Pin

I will be brief. This movie, a fantastic piece of Canadiana, is one of the most underrated movies in the horror genre. This endorsement is purely for true horror fans. If you love the genre, you will want to see Pin. It's one of those rare movies that relys on someone's twisted perception of normal events to trigger a series of terrific scenes. It is also a true horror movie, for it depicts the real consequences of a dysfunctional family, and how one can be subsequently affected. Every one I have ever showed this movie too says the same thing. "That's not right." Suffice is to say, it's the kind of movies that keeps the lights on when you go to bed.

Leon and Ursula's parents aren't very affectionate. Their mother cares more about a spotless perfect household and their doctor father is always at work. He often brings them along, and uses ventriloquism to make it seem like his medical "anatomy" dummy is speaking to them. The kids are quite fond of the dummy (Pin) and believe he is really alive. As teens, after various upsetting events, they find themselves living in their home alone. Ursula is trying to become a well-adjusted adult, but Leon finds that his only true friend is Pin and still thinks he is actually alive. Is he? Or is Leon going crazy?

This is a very bizarre movie, and one of the better horror films I've seen from the 80s. The first half hour or so is sort of awkward to watch due to some of the children's experiences. The latter half of the film doesn't focus on Leon's psychology as much as one would expect, though it is clear that the kid has a warped idea of sexuality based on his twisted parental guidance and a freaky...incident he witnessed involving his beloved Pin. The acting is above average for an 80s horror film, and most genre fans will recognize David Hewlitt from "Cube." He does a good job playing the potentially-psycho teenager, and Cynthia Preston is marvelous as the sister trying to bring some stability to the family. Overall, this is an interesting, mildly creepy, and refreshingly toned-down offering from the decade of excess.

My Rating: 7/10.

This is a masterpiece ! Sadly neglected by the audience (probably because it lacked gore and fx) and by the critics (probably because it came from Canada: critics seems to have a habit of neglecting Canadian movies, unless they are directed by David Cronenberg). It's slow, haunting, unnerving and very well acted by all actors involved (mostly unknowns, except for Terry O'Quinn as the father and for David Hewlett as the son who acted also in Scanners II: The New Order (1991) and Cube (1997). It's directed with skill by Sandor Stern who was also responsible for the screenplay, based on a novel by Andrew Neiderman (who also wrote the novel The Devil's Advocate). The story: a young, lonely fragile-minded boy in need for parental love and guidance get's close-to-none from his too self-consumed parents and projects his needs into a medical display dummy which his father (a doctor) use as "a handyman" to help teaching his children. The only love and care the boy get's come from his kid-sister. The parents die in a horrible car-accident, leaving the children financially independent. They grow up to be teenagers and when the kid-sister starts to date, her brother's obsessive over-protectiveness results into chaos and murder. The final scenes are chilling and leave the audience (who has come to care for the characters) heartbroken.

Brother and Sister Leon and Ursula received fairly strict parenting, their father would use his medical dummy named pin to direct and instruct the children, using the medium of ventriloquism. When the parents die, Leon begins controlling his sister, through Pin.

What an unexpected gem of a movie this turned out to be, I thoroughly enjoyed it, there are so many quirky and unique horrors from the decade, this is one of the best I've seen for a while.

It's a story about control and obsession, Leon is very much a product of his strict and controlling father, he's clearly transferring his father's behaviours.

Full of suspense, it had me captivated til the very end, it really does manage to hold your attention.

What a creepy guy Pin is, I'm only surprised this film hasn't been remade, an audience is missing out on an updated version.

8/10.

Seldom is this film spoken of and that's a shame. Impressively written and directed by Canadian filmmaker Sandor Stern (who is probably best known for scripting THE AMITYVILLE HORROR), this underrated psychological thriller comes as a rare and welcome surprise, especially at a time when Freddy, Michael Myers and Jason were hacking their way through theaters (and sadly, hogging most of the attention).

The prosperous Linden family live in tight household headed over by a very stern doctor father (Terry O'Quinn) and an obsessive-compulsive clean freak mother (Bronwen Mantel) so extreme she keeps plastic slip-covers over all the furniture. When their sheltered children, Leon and Ursula, begin to start inquiring about the birds and bees, O'Quinn uses his ventriloquist skills to bring a medical display dummy named Pin to life to answer their questions. The film then jumps ahead ten or so years when the parents are killed in a car crash and Leon (David Hewlett) begins to display schizophrenic tendencies. He still believes Pin is alive and is eventually reduced to using Pin to murder his "enemies" to keep his sister (Cyndy Preston) in his life.

A film as subtle and quiet as this one requires solid, serious dramatic performances to work and Hewlett, Preston and O'Quinn don't disappoint in this thoughtful and eerie film. A real sleeper. Don't miss it! Based on a novel by Andrew Niederman (who also wrote the novel the film THE DEVIL'S ADVOCATE was based on).

Score: 8 out of 10.