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Mississippi Burning

  • 1988
  • A
  • 2 घं 8 मि
IMDb रेटिंग
7.8/10
1.2 लाख
आपकी रेटिंग
लोकप्रियता
1,833
126
Willem Dafoe and Gene Hackman in Mississippi Burning (1988)
Home Video Trailer from Orion Pictures
trailer प्ले करें1:34
3 वीडियो
99+ फ़ोटो
अपराधट्रेजेडीड्रामाथ्रिलररहस्यसस्पेंस रहस्यात्मक

दो एफबीआई। बेतहाशा अलग शैलियों वाले एजेंट कुछ नागरिक अधिकार कार्यकर्ताओं के लापता होने की जांच करने के लिए मिसिसिपी पहुंचते हैं।दो एफबीआई। बेतहाशा अलग शैलियों वाले एजेंट कुछ नागरिक अधिकार कार्यकर्ताओं के लापता होने की जांच करने के लिए मिसिसिपी पहुंचते हैं।दो एफबीआई। बेतहाशा अलग शैलियों वाले एजेंट कुछ नागरिक अधिकार कार्यकर्ताओं के लापता होने की जांच करने के लिए मिसिसिपी पहुंचते हैं।

  • निर्देशक
    • Alan Parker
  • लेखक
    • Chris Gerolmo
  • स्टार
    • Gene Hackman
    • Willem Dafoe
    • Frances McDormand
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.8/10
    1.2 लाख
    आपकी रेटिंग
    लोकप्रियता
    1,833
    126
    • निर्देशक
      • Alan Parker
    • लेखक
      • Chris Gerolmo
    • स्टार
      • Gene Hackman
      • Willem Dafoe
      • Frances McDormand
    • 273यूज़र समीक्षाएं
    • 64आलोचक समीक्षाएं
    • 65मेटास्कोर
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • 1 ऑस्कर जीते
      • 17 जीत और कुल 25 नामांकन

    वीडियो3

    Mississippi Burning
    Trailer 1:34
    Mississippi Burning
    Mississippi Burning
    Trailer 1:34
    Mississippi Burning
    Mississippi Burning
    Trailer 1:34
    Mississippi Burning
    Which Roles Did Samuel L. Jackson Turn Down?
    Video 2:31
    Which Roles Did Samuel L. Jackson Turn Down?

    फ़ोटो108

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
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    + 101
    पोस्टर देखें

    टॉप कलाकार87

    बदलाव करें
    Gene Hackman
    Gene Hackman
    • Anderson
    Willem Dafoe
    Willem Dafoe
    • Ward
    Frances McDormand
    Frances McDormand
    • Mrs. Pell
    Brad Dourif
    Brad Dourif
    • Deputy Pell
    R. Lee Ermey
    R. Lee Ermey
    • Mayor Tilman
    Gailard Sartain
    Gailard Sartain
    • Sheriff Stuckey
    Stephen Tobolowsky
    Stephen Tobolowsky
    • Townley
    Michael Rooker
    Michael Rooker
    • Frank Bailey
    Pruitt Taylor Vince
    Pruitt Taylor Vince
    • Lester Cowens
    Badja Djola
    Badja Djola
    • Agent Monk
    Kevin Dunn
    Kevin Dunn
    • Agent Bird
    Frankie Faison
    Frankie Faison
    • Eulogist
    Thomas B. Mason
    • Judge
    • (as Tom Mason)
    Geoffrey Nauffts
    Geoffrey Nauffts
    • Goatee
    Rick Zieff
    Rick Zieff
    • Passenger
    Christopher White
    • Black Passenger
    Gladys Greer
    • Hattie
    Jake Gipson
    • Mose
    • निर्देशक
      • Alan Parker
    • लेखक
      • Chris Gerolmo
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं273

    7.8123K
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    सारांश

    Reviewers say 'Mississippi Burning' is a powerful film tackling racism and civil rights in 1960s Mississippi, lauded for its strong performances by Gene Hackman and Willem Dafoe. Its gripping narrative and Alan Parker's direction are highlighted. However, some criticize historical inaccuracies and character portrayals. Despite this, many view it as an important, thought-provoking film that effectively conveys the horrors of racial bigotry and the struggle for justice, making it a significant, albeit controversial, work on race relations in America.
    यूज़र की समीक्षाओं के टेक्स्ट से AI द्वारा जेनरेट किया गया

    फ़ीचर्ड समीक्षाएं

    Redemption

    Excellent Film, Harsh viewer criticisms.

    With some certainty, Mississippi Burning was the best film of 1988. I watched it recently, as I do from time to time, and in reading other viewer comments, I was dismayed to read such unwarranted and unintelligent criticism of a film that has done so much to expose the realities of the Black experience in the Deep South during the 1960's. On more than one occasion, a viewer (usually anonymous) has pinpointed the film as racist, in that it offers a view of the Civil Rights movement involving whites and government agents as key instigators of change. They feel that it portrays blacks in a negative light, downplaying the roles blacks played in the acquisition of their own equality. These people are either unaware, or just plain ignorant. There is a reason that this film focuses on the efforts of White FBI agents to locate the three missing boys. To begin with, this film focuses on a true story (slightly fictionalized for cinematic effect). During Freedom Summer of 1964, many white college students and black students as well worked under the guidance of groups like the Student Non-violent Coordinating Committee, in an effort to set up voter registration drives for blacks that had been historically disenfranchised. The three missing boys (two white, one black) received much attention during that summer from a Federal standpoint. This is a fact. Yet the reason for governmental interest in the murder of these boys exemplifies the attitudes of the era. Historically, murdered civil rights workers did not garner much attention. Yet because this case involved two northern whites, suddenly The FBI took interest. This is the reason for FBI involvement in the story. The fact that blacks are shown quite often as scared and unwilling to cause a stir in this film also is historically accurate. While there were many blacks that made great inroads and took huge risks to their personal well-being, the citizenry of blacks in this film is an accurate portrayal of the times. How many of us today would be willing to talk, inform, and be seen attempting to use our constitutional rights if we knew that such actions might get us killed? The seeming disinterest of blacks in this film is a result of years of Jim Crow legislation, of lynch law, and of outright terror tactics brought upon the black population by racist whites.It is a picture of a population that wants to stand up and scream, but is reluctant for very justifiable reasons. To stay alive often meant keeping your mouth shut. To make a film in which all black citizens of Philadelphia, Mississippi stood collectively against the perpetrators of these murders would be historically incongruent. Try to look past the overriding white involvement in this film and understand that this is the way the events unfurled. Perhaps it is a sad commentary on white involvement in Civil rights that was too little, too late. It took the death of two whites to spark interest in the events in Phil. Mississippi. This much is obvious. But as the search for these boys made headlines daily, just remember that many blacks were pulled from rivers that summer, in the search for the three civil rights workers. Unfortunately, these discoveries never made the headlines. A murdered white was cause for alarm. But a lynched black pulled from a swamp was merely accepted. Take this film as a lesson, and be glad that many things have changed since 1964.
    10rob_todd1

    Just watched again after nearly 30 years

    What a great film. Hackman and dafoe amazing. Brilliant and moving story. Hasn't aged for me
    8SmileysWorld

    Well executed,gripping story.

    This film is a good,though not flawless representative of the turbulent 1960's south.The character representation is good,though taken to a bit of an extreme in places.Gene Hackman gives another knockout performance here,as he does always as does Willem Dafoe.The cast is great,though Gailard Sartain was a surprising choice as Sheriff Stuckey, given his penchant for appearing in the worst of films.It is based on a true story,and as we all know,true stories are never presented to perfection.It is,however,presented as well as it can be.This is a very gripping,edge of your seat film,and very well done.
    8Nazi_Fighter_David

    The film succeeds by being gripping, emotional, and disturbing

    Mississippi Burning is set in 1964 when three civil rights activists are murdered in a small town by the Ku Klux Klan… Two of them were white and one of them black…

    Based on actual events in Philadelphia, the screenplay centers chiefly on the hostility relationship between the two FBI agents (Gene Hackman and Willem Dafoe) sent down to the small Mississippi town to seek information about the vanishing of the three victims… Immediately upon their arrival, they are greeted with hostility by the local law enforcement and the town in general…

    Dafoe's Ward— in charge of the case—comes off as the embodiment of everything those men in the south dislike about the "Yankees" who are coming down there commanding them how to act…

    Anderson(Hackman), who was once a Mississippi officer himself, has a special feel for how to settle things with Southerners… He uses his charm to win the confidence of the friendly wife of a Klansman deputy, whom he suspects holds the key to unravel the details of the case…

    The scenes between McDormand and Hackman are the best of the film… They dramatize how quickly two lonely people can match...

    The film succeeds by being gripping, emotional, and disturbing… Alan parker graphically explores the hatred, motivations and mentality that were once flaming through the American society in the 60's.
    9Smells_Like_Cheese

    It broke my heart

    Not saying this isn't an excellent film, it is just bluntly honest. I remember in English class in high school, we were learning about racism in the 60's, and how horrible it was. The worst part was that I am from a very racist town, unfortunately, and watching the beginning of the film terrified me because I felt like this world hadn't changed since I felt like I was living that film. Being one voice sometimes can either be helpful or get you into a lot of trouble.

    I didn't want to see this film again because of the awful situations I saw or heard of. Now, I am out on my own, and I had the chance to see the movie once again, and felt that I could see it. It's a terrific and very powerful movie that can get anyone to cry unbearably. It's not just the actors, but Gene and William's characters, I wanted to be just like them, they were able to stand up even though the many times of being knocked down and caring so much just to try to in some way save that town.

    I honestly feel that everyone should see this movie, it can change your life or make you look around and want to change things. I know this comment feels more like a lecture than a comment, but that's how much this movie got to me. I think we all can do something right in this world, it's just a matter or standing up. Even if this film isn't historically accurate, it's accurate enough to see how people treat other people. Hopefully, we will have a better future for generations to come.

    9/10

    इस तरह के और

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    7.1
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    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      The film is inspired by the murder of voting rights activists James Chaney, Michael Schwerner, and Andrew Goodman by the Ku Klux Klan.
    • गूफ़
      When Anderson throws Pell into the chairs at the barbershop, Pell's stunt double has a different hairstyle (balding, with a comb-over).
    • भाव

      Ward: Where does it come from? All this hatred?

      Anderson: You know, when I was a little boy, there was an old negro farmer that lived down the road from us, name of Monroe. And he was... well, I guess he was just a little luckier than my daddy was. He bought himself a mule. That was a big deal around that town. My daddy hated that mule, 'cause his friends were always kidding him that they saw Monroe out plowing with his new mule, and Monroe was going to rent another field now he had a mule. One morning, that mule showed up dead. They poisoned the water. After that, there wasn't any mention about that mule around my daddy. It just never came up. One time, we were driving down that road, and we passed Monroe's place and we saw it was empty. He just packed up and left, I guess, he must of went up north or something. I looked over at my daddy's face. I knew he done it. He saw that I knew. He was ashamed. I guess he was ashamed. He looked at me and said, If you ain't better than a nigger, son, who are you better than?

      Ward: You think that's an excuse?

      Anderson: No it's not an excuse. It's just a story about my daddy.

      Ward: Where's that leave you?

      Anderson: My old man was just so full of hate that he didn't know that bein' poor was what was killing him.

    • कनेक्शन
      Featured in Siskel & Ebert & the Movies: The Naked Gun/Dakota/Mississippi Burning/Vincent (1988)
    • साउंडट्रैक
      Take My Hand Precious Lord
      Words and Music by Thomas A. Dorsey

      Performed by Mahalia Jackson

      Courtesy of CBS Records

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल

    • How long is Mississippi Burning?Alexa द्वारा संचालित
    • After Anderson goes to the bar where the KKK is hanging out and lays down the law to them, he returns to the headquarters where Ward chews him out for that incident as well as hanging out at the beauty parlor. Anderson tells Ward "Deputy Pell's wife won't give us the info we need because her husband controls what she says and I'm not going to choke it out of her". Ward responds "this can of worms only opens from the inside". What did Ward mean with the "can of worms" comment?
    • When Ward told Anderson "this can of worms only opens from the inside" after Anderson told ward he won't get any info out of mrs pell, what did that quote mean?
    • How did Sheriff Stuckey know / find out that it was Deputy Pell's wife that blabbed ?

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 27 जनवरी 1989 (यूनाइटेड स्टेट्स)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
    • भाषा
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • Mississippi en llamas
    • फ़िल्माने की जगहें
      • Ross Barnett Reservior, मिसिसिपी, यूएसए
    • उत्पादन कंपनी
      • Orion Pictures
    • IMDbPro पर और कंपनी क्रेडिट देखें

    बॉक्स ऑफ़िस

    बदलाव करें
    • बजट
      • $1,50,00,000(अनुमानित)
    • US और कनाडा में सकल
      • $3,46,03,943
    • US और कनाडा में पहले सप्ताह में कुल कमाई
      • $2,25,034
      • 11 दिस॰ 1988
    • दुनिया भर में सकल
      • $3,46,03,943
    IMDbPro पर बॉक्स ऑफ़िस की विस्तार में जानकारी देखें

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    • चलने की अवधि
      2 घंटे 8 मिनट
    • रंग
      • Color
    • ध्वनि मिश्रण
      • Dolby SR
    • पक्ष अनुपात
      • 1.85 : 1

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