Sobachye serdtse

This movie (and yes, it's a movie - it was shot as a two-parter, but the two parts together come down to slightly more than 2 hours) is one of the unsung masterpieces of world cinema. A very well-mannered, and yet at the same time absolutely savage denunciation of the Soviet regime and the type of person who flourished under it, the film is a faithful adaptation of the long-banned eponymous book by Mikhail Bulgakov. The sets are flawless, and the director made the brilliant decision to film in monochrome sepia, adding a feel of authenticity where a late-80s washed-out color incarnation would have all but ruined the film. I won't say much about the plot, which deserves to be discovered by the viewer himself, but the performances are true Oscar material; special mentions go out to E. Evstigneev, who plays the old professor with such presence, gravitas and kind wisdom that with barely a word or a gesture, he ends up stealing every scene he's in. The second, of course, is Creature/Sharikov, who, played to horrifying perfection by V. Tolokonnikov, is by far more frightening a character than Hannibal Lecter, because not only does he exist in real life - entire countries have been ran by men like him throughout history, with all that ensues.

While it's a socio political allegory, it is worth mentioning that the movie is also brimming with humor, albeit dark - there are many outright comedies which haven't made me laugh as much as this film. What's more, when laughing at this movie, the feeling is not only one of hilarity but of understanding and agreement, which is always a plus.

There is hardly a complaint I have with this movie - the only slight flaw is the tone of intellectual/bourgeois snobbery I caught at times from the "enlightened" characters. But that's a minor quibble.

Sadly, this film appears to have been bypassed by Western licensing companies. It's a crying shame that one of the all-round best movies out there is languishing unrestored and untranslated (which shouldn't be incredibly hard - though all the cultural references and the revolutionary terminology will necessarily fade in translation, the film's main themes should be accessible to all). While we're waiting with our fingers crossed for the Criterion edition, I'm considering creating English subtitles myself. Will see how that works out.

Superb modern parable from a seditious Russian novel of 1925 by Mikhail Bulgakov that didn't see the light of day until the 1980s. This is cleverly photographed in sepia hues alongside some brilliantly restored and copied archive-footage, but at the same time it feels very contemporary and accessible with great definition close up, haunting polyphonic choral music, excellent comic acting, so it's got pretty much everything right. The Amazon sleeve art was a little off-putting looking rather cheap and amateur which it is neither - quite the opposite - it's clearly lavishly produced, ironically by Leninfilm. Ask anyone in eastern Europe, they've seen this film, but may not have heard of the book of its long history.

The story is a biting satire of Soviet communism and even when it was released it would have packed a punch, in fact it was surely art like this and other cultural dissent, not Ronald Reagan and Gorby that dismissed the regime, just a year later.

The plot involves a slightly uncouth mongrel dog but ever so charming that undergoes an experiment that the Bolshevik-hating professor didn't bargain for.... There's a touch of horror, layer upon layer of contemporaneous & still relevant cultural/political references, but above all it takes the prize for being all this but still extremely funny, and warm and humane. A cracker.

One of the most excellent movies ever produced in Russia and certainly the best one made during the decline of the USSR. Incredibly clever, hilarious and dramatic at the same time. Superb acting. Overall a masterpiece. Score it 10/10.

This magnificent painting by Vladimir Bortko of printed for the first time in the Soviet Union only in 1987, early satirical novel by Mikhail Bulgakov about the fantastic transformation of stray dog ​​ in a typical Soviet citizen Sharikov often show is now on television the anniversary of the October Revolution (by the way, is so-called revolution until the end 20s). And each time it is to be understood as a special treatment with a sobering effect on the revival of historical illusions and delusions (sorry that Bortko himself is now defected to the Communists, and even joined the Communist Party!). Three characters, the key to understanding the uniqueness of the moment has long expired - balls, Shvonder and Professor Preobrazhensky (in excellent, sometimes just virtuoso performance respectively Tolokonnikova Vladimir, Roman and Eugene Evstigneeva Kartseva) - can be said to have become a household figures. And thanks to them, as well as due to finely-crafted direction that does not rush to extremes, and an overlap, following commendable sense of proportion and taste, a pivotal era in the destiny of the country appeared on the screen in capacious, aphoristic form, which is not devoid of bright tragifarsovosti.

A skillful operator (in black and white, but slightly virirovannoy tone) work Yuri Shaygardanova has written the historical and revolutionary fantastic anecdote in stylized retro long sunk into oblivion peace. All this suggests the adaptation of Vladimir Bortko, maybe the best version of Bulgakov's works, which corresponds exactly to the plan of the writer, significant realized by him in the ninth year of the revolution.

It does not come to me a surprise that all positive reviews on this site come from Russian ex-pats, while the single negative one comes from somebody outside.

This movie is based on a classic work by a leading Russian monarchist intellectual. As such, it offers us a rare opportunity to look at the world from point of view of educated, wealthy aristocrat - a being much despised by most today, as he confronts an underprivileged, undereducated and underachieving antagonist, together with multitude of civil rights activists, acting as the latter's allies.

The movie's philosophy can be horrifying (and can be argued to be biased and one sided), but definitely deserves a consideration, offering a refreshingly new (or rediscovered old) prospective on eternal problems of social justice and intellectual hierarchy.