Married to the Mob

Mafia widow Michelle Pfeiffer tries to start over, away from her late husband's criminal life. She moves into a crummy apartment on the bad side of town with her son and gets a job as a hairdresser. Meanwhile, she is followed by horny mafia boss Dean Stockwell out to sleep with her and undercover FBI agent Matthew Modine trying to nab Stockwell. Somewhat inevitably, Modine falls for Pfeiffer and things become complicated. Mostly light dramedy with a great cast. I've seen it called a screwball comedy but I can't really agree with that. It has too many serious moments for a screwball, I think. Pfeiffer is wonderful and owns the movie. Stockwell is also good with a fun performance by Mercedes Ruehl as his jealous wife. It's no classic but worth a look.

I'm surprised with the amount of negative reviews on this film. If you don't like this movie for what it is - a silly, over-the-top, mob story - then you are simply reading too much into it. This film is a classic tale of a mob wife trying to escape "the life" and the troubles that follow her. Michelle Pfeiffer is terrificly 80's 'jersey, who is an uncertain, uncomfortable mob wife while Matthew Modine is an anal retentive-like mob tracking cop who falls for her. The plot is mostly predictable and cutesy and Mercedes Ruel steals the show as the Queen of Mob Wives. If you aren't looking for something too dynamic and complex, this movie is absolutely entertaining and an 80's cult classic. You won't be able to stop watching if you start.

I had to write this review because the only user comments on file don't begin to do this film justice. For one thing, Michelle Pfeiffer is TERRIFIC in this role -- she demonstrates a marvelous comedic style we don't often get to see. (Maybe the other reviewer prefers her serious work, but I dispute the comment that Pfeiffer has "matured" beyond this role. It's a comedy, for goodness' sake!)

And yes, Alec Baldwin is quite good, but it's Matthew Modine who steals the picture! (He also has much more screen time.) Mercedes Ruehl and Dean Stockwell (as Tony 'The Tiger' Russo) are absolutely delicious. The plot is delightful, and sometimes manages to touch on some more somber issues, as all great comedies do.

In short, I've seen this hilarious film two or three times over the years, and thinking about it now makes me eager to watch it all over again!

Michelle Pfeiffer and Matthew Modine are a joy to watch in this screwball comedy. Alec Baldwin, who was an up and coming star when the film was made, is a hoot. Dean Stockwell, in a sendup of John Gotti, is hysterical. But Mercedes Ruehl, as the paranoid and over the top Connie steals the movie.

Jonathan Demme, previously known for wacky comedies like "Something Wild" and "Melvin and Howard"-proves once again that he is a genius. I was not surprised at all when he went on to win the Oscar for directing "Silence of The Lambs." The performances he evokes from his actors in "Married" are inspired, and the audience is taken along for a wild and wooly ride.

One of the cutest, most endearing films of the 80's, it stands head and shoulders above many of the satires of its era.

This is a consistently funny story with some serious action scenes thrown in here and there. That combination of mob movie and comedy makes this a fun film to watch.l The characters in this movie are just that: characters. Everyone is a little off, actually a little too wacky for any believability. It's just a outrageous story played for laughs with few things making sense or being realistic.

Michelle Pfeiffer and Matthew Modine are the stars but Mercedes Ruehl steals the show, in my opinion, as the jealous wife. Dean Stockwell is great as the smooth mob man. Even with all the makeup to make her look cheap, Pfeiffer ("Angela de Marco") still can't hide that fabulous face. The costumes in here are great, too.

This is not family fare with a deserved R-rating for language, violence and some nudity but it's not really a rough movie. It has its charms, that's for sure. Modine plays the nice guy "Mike Downey."

Note: stay with the ending credits, because there is a lot of footage of scenes that never made it to the movie but were very interesting.