एक इनाम शिकारी एक पूर्व माफिया एकाउंटेंट का पीछा करता है जिसे प्रतिद्वंद्वी बाउंटी शिकारी द्वारा भी पीछा किया जा रहा है।एक इनाम शिकारी एक पूर्व माफिया एकाउंटेंट का पीछा करता है जिसे प्रतिद्वंद्वी बाउंटी शिकारी द्वारा भी पीछा किया जा रहा है।एक इनाम शिकारी एक पूर्व माफिया एकाउंटेंट का पीछा करता है जिसे प्रतिद्वंद्वी बाउंटी शिकारी द्वारा भी पीछा किया जा रहा है।
- पुरस्कार
- 2 जीत और कुल 5 नामांकन
Tom McCleister
- Red Wood
- (as Thom McCleister)
फ़ीचर्ड समीक्षाएं
Here is a movie of my favourite sort regardless of the genre - you feel you would neither add nor substract anything from it. Excellent cast, beautiful script, professional director's work. The main strength of the movie can be found in its unpretentiousness. It primarily aims at providing fun and entertainment, and fulfills it in an efficient way. You have your comedy and action galore.
We are usually willing to suspend our disbelief when watching comedies. No such need when it comes to this movie - the plot, the relations between characters, their motives, everything works like a flawless machinery. It is as credible as life itself.
The movie is brimming with memorable scenes. I have seen it twice - first when it appeared more than 15 years ago, and then again yesterday. I was delighted to find that the movie had lost nothing of its freshness and endured all time traps. I highly recommend it.
9/10 !
We are usually willing to suspend our disbelief when watching comedies. No such need when it comes to this movie - the plot, the relations between characters, their motives, everything works like a flawless machinery. It is as credible as life itself.
The movie is brimming with memorable scenes. I have seen it twice - first when it appeared more than 15 years ago, and then again yesterday. I was delighted to find that the movie had lost nothing of its freshness and endured all time traps. I highly recommend it.
9/10 !
In the the late 1980's early 9o's there have been many action buddy comedies 'Beverly hills cop', 'Bad Boys' and 'Bulletproof'and they have all been great. But if i had to say none of them can compare to such a masterpiece as Midnight Run. The film is full of tense and exciting moments of action and humour from both De Niro and Grodin who in this film I think are both at the top of their game. Their chemistry in playing hard ass bounty hunter and sensitive criminal is fantastic. It is such a shame there was no talk of a sequel in mind, especially since it is such an original and cool story and we were gagging to see De Niro return as Jack Walsh again. The film also gives us an impressing supporting cast with Dennis Farina (Snatch, Get Shorty) as an angry mobster and Yaphet Kotto (Alien)as an angry cop on the trail for them both.An easy 10/10. Brilliant piece of movie making.
Pleasantly surprised by this one. I had heard people refer to this one, but hadn't seen it for myself until recently. One of the better buddy-action movies I've seen, due to a very tight script. Superior writing by George Gallo. The story is what drives this movie from beginning to end, and doesn't need to depend solely on the cast to keep the audience interested for the full 2 hours. DeNiro and Grodin are excellent together, with a great supporting cast. I would keep this movie in my personal collection. I would also consider it a fine example for other buddy action movies to follow, even today. Highly recommended for great comedic writing, directing and acting.
Wish they still made movies like these. This movie is perfectly structured and extremely entertaining. The dialogue is wonderful, funny, and sincere. Highly recommend if you haven't seen this yet.
Jack Walsh is an ex-cop turned bounty hunter working for bail-bondsman Eddie Moscone. Looking for another job to bring in, Jack is presented with an ex-mob accountant, Jonathon Mardukas, who has ripped off the mafia for millions of dollars and has gone on the run. Using the very basic tricks of his trade, Jack easily finds and catches his man and prepares to transport him back to Moscone and collect his pay. However, with the FBI, the mafia and other bounty hunters all looking to bring in Jonathon for differing reasons, Jack has a hard road ahead of him and that's before he discovers Jonathon's phobias about planes.
In terms of cinema, I remember the 80's for one main genre the buddy movie; the genre continues today but that is my overriding memory of the films I saw during this time and since then from the period. Hardly a dynamic hotbed or imagination and innovation, the genre did throw up many films that are quite enjoyable if you meet them on their own terms and it did occasionally produce some that are very enjoyable and still stand up years later for a combination of reasons, Midnight Run is one of these and, for my money is a great street smart comedy. Of course it is still a genre film but the plot is well written combining a reasonably engaging story with a fun series of set pieces. While it is not laugh our loud funny apart from maybe once or twice what it does manage is to have a comic tone to it and a great sense of fun and energy throughout. It is hard to describe but it is one of those films that just feels comfortable and fun to watch.
A major part of this is the fantastic playing of the actors the cast and their chemistry go a long way to making this a better film that it may have been in other, less able, hands. De Niro plays his well-practiced tough guy but allows himself to be the butt of humour if not out and out jokes. What he (and the writers) did very well was to keep the audience on his side even though he was basically transporting Jonathon to his death! He comes off as a likable guy and De Niro takes what many other actors have made into a clichéd part and really made it his own. His easy chemistry with Grodin also helps a lot and the two really so work together thanks to a good comic performance from him. Of course in a more serious film, Jonathon as he was would be very unrealistic but Grodin's delivery suits the material and tone of the film perfectly. The support cast are all given minor roles to share out and they all contribute in their own little way. Kotto gives plenty of laughs with a minor character. Ashton has less time and a less likable character but still does OK; Farina could not look more 'mob' if he tried; Pantoliano swears a lot and is amusing while minor roles for the like of Walters and Hall add to the cast in cameos. While the film has a deep cast, it really belongs to De Niro and Grodin, both of whom really deliver and have an easy chemistry between them befitting the genre.
If I had a complaint it would be the sheer volume of swear words in the film; the first time I saw it was on ITV (that most notorious of editors they cut whole scenes out of Die Hard due to swearing!) and it was cut to shreds with plenty of badly dubbed lines and scenes just removed due to language. Personally I'm not overly bothered by it but it is such a fun film that it seems a shame to make it unsuitable for children by such liberal use of the F word (one or two can be forgiven but every other word pretty much makes it unsuitable), but I suppose it is all part of the tough but fun tone of the film and I enjoy it regardless.
Overall this is not one of the greatest films ever nor one of De Niro's best but it is a very, very good genre film and, in my mind, stands out from many other buddy-style movies that have been made in the crime/thriller sort of mould. The plot mixes a good story with many fun set pieces and keeps a solidly enjoyable pace all the way through while a roundly strong cast all make better use of the script than lesser actors could have done. A very enjoyable genre film and one that I will keep coming back to due to its reliable mix of pace, energy, fun and excitement.
In terms of cinema, I remember the 80's for one main genre the buddy movie; the genre continues today but that is my overriding memory of the films I saw during this time and since then from the period. Hardly a dynamic hotbed or imagination and innovation, the genre did throw up many films that are quite enjoyable if you meet them on their own terms and it did occasionally produce some that are very enjoyable and still stand up years later for a combination of reasons, Midnight Run is one of these and, for my money is a great street smart comedy. Of course it is still a genre film but the plot is well written combining a reasonably engaging story with a fun series of set pieces. While it is not laugh our loud funny apart from maybe once or twice what it does manage is to have a comic tone to it and a great sense of fun and energy throughout. It is hard to describe but it is one of those films that just feels comfortable and fun to watch.
A major part of this is the fantastic playing of the actors the cast and their chemistry go a long way to making this a better film that it may have been in other, less able, hands. De Niro plays his well-practiced tough guy but allows himself to be the butt of humour if not out and out jokes. What he (and the writers) did very well was to keep the audience on his side even though he was basically transporting Jonathon to his death! He comes off as a likable guy and De Niro takes what many other actors have made into a clichéd part and really made it his own. His easy chemistry with Grodin also helps a lot and the two really so work together thanks to a good comic performance from him. Of course in a more serious film, Jonathon as he was would be very unrealistic but Grodin's delivery suits the material and tone of the film perfectly. The support cast are all given minor roles to share out and they all contribute in their own little way. Kotto gives plenty of laughs with a minor character. Ashton has less time and a less likable character but still does OK; Farina could not look more 'mob' if he tried; Pantoliano swears a lot and is amusing while minor roles for the like of Walters and Hall add to the cast in cameos. While the film has a deep cast, it really belongs to De Niro and Grodin, both of whom really deliver and have an easy chemistry between them befitting the genre.
If I had a complaint it would be the sheer volume of swear words in the film; the first time I saw it was on ITV (that most notorious of editors they cut whole scenes out of Die Hard due to swearing!) and it was cut to shreds with plenty of badly dubbed lines and scenes just removed due to language. Personally I'm not overly bothered by it but it is such a fun film that it seems a shame to make it unsuitable for children by such liberal use of the F word (one or two can be forgiven but every other word pretty much makes it unsuitable), but I suppose it is all part of the tough but fun tone of the film and I enjoy it regardless.
Overall this is not one of the greatest films ever nor one of De Niro's best but it is a very, very good genre film and, in my mind, stands out from many other buddy-style movies that have been made in the crime/thriller sort of mould. The plot mixes a good story with many fun set pieces and keeps a solidly enjoyable pace all the way through while a roundly strong cast all make better use of the script than lesser actors could have done. A very enjoyable genre film and one that I will keep coming back to due to its reliable mix of pace, energy, fun and excitement.
क्या आपको पता है
- ट्रिवियाThe boxcar scene--where Jack Walsh (Robert De Niro) and John Mardukas (Charles Grodin) discuss whether or not they could ever be friends--was almost entirely improvised on-set. Regarding Grodin's famous line, "You ever had sex with an animal, Jack?": he was told by director Martin Brest to come up with something that was guaranteed to make even Robert De Niro laugh.
- गूफ़The action in the movie takes them through Amarillo, Texas in the Texas panhandle. Mountains are visible between the buildings in the background. The topography of the panhandle is a flat, treeless plain.
- भाव
Jimmy Serrano: Is this moron number one? Put moron number two on the phone.
- क्रेज़ी क्रेडिटIn the opening credits, Robert De Niro's name is spelled Robert DeNiro.
- इसके अलावा अन्य वर्जनTwo cuts to remove lock-picking details were made to the UK video version, which was also upgraded from a 15 cinema certificate to an 18 on video. The British DVD release in 2000 restored the cuts made to previous UK versions.
- कनेक्शनEdited into Laser Optics II (1989)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
बॉक्स ऑफ़िस
- बजट
- $3,50,00,000(अनुमानित)
- US और कनाडा में सकल
- $3,84,13,606
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $55,06,290
- 24 जुल॰ 1988
- दुनिया भर में सकल
- $8,16,13,606
- चलने की अवधि2 घंटे 6 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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