Plain Clothes

This a movie that stuck with me, with the odd line of dialogue, or the iconographic facial expression popping into my head unsolicited for years later. The humour is constant, but understated; the acting was all well-done, and the plot carried itself. The viewer sees Nick start off clumsily, and practically cheers when he starts to be affected by the kids he's never got along with as he starts to understand them.

Nick looks more developed than the bullies who try to intimidate him, but he always carries himself with a casually awkward air that could fit right in with a group of teens. His and Ms. Torrence's attraction to one another is carefully done - believable, but not overwhelming, so you forgive other characters missing it.

It is not easy playing a 'quirky' character in a movie like this. The cast had to walk a line, never going so far that the movie became slapstick (the script would not have supported that), and did an excellent job. Check out Diane Ladd, for instance: her implication that a by-the-book persona covered a passionate nature was perfectly done. And Abe Vigoda, with that fantastic face - looks like a basset hound when serious, like a game show host when smiling! Often he does both within a few seconds of each other. Seymour Cassel, Robert Stack, George Wendt, Suzy Amis, and Jackie Gayle all showed great comedic delivery.

The minimal violence and sex was well-done, as well. Often such things are better implied than shown, and although there was some (it IS a murder mystery, and there are romantic entanglements to deal with), it was appropriate. The music, montages, costuming and settings were all make for a believable a late-80s high school, although the dialogue was overblown for comedic effect.

There was a slight glitch in the characterization when it is at first implied Nick (like his brother) has a hair-trigger temper, and then spends most of the more tense, humiliating scenes acting like he has (more than) adult control. It worked for the plot, though. The clues dropped for the mystery are often disguised as humour; I do not think the audience will have an "Aha!" moment like Nick apparently does, but it worked well in this context.

More than one fan has said they want this on DVD - well, me, too! But I do not see a way to suggest it on Paramount's home page, so I will try to make do with a deteriorating VHS copy. If anyone wants to tell me how to make my vote known, I would welcome it! _Plain Clothes_ on digital! With any extras you can dig up after two decades! PLEASE!

(And, as an aside, what a useless title: when I tried to find this movie, the title was the thing I never remembered about it.)

All said, a fun, light-hearted movie, full of human nature, nostalgia, and quotable lines.

Arliss Howard (looking at home) stars in this enjoyably offbeat mystery comedy, which he plays a cop who goes undercover at his brother's high school when he's accused of stabbing a teacher. Because how young he looks no one believes he's a cop, so why not go back to school to figure who committed the murder and helping is his partner (a terrific Seymour Cassel) who pretends to be his father. But there's no escaping the daily grind of high school.

Kind of surprised this is not more well known, bestowing an excellent ensemble cast (George Wendt, Diana Ladd, Suzy Amis, Larry Pine and Robert Stack) giving decent performances by presenting an odd assortment of characters and sharing great chemistry (especially Howard and Cassel). The story moves between trying to connect the dots throwing out possible leads and red herrings (in predictably daft way), while also adjusting to school life. These are the usual things (bullying, popularity and crushes), but it remains charming, authentically atmospheric and lightly humorous. There's a certain mock seriousness attitude abound and there's neat running gag involving amusing quips over the school PA system and a memorable little poetry reading to explain the word metaphor. It has snappy energy and frequent humour, while low-key it does balance out nicely against its murder mystery angle.

Pleasing under-the-radar late 80s comedy.

I wouldn't give this movie an overall good mark, but I think in its niche it well deserves its average. To be an eighties movie it contains enough for the younger viewer to enjoy. I quite liked the small poetry incorporated. One thumb up!

This is one of the mindless dumb comedies that you know is going to be dumb. Still, it's not as bad as I expected. Question: how in the world do they not see then 34 year old Arliss Howard is a grown man? I mean, look, he goes undercover as a teen in high school but his character is supposed to be 24 years old. Even as a 24 year old he's not believable.

Still, I found myself chuckling a couple times, even cheering a bit. This came out during the 21 junpstreet era which was huge in 1988. Other than miscasting it's not really a bad movie.if you've got 90 minutes to kill and can find it, why not?

This is one of those films that I watched on a Saturday afternoon when there was nothing else on, & man, am I glad I did.

Arliss Howard plays a young detective who must go undercover at a high school in order to clear his younger brother of a murder accusation. Seems straightforward enough, but this film actually tosses in some plot twists that make the viewer have to pay attention. The movie is punctuated by its quirky sense of humour (look for the quick visual gag "Free at Last!" in Robert Stack's office!!) & a refusal to take itself seriously. Adding to the charm of this are excellent performances by Robert Stack, Suzy Amis, Diane Ladd, George Wendt, Seymour Cassel, Reginald VelJohnson, & a howlingly deadpan performance by the great Abe Vigoda!

This film will never win any awards, but the cast are solid & the script is funny. It's a tad more grown-up & far less preachy than most of the '80s pap that garnered all the attention, & if anyone's looking for a good popcorn-muncher that'll give a few good laughs, try this one on for size.