एक खोया हुआ और अकेला बिल्ली का बच्चा न्यूयॉर्क शहर में छोटे लार्सी में लगे कुत्तों के एक गिरोह में शामिल हो जाता है।एक खोया हुआ और अकेला बिल्ली का बच्चा न्यूयॉर्क शहर में छोटे लार्सी में लगे कुत्तों के एक गिरोह में शामिल हो जाता है।एक खोया हुआ और अकेला बिल्ली का बच्चा न्यूयॉर्क शहर में छोटे लार्सी में लगे कुत्तों के एक गिरोह में शामिल हो जाता है।
- पुरस्कार
- 1 जीत और कुल 2 नामांकन
Joey Lawrence
- Oliver
- (वॉइस)
Billy Joel
- Dodger
- (वॉइस)
Cheech Marin
- Tito
- (वॉइस)
Richard Mulligan
- Einstein
- (वॉइस)
Roscoe Lee Browne
- Francis
- (वॉइस)
Sheryl Lee Ralph
- Rita
- (वॉइस)
Dom DeLuise
- Fagin
- (वॉइस)
Taurean Blacque
- Roscoe
- (वॉइस)
Carl Weintraub
- Desoto
- (वॉइस)
Robert Loggia
- Sykes
- (वॉइस)
Natalie Gregory
- Jenny
- (वॉइस)
William Glover
- Winston
- (वॉइस)
Bette Midler
- Georgette
- (वॉइस)
Frank Welker
- Carlo
- (वॉइस)
- …
Deborah Gates
- Additional Voice
- (वॉइस)
- (as Debbie Gates)
फ़ीचर्ड समीक्षाएं
This movie has an unmistakable 1980s vibe that gives it a certain charm. Viewers familiar with "Oliver Twist" will find it interesting how Dickens's story is adapted around dogs and their owners in modern-day New York City.
Billy Joel impresses as the voice of Dodger, a mutt with New York attitude. He's joined in the cast by Cheech Marin, Bette Midler, and Dom DeLuise (as a derelict Fagin).
The best character, in my mind, is the city itself. This is definitely a New York City movie, tapping into the city's personality and capturing many of the landmarks in the animation.
The movie has a visual aesthetic that is not quite like the style of other Disney films, which is kind of cool. There's some great character animation, such as with the imposing villain Sykes (Robert Loggia). CGI framework is used effectively throughout the film to animate cars and things.
OLIVER & COMPANY is definitely a product of its time: the late 1980s. The movie is dated by the clothing worn by the humans, the models of the cars, the music (smooth and synthesizery, with the main title song sung by Huey Lewis), the gritty urban look, and even the character designs (see the hot dog vendor or the hairspray-loving canine Rita).
In a superficial way, OLIVER & COMPANY reminds me of THE RESCUERS. Both have a unique aesthetic "feel" that strays from the classic Disney style and seems to capture the sensibilities of the times. OLIVER is as quintessentially 1988 as THE RESCUERS is 1977. (Both films also portray contemporary New York City, involve animals helping a cute little girl, and explore some dark and emotional territory.) OLIVER & COMPANY is dated, but gloriously so.
The next animated film released by Disney would be THE LITTLE MERMAID (1989), which launched the company's 1990s renaissance of timeless masterpieces, shaped by Alan Menken's Broadway-influenced musical direction. It's interesting to see the quaint, contemporary style of OLIVER, knowing that Disney would soon go off in a different direction.
With no nostalgic ties to this film, I can say that it's a decent flick, although it wouldn't crack even my top 20 Disney movies. Love the NYC stuff. Joel's "Why Should I Worry?" is a musical highlight. The story has a surprising emotional impact and the climax is both dark and exciting.
Billy Joel impresses as the voice of Dodger, a mutt with New York attitude. He's joined in the cast by Cheech Marin, Bette Midler, and Dom DeLuise (as a derelict Fagin).
The best character, in my mind, is the city itself. This is definitely a New York City movie, tapping into the city's personality and capturing many of the landmarks in the animation.
The movie has a visual aesthetic that is not quite like the style of other Disney films, which is kind of cool. There's some great character animation, such as with the imposing villain Sykes (Robert Loggia). CGI framework is used effectively throughout the film to animate cars and things.
OLIVER & COMPANY is definitely a product of its time: the late 1980s. The movie is dated by the clothing worn by the humans, the models of the cars, the music (smooth and synthesizery, with the main title song sung by Huey Lewis), the gritty urban look, and even the character designs (see the hot dog vendor or the hairspray-loving canine Rita).
In a superficial way, OLIVER & COMPANY reminds me of THE RESCUERS. Both have a unique aesthetic "feel" that strays from the classic Disney style and seems to capture the sensibilities of the times. OLIVER is as quintessentially 1988 as THE RESCUERS is 1977. (Both films also portray contemporary New York City, involve animals helping a cute little girl, and explore some dark and emotional territory.) OLIVER & COMPANY is dated, but gloriously so.
The next animated film released by Disney would be THE LITTLE MERMAID (1989), which launched the company's 1990s renaissance of timeless masterpieces, shaped by Alan Menken's Broadway-influenced musical direction. It's interesting to see the quaint, contemporary style of OLIVER, knowing that Disney would soon go off in a different direction.
With no nostalgic ties to this film, I can say that it's a decent flick, although it wouldn't crack even my top 20 Disney movies. Love the NYC stuff. Joel's "Why Should I Worry?" is a musical highlight. The story has a surprising emotional impact and the climax is both dark and exciting.
I know it sounds weird because this movie was made when I was a child, you'd think I would've seen it at an earlier age. But I never did and my friend had the movie, I was curious and wondering why I never had the chance to see it. But I'm glad that I just got to see this movie, it was so much fun and I just missed the old time animation. It had great music by the awesome Billy Joel and the animals were just so adorable.
Basically, Oliver is an orphan kitten the big city of New York and meets a smooth street smart dog, Dodger. When Oliver follows Dodger to his layer of other dogs who are led by a homeless man, Fagin, they decide to keep Oliver. But when Oliver is learning the street smarts, a little girl sees him and takes him home where he gets a nice loving place to stay, not to mention extremely wealthy. But the guys want him back and kidnap him to pay back the mean Mr. Sykes.
I thought this was a great introduction of Charles Dicken's immortal classic for the kids. Not to mention that it was clever and witty, the music is memorable and there are some very funny moments that both kids and adults could get a kick out of. Believe me, this movie is good fun, but I'm still trying to find out why I didn't see it sooner.
8/10
Basically, Oliver is an orphan kitten the big city of New York and meets a smooth street smart dog, Dodger. When Oliver follows Dodger to his layer of other dogs who are led by a homeless man, Fagin, they decide to keep Oliver. But when Oliver is learning the street smarts, a little girl sees him and takes him home where he gets a nice loving place to stay, not to mention extremely wealthy. But the guys want him back and kidnap him to pay back the mean Mr. Sykes.
I thought this was a great introduction of Charles Dicken's immortal classic for the kids. Not to mention that it was clever and witty, the music is memorable and there are some very funny moments that both kids and adults could get a kick out of. Believe me, this movie is good fun, but I'm still trying to find out why I didn't see it sooner.
8/10
Curiously endearing Disney animated feature inspired by "Oliver Twist", transposing the Dickensian favorite fairly successfully to a modern-day New York setting - with the villainous Bill Sykes as a mobster (flanked by a couple of vicious mastiffs). Stylistically, it lies somewhere between LADY AND THE TRAMP (1955) and the adult-oriented films of Ralph Bakshi (without the sex and violence, naturally); as such, it stands oddly alongside the studio's usual fare from this rather lame era - and its vitality can now be seen to have foreshadowed the renaissance in quality (and critical appraisal) which they witnessed soon after, beginning with THE LITTLE MERMAID (1989). The anthropomorphic characters (which generally swamp the humans - Fagin is very much a good guy here, if still pitiful) are quite nicely fitted to class stereotypes: hence, we get a Hispanic chihauha (with an eye for the ladies) and a posh bulldog, among others, while Dodger is basically an updated version of Tramp and Oliver himself a cute but very brave kitten. The familiar and involved plot is all but jettisoned (especially in its second half) in favor of boisterous action and character comedy, with a bouncy score and rapid pace to match. In the end, it proved surprisingly good - and, at just 74 minutes, short enough not to overstay its welcome.
Inspired by the timeless Charles Dickens novel , "Oliver Twist" , Oliver & Company is the thrilling animated classic full of action , friendship , courage , and heart that starts when Oliver , the orphaned kitten , is befriended by Dodger , the cool dog from a New York pack of pickpocket pooches. Soon , Oliver is lovingly adopted by Jenny , a lonely little rich girl , until tough-guy Sykes and his Doberman sidekicks , Desoto and Roscoe , try to keep Jenny and Oliver apart. Now it's up to Oliver, Dodger , and all his colorful , street-smart canine pals to outwit the villains and rescue the girl in an electrifying chase that will leave you breathless!Filled with laughter , loyalty , and great music by Billy Joel , Huey Lewis , and Bette Midler. Oliver and Company is family fun you'll love watching over and over again!
9/10
9/10
We've seen a musical version of Oliver, even an animated series, but an animated musical with a cast of dogs and kitten called Oliver set in New York, you'd think it would be a disaster. But, thanks to Disney magic, this film is a classic filled with songs that are never forgotten as well as that wonderful combination of comedy and family drama.
When a homeless kitten comes across a street-wise dog with a gift for song and stealing hot dogs, little Oliver finds himself the member of an exclusive gang of thieving dogs. But before he even executes his first crime, he is discovered by a lonely little girl in need of a friend. Chaos soon ensues as Jenny and Oliver get caught up in a kidnapping by the classic evil villain.
It's a fun filled romp to be enjoyed by one and all over and over again.
When a homeless kitten comes across a street-wise dog with a gift for song and stealing hot dogs, little Oliver finds himself the member of an exclusive gang of thieving dogs. But before he even executes his first crime, he is discovered by a lonely little girl in need of a friend. Chaos soon ensues as Jenny and Oliver get caught up in a kidnapping by the classic evil villain.
It's a fun filled romp to be enjoyed by one and all over and over again.
क्या आपको पता है
- ट्रिवियाAnimators shot photos of New York streets as reference, using cameras set eighteen inches off the ground to get a dog's point of view.
- गूफ़The Brooklyn Bridge does not have subway tracks.
- इसके अलावा अन्य वर्जनThe original 1988 theatrical release used the original 1985 Walt Disney Pictures logo while further releases from the 1996 theatrical releases onward use the 1990 variant of the logo.
- कनेक्शनEdited into Doggiewoggiez! Poochiewoochiez! (2012)
- साउंडट्रैकOnce Upon a Time in New York City
Music by Barry Mann
Lyrics by Howard Ashman
Produced by Stewart Levine
Performed by Huey Lewis
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Oliver & Company?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- Oliver y su pandilla
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $3,10,00,000(अनुमानित)
- US और कनाडा में सकल
- $7,41,51,346
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $40,22,752
- 20 नव॰ 1988
- दुनिया भर में सकल
- $7,41,51,346
- चलने की अवधि
- 1 घं 14 मि(74 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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