Party Line

A hard to find movie, Party Line can be found in some video stores in the Mature Audience section. The reason being for the nudity. Still, don't look forward to seeing Richard Hatch in the buff in this film. In fact, Party Line is a debut film for Hatch where he is not dressed in tight pants! Unlike past roles, Hatch plays a more dark and complex character that has no ties with space ships or robots. Hatch plays the role of a bad ass detective who is determined to find a serial killer. With a six shooter, a pair of baggy blue jeans, and long hair, Hatch remains loyal to his roots but begins to make a dramatic change in the roles he takes as an actor.

Highly recommended for Richard Hatch fans.

You feeling lonely, well pick-up the phone call the "Party Line" to live-out you undesirable fantasies as you can talk, or just listen and then maybe hook-up on this single-dating service line. The concept abound can really touch a nerve, because how authentic it is and how a fad so popular and addictive could spin dangerously out of control in not knowing what you're really getting in to. This gimmick is what drives the story, but the low-budget produced "Party line" is something fairly patchy and trashy, as it falls somewhere in between a detective film and seedy slasher outing, and when it's focusing on the former it's quite stodgy but with the latter it's rather riveting… as eventually the two would tie in together.

Two disturbingly crazed siblings (who have a very strange, perverse relationship); like to participate in a chat hot-line, luring their eventual victims to meet up with them. A well-worn, rogue detective happens to come across one of the sibling's murders and then is reluctantly assigned to the case with the aid an aspiring, by the book female assistant of the Distract Attorney.

Whenever the story was dealing with the brother and sister relationship, it brought up some kinky and demented shades of jealousy and affection. Even the past events of their parents intrigues (especially one scene involving Garrett and a wedding dress) -- as this could be the attribution to their murderous impulses, but the script only window-dresses it by never truly balancing it out. Leif Garrett plays it cold, but underneath that persona he's feebly unstable in his fear of being alone as a meek mummy's boy but he's overshadowed by the formidably headstrong, but racy Greta Blackburn. However the sub-plot involving the hard-bitten detective (who wants to be like Eastwood's dirty Harry --- as just look out for the movie poster of "Sudden Impact" in his home) and Distract Attorney assistant is simply black and white. These moments in the film are laboured, despite the best efforts of Richard Hatch and Shawn Weatherly. Also showing up in nothing but a minor role is Richard Roundtree. The script keeps a serious tone throughout, but can go over-the-top and cause some giggles with unusual developments, contrived circumstances and a rushed wrap-up. The direction is predictably textbook looking like a made for TV feature, but killing it is the sluggish pacing and working its way in is an oozing jazz flavoured score.

Watchable, but token stalk n slash thriller at best.

I watched this movie this past week. I picked it out of a line up of "old horror/ thriller movies." I wanted a good laugh, so I picked this up, along with "Fade to Black" and "The Slumber Party Massacre Number 2." Boy was I in for a surprise. The plot was too extreme to even be believable. (Why would a brother even want to take part in sexual escapades with his biological sister?)

I have to admit that some of the scenes were pretty funny in slow motion, i.e. when the babysitter's employer dropped the babysitter off, and the babysitter slapped the employer in the face- the face he made, was too funny for words. A must see. Leif Garrett must have been desperate for work. However, the film makers were even more desperate to have this film released. And I mean, "film makers." If you want to call them that.

Rating by TaxiDr: 2 1/2 for laughter, and 1 for taking a chance in the movie industry.

This film begins with a young woman by the name of "Angelina" (Greta Blackburn) seducing a married man through a 900-party line and, after bringing him to her home, having her brother "Seth" (Leif Garrett) kill him with a straight-edge razor. The scene then shifts to a local Los Angeles police station with a vice detective known simply as "Dan" (Richard Hatch) tailing a drug dealer only to discover that his suspect has had his throat cut in the same manner as a couple of earlier homicides. Being rather short-handed, his supervisor "Captain Barnes" (Richard Roundtree) subsequently transfers Dan from vice to homicide and assigns him to investigate the case. Along with that, Captain Barnes also assigns a female DA assistant named "Stacy" (Shawn Weatherly) to work with Dan as his partner. The problem, however, is that there are very few clues to work with and the District Attorney named "Henry" (James O'Sullivan) is looking for an excuse to fire Dan for several issues that occurred between them in the past. Now, rather than reveal any more, I will just say that this film suffered from a lack of suspense, weak acting and bad chemistry between the main characters overall. That being said, while I don't consider this to be a terribly bad film necessarily, it just didn't impress me all that much, and I have rated it accordingly. Slightly below average.

A strange case, this movie. It's at its best when it explores the perverse (past and present) family ties that bind Leif Garrett and Greta Blackburn (and she's has a powerful, sexy presence). But the script keeps intercutting their story with that of a misfit cop (a real Dirty Harry wannabe) and an ambitious female assistant DA who are searching for the killer that is slashing his/her victims' throats with a razor. As you have probably already guessed, the film has too much plot, too many supporting characters (what's Richard Roundtree doing here?) and too many plot coincidences. You could do a lot worse, though. (**)