiness of the world of this film. Running away through Greece to seek out their theoretical father in an imagined Germany, they experience confusion, violation and epic indifference to their real and imagined needs. Momentary relief and hope is found in the form of a young man traveling with a theater company, but it is fleeting. The sheer simplicity of their need remain together and to go to Germany is, by the end, all that they have.
Angelopoulos, like other artists/poets/philosophers in film, has a very specific vision of the world which he is relating. There are moments in Landscape In The Mist where our trained needs for (Hollywood) film conventions, story structure and even simple answers cries out. Yet this is far from his intent; as with poetry, the film strives to state itself with images and ideas which leave the viewer not simply awed by beauty but also perplexed and emotionally disorganized as to how or what to to feel. To judge Angelopoulos on the same standards as a showbiz product is to miss the point. He believes film is art and not necessarily entertainment. One may dislike that vision but one will invariably be enriched by the journey if one can spend the time watching it with an open mind. Angelopoulos finds funding for his films and makes them for those who care to extend themselves into someone else's vision, not to reward investors by meeting a market need. He is a powerful artist. There are reasons why his films are not well known in the US, but those reasons are also what makes them fascinating, brilliant and rare experiences.
Angelopoulos, like other artists/poets/philosophers in film, has a very specific vision of the world which he is relating. There are moments in Landscape In The Mist where our trained needs for (Hollywood) film conventions, story structure and even simple answers cries out. Yet this is far from his intent; as with poetry, the film strives to state itself with images and ideas which leave the viewer not simply awed by beauty but also perplexed and emotionally disorganized as to how or what to to feel. To judge Angelopoulos on the same standards as a showbiz product is to miss the point. He believes film is art and not necessarily entertainment. One may dislike that vision but one will invariably be enriched by the journey if one can spend the time watching it with an open mind. Angelopoulos finds funding for his films and makes them for those who care to extend themselves into someone else's vision, not to reward investors by meeting a market need. He is a powerful artist. There are reasons why his films are not well known in the US, but those reasons are also what makes them fascinating, brilliant and rare experiences.
A road movie about two children (Voula and Alexandre) searching for their father who is supposed to live in Germany. Their obsession for this father figure will take them to the boundaries between childhood and adolescence.
"Landscape in the Mist" was Angelopoulos' first film to be distributed in the United States, being distributed by New Yorker Films. This also happens to be the first of his films that I have seen, and one of the first Greek films, for that matter. (If I have seen more than ten Greek films I would be surprised.) The concept is great, but what really sells the film is some of the strong imagery. The most gripping part of the entire film was when a helicopter came and lifted something out of the water... it was captivating and seemed to possess far more meaning than it possibly should have.
"Landscape in the Mist" was Angelopoulos' first film to be distributed in the United States, being distributed by New Yorker Films. This also happens to be the first of his films that I have seen, and one of the first Greek films, for that matter. (If I have seen more than ten Greek films I would be surprised.) The concept is great, but what really sells the film is some of the strong imagery. The most gripping part of the entire film was when a helicopter came and lifted something out of the water... it was captivating and seemed to possess far more meaning than it possibly should have.
क्या आपको पता है
- ट्रिवियाAfter the scene of the hand surfacing out from the sea, the young actor says the sentence 'Who, if I cried out, would hear me among the angels' hierarchies?'. This sentence is from The First Elegy by Rainer Maria Rilke.
- गूफ़When the truck pulls up at the truck stop, (at around 56 mins) there is a red and blue sticker in the bottom corner of the windshield. When it pulls over later on the side of the road, the sticker is in the centre of the windshield.
- क्रेज़ी क्रेडिटOpening titles: The band "The Last Drive" is heard from their Hitch-hyke records' "Underworld Shakedown" album (credit appears on the same screen with those for photography assistants).
- कनेक्शनFeatured in Les enfants jouent à la Russie (1993)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Landscape in the Mist?Alexa द्वारा संचालित
विवरण
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें