[go: up one dir, main page]

    कैलेंडर रिलीज़ करेंटॉप 250 फ़िल्मेंसबसे लोकप्रिय फ़िल्मेंज़ोनर के आधार पर फ़िल्में ब्राउज़ करेंटॉप बॉक्स ऑफ़िसशोटाइम और टिकटफ़िल्मी समाचारइंडिया मूवी स्पॉटलाइट
    TV और स्ट्रीमिंग पर क्या हैटॉप 250 टीवी शोसबसे लोकप्रिय TV शोशैली के अनुसार टीवी शो ब्राउज़ करेंTV की खबरें
    देखने के लिए क्या हैसबसे नए ट्रेलरIMDb ओरिजिनलIMDb की पसंदIMDb स्पॉटलाइटफैमिली एंटरटेनमेंट गाइडIMDb पॉडकास्ट
    OscarsEmmysSan Diego Comic-ConSummer Watch GuideToronto Int'l Film FestivalSTARmeter पुरस्कारअवार्ड्स सेंट्रलफ़ेस्टिवल सेंट्रलसभी इवेंट
    जिनका जन्म आज के दिन हुआ सबसे लोकप्रिय सेलिब्रिटीसेलिब्रिटी से जुड़ी खबरें
    मदद केंद्रयोगदानकर्ता क्षेत्रपॉल
उद्योग के पेशेवरों के लिए
  • भाषा
  • पूरी तरह से सपोर्टेड
  • English (United States)
    आंशिक रूप से सपोर्टेड
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
वॉचलिस्ट
साइन इन करें
  • पूरी तरह से सपोर्टेड
  • English (United States)
    आंशिक रूप से सपोर्टेड
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
ऐप का इस्तेमाल करें
  • कास्ट और क्रू
  • उपयोगकर्ता समीक्षाएं
  • ट्रिविया
  • अक्सर पूछे जाने वाला सवाल
IMDbPro

Little Dorrit

  • 1987
  • G
  • 5 घं 57 मि
IMDb रेटिंग
7.2/10
1.3 हज़ार
आपकी रेटिंग
Alec Guinness, Derek Jacobi, Joan Greenwood, Robert Morley, and Sarah Pickering in Little Dorrit (1987)
Arthur returns to London after working abroad for many years with his now deceased father. Almost at once he becomes involved in the problems of his mother's seamstress Amy and of her father residing in the Marshalsea debtors' prison.
trailer प्ले करें3:05
1 वीडियो
9 फ़ोटो
ड्रामापीरियड ड्रामारोमांस

अपनी भाषा में प्लॉट जोड़ेंArthur returns to London after working abroad for many years with his now deceased father. Almost at once he becomes involved in the problems of his mother's seamstress Amy and of her father... सभी पढ़ेंArthur returns to London after working abroad for many years with his now deceased father. Almost at once he becomes involved in the problems of his mother's seamstress Amy and of her father residing in the Marshalsea debtors' prison.Arthur returns to London after working abroad for many years with his now deceased father. Almost at once he becomes involved in the problems of his mother's seamstress Amy and of her father residing in the Marshalsea debtors' prison.

  • निर्देशक
    • Christine Edzard
  • लेखक
    • Christine Edzard
    • Charles Dickens
  • स्टार
    • Derek Jacobi
    • Alec Guinness
    • Joan Greenwood
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.2/10
    1.3 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Christine Edzard
    • लेखक
      • Christine Edzard
      • Charles Dickens
    • स्टार
      • Derek Jacobi
      • Alec Guinness
      • Joan Greenwood
    • 20यूज़र समीक्षाएं
    • 11आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • 2 ऑस्कर के लिए नामांकित
      • 3 जीत और कुल 8 नामांकन

    वीडियो1

    Trailer
    Trailer 3:05
    Trailer

    फ़ोटो8

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें

    टॉप कलाकार99+

    बदलाव करें
    Derek Jacobi
    Derek Jacobi
    • Arthur Clennam
    Alec Guinness
    Alec Guinness
    • William Dorrit
    Joan Greenwood
    Joan Greenwood
    • Mrs. Clennam
    Max Wall
    Max Wall
    • Flintwinch
    Patricia Hayes
    Patricia Hayes
    • Affery
    Luke Duckett
    • Young Arthur
    Cyril Cusack
    Cyril Cusack
    • Frederick Dorrit
    Sarah Pickering
    • Little Dorrit
    Amelda Brown
    Amelda Brown
    • Fanny Dorrit
    Daniel Chatto
    • Tip Dorrit
    Miriam Margolyes
    Miriam Margolyes
    • Flora Finching
    Bill Fraser
    • Mr. Casby
    Roshan Seth
    Roshan Seth
    • Mr. Pancks
    Mollie Maureen
    • Mr. F.'s Aunt
    Diana Malin
    • Mr. Casby's Maid
    Janice Cramer
    • Young Flora
    Roger Hammond
    Roger Hammond
    • Mr. Meagles
    Sophie Ward
    Sophie Ward
    • Minnie Meagles
    • निर्देशक
      • Christine Edzard
    • लेखक
      • Christine Edzard
      • Charles Dickens
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं20

    7.21.3K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    फ़ीचर्ड समीक्षाएं

    8billsroots

    omissions

    A great novel, and a great movie. BUT! A few observations...I understand that the novel is very complex, that the plot turns in a number of layers, and that the film is already of great length. However I think it is seriously lacking to omit rather major elements and characters, such as the villain Blandois upon whom much of the plot turns. And I was disappointed as well to see Tattycoram (which would be such a delightful part for any actress!) left out. But these things aside, it is still a favourite movie which I've watched (on VHS) many times. The colourful characters are marvelously Dickensian as portrayed by the cast, most notably Guinness, Greenwood, Max Wall, Roshan Seth, and Jacobi. Has Sarah Pickering appeared in anything else? She was convincing in her character too. Though seventeen years old now, the film continues to delight and entertain, but I sure miss Blandois and Tattycoram!
    8LW-08854

    "I wonder...."

    The first 20 minutes is excellent with the story constantly being moved forward yet never feeling rushed. Things seem to play out in real time, as though this was theatre and not just film. Much like other favoured female characters in Dicken's stories from those books written in the 1840s and 1850s Amy Dorrit is a dutiful kind daughter much like Florence Dombey, Little Nell or Agnes in David Copperfield. Nor does the story have a diabolical villain like Uriah Herp, Squeers or Quilp. The characters here are complex, some embody unhealthy off-putting attributes but that doesn't make them your typical TV or Film bad guys. This film operates with a high level of realism in that respect. The story though is happy to poke fun at some of the absurdities of Victorian society, Government departments, impossible to navigate or prisons were men are held because they haven't paid their debts, while being completely unable to work in order to pay off that debt.

    The Little Dorrit we meet in part 1 is one we see very little of but think about a great deal. She's a kind sweet shy character, just like our hero and that's why I think they work so well together. You're longing for them to come together. Little Dorrit is slightly cruelly contrasted with Flora, a middle-aged, overweight, forward, outspoken, silly woman. Some of the production design and sound editing is also brilliant, the poverty we see at the end in the living quarters the sound of the shouting, the yelling coming through the thing walls, the sound of squalor, poverty and the flies buzzing around his room. The film also works at a symbolic level too, the needle work Little Dorrit does so well displaying the quiet patient nature of her personality.

    The film doesn't rely on frantic editing, loud sound, jump scares, over the top performances or gag after gag. It's a mature film, asking it's audience to think and feel more deeply.

    I love the sound design as our main character returns to his mothers home, the creaky floorboards and the wind howling away outside. The costumes are also superb and really inject some colour into the film. The casting is also excellent and then you have the original story by Dickens, a superb storyteller. When we meet Mr Dorrit played by Alec Guiness it's such an interesting character, despite his reduced circumstances it's made clear he's very much still a gentleman who has a great deal of sway inside the prison.

    The actress playing Little Dorrit speaks very little to begin with, it's often as much about what she isn't saying than what she is. The actress has very dark eyes, dark hair, a very thin frame, and gives the character a slightly sickly look and a slightly mournful sad look. There's no trace of exuberance or vanity or anger within her. It's quite common among Dickens characters, she's a downtrodden outcast in a sense, like Oliver Twist or Little Nell who still retains her innocence and goodness.

    In Part 1 every scene is seen through his eyes. It's quite a clever device as we really get to know him an see things from his perspective. Equally we wonder once he's left the room how the other characters who remain do next.
    jandesimpson

    "Building a Library"

    BBC Radio 3 puts out a fascinating programme each week entitled "Building a Library" in which CDs of classical works are compared and evaluated culminating with a "best buy" recommendation. This would hardly be possible with works of cinema where very rarely are there more than two versions, the first invariably the winner as a movie can only be that good to tempt a remake. I suppose one could do a "Building a Library" with "Hamlet" but I wouldn't be in a position to take that on as I only know two versions (Olivier and Branagh) really well. How about a collective "Building a Library" - film versions of Dickens, say, - now that would be a real challenge. Here goes! I won't deal with all as that would take up too much user comment space. Just a few for good measure. Remember Noel Langley's "Pickwick Papers" of 1952 - great fun with a host of good cameo parts from people such as Joyce Grenfell, Hermione Baddeley, Donald Wolfit, Harry Fowler and others but all rather lightweight compared with the rest I have chosen. Earlier still was Cavalcanti's version of "Nicholas Nickleby" for Ealing, some good sets and the scene where wicked Uncle Ralph gets his desserts wonderfully atmospheric, but so much to cram into a film of moderate feature length that scenes scarcely have time to breathe. Although a good try it all seems too rushed. The oddball in this little collection is undoubtedly a 1988 Portugese version of "Hard Times" set in modern day Lisbon by Joao Botelho, well worth seeing as a curiosity but hardly to be compared with my remaining four choices, each very special in its own right. I would have to include one TV version in my shortlist as the BBC generally do their classic serials so well and were on superlative form with their 1999 "David Copperfield", even capping George Cukor's richly entertaining 1935 film. (Just occasionally a more recent version is better!) The reason I admire the BBC version so much is the wonderful casting with Maggie Smith, Pauline Quirke and Nicholas Lyndhurst playing roles they were just born for. There is even a diminutive Harry Potter playing young David most affectingly. It is probably the Dickens adaptation that moves me the most though I suppose it has to be eclipsed by the three that have that greater degree of cinematic imagination. These are the marvellous David Lean '40s adaptations of "Great Expectations" and "Oliver Twist" and most recently Christine Edzard's "Little Dorrit". For a long time "Oliver Twist" was my favourite of the Lean pair, oodles of atmosphere, wonderful art direction and camera-work and a rooftop climax to take the breath away, but I suppose "Great Expectations" has it for libretto, late as opposed to early Dickens and Lean an ever faithful interpreter of the novel's range and subtleties. Without Christine Edzard's "Little Dorrit" it would be the winner. Her remarkable independent production for length alone (two films totalling six hours) dwarfs all contenders. She cleverly tells the same story from the different perspective of the two main protagonists, Arthur Clennem and Amy Dorrit, this "Rashomon" like approach dominating the first half of each film. The pace is leisurely but always purposeful - none of those irritating longueurs of characters taking up time to cross a street or room that bedevil so many TV adaptations. Street scenes in particular have an amazing sense of realism with hoards of people bustling along giving the feeling of just how busy Victorian London must have been, the credit sequence of Part I wonderfully effective in depicting this. We sense from this very opening the loving care with which every background detail of Dickens's vast fresco of society will be unfolded. As in the novel everything revolves around the theme of money and the misery that both possession as well as dispossession can bring. The casting is faultless with marvellous swansongs from Joan Greenwood and Max Wall and Alec Guinness possibly at his finest as William Dorrit, a superb portrayal of a shallow man with delusions of grandeur. Throughout Edzard is at pains to eschew anything that smacks of pathetic fallacy by not over dramatising atmosphere, but the film never looks plain. Although most of the exteriors are studio constructed the interiors have an extraordinary sense of authenticity down to the last detail. Everything looks and sounds exactly right such as the shabby wallpaper of a livingroom in the Marshalsea with at one point the seemingly endless buzzing of a solitary fly. Unlike the Lean films this is one that seems constructed out of everyday incidents rather than great dramatic setpieces. It is not a film that moves and excites as much while one is watching it, until, that is, the final half hour. When it reaches the tragedy of William Dorrit's mental confusion at a society banquet followed by the terrible scene leading up to the suicide of Merdle where he visits his son and daughter-in-law to borrow a knife we have the realisation that to search for an adaptation that more perfectly realises Dickens's intentions would be an impossibility.
    spoffobiz

    A neglected gem

    Little Dorrit is thought by many critics to be Dickens most important book, a blistering attack on the evils of the Victorian world in which he lived. Quite a bit of it came from real life. Dickens' father had spent some time in the Marshalsea debtors prison, and several of the corrupt landlords and incompetent officials of the book were based on prominent real people. The establishment was NOT amused, and neglected it so aggressively that it has always been much less well-known than most of his work.

    This film has also dwelt in the shadows. As a pair of 3-hour films that are best viewed in a single day (with a break), nobody could figure how to handle it commercially. Also, it only exists today as a long-out-of-print VHS tape and 4-disc laser set. Maybe someday the Critereon Collection will issue a DVD, but I'm not holding my breath.

    Nonetheless, it was one of Alec Guinness's very best performances, and, if you love - or even just like - Dickens, the whole 6 hour total-immersion experience is magical.

    Roger Ebert's review from 1988, which is online several places, really captures how special "Little Dorrit" is.
    10Parnassus-1

    One to watch over and over

    "Little Dorrit" is hands-down the best movie I've ever seen. One of the best things about it is that it is two movies telling different sides of the same story. I enjoy watching it because I notice something new with every viewing. If you watch one scene in the first movie and watch it in the second movie (e.g., the "parricidal" scene), there are subtle differences based on the storyteller's perception. In "Nobody's Fault", when Amy comes to visit Clennam in the Marshalsea, he sees her wearing the flowered shawl that she always wore when she was poor; when we see the same scene in the second film, she is wearing a black shawl bought when she was wealthy.

    The acting is top-notch. The set designs and costumes are the most authentic I have ever seen. The production worked hard to match the original drawings that accompanied the Dickens novel. A sheer delight!

    इस तरह के और

    A Handful of Dust
    6.6
    A Handful of Dust
    Martin Chuzzlewit
    8.1
    Martin Chuzzlewit
    Ladies in Retirement
    7.1
    Ladies in Retirement
    A Passage to India
    7.3
    A Passage to India
    Little Dorrit
    8.2
    Little Dorrit
    The Horse's Mouth
    6.9
    The Horse's Mouth
    Pete Kelly's Blues
    6.3
    Pete Kelly's Blues
    The Happy Ending
    6.3
    The Happy Ending
    Eskimo Day
    7.4
    Eskimo Day
    Pot o' Gold
    6.0
    Pot o' Gold
    Edwin
    6.7
    Edwin
    The Moon Is Blue
    6.7
    The Moon Is Blue

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Up until O.J.: Made in America (2016) with its running time of seven hours, this movie was the longest movie to receive an Oscar nomination.
    • गूफ़
      Near the end of part 1, Mr Pancks puts his finger through Arthur's coat's right lapel button hole and pulls him toward the stairs. In the next shot, at the bottom of the stairs, his finger is through a hole in the left lapel.
    • भाव

      William Dorrit: Welcome to the Marshalsea, Sir. I have welcomed many gentlemen to these walls, please sit down Mr. Clennam. My daughter Amy may have mentioned that I am the father of this place. You'' excuse the primitive customs to which we are reduced here.

    • इसके अलावा अन्य वर्जन
      In 2024 Tubi split this program into 2 parts, but part 2 is only found online in Spanish.
    • कनेक्शन
      Featured in Siskel & Ebert & the Movies: Everybody's All-American/U2: Rattle and Hum/The Good Mother/Little Dorrit/A Cry in the Dark (1988)

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल15

    • How long is Little Dorrit?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 11 दिसंबर 1987 (यूनाइटेड किंगडम)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड किंगडम
    • भाषाएं
      • अंग्रेज़ी
      • फ्रेंच
    • इस रूप में भी जाना जाता है
      • Charles Dicken's Klein Dorrit
    • फ़िल्माने की जगहें
      • Sands Films Studios, Rotherhithe, लंदन, इंग्लैंड, यूनाइटेड किंगडम
    • उत्पादन कंपनियां
      • Cannon Screen Entertainment
      • Sands Films
    • IMDbPro पर और कंपनी क्रेडिट देखें

    बॉक्स ऑफ़िस

    बदलाव करें
    • US और कनाडा में सकल
      • $10,25,228
    • दुनिया भर में सकल
      • $10,25,228
    IMDbPro पर बॉक्स ऑफ़िस की विस्तार में जानकारी देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      • 5 घं 57 मि(357 min)
    • ध्वनि मिश्रण
      • Stereo
    • पक्ष अनुपात
      • 1.78 : 1

    इस पेज में योगदान दें

    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    • योगदान करने के बारे में और जानें
    पेज में बदलाव करें

    एक्सप्लोर करने के लिए और भी बहुत कुछ

    हाल ही में देखे गए

    कृपया इस फ़ीचर का इस्तेमाल करने के लिए ब्राउज़र कुकीज़ चालू करें. और जानें.
    IMDb ऐप पाएँ
    ज़्यादा एक्सेस के लिए साइन इन करेंज़्यादा एक्सेस के लिए साइन इन करें
    सोशल पर IMDb को फॉलो करें
    IMDb ऐप पाएँ
    Android और iOS के लिए
    IMDb ऐप पाएँ
    • सहायता
    • साइट इंडेक्स
    • IMDbPro
    • Box Office Mojo
    • IMDb डेटा लाइसेंस
    • प्रेस रूम
    • विज्ञापन
    • नौकरियाँ
    • उपयोग की शर्तें
    • गोपनीयता नीति
    • Your Ads Privacy Choices
    IMDb, एक Amazon कंपनी

    © 1990-2025 by IMDb.com, Inc.