अमेरिकन नागिन

This is silly and not particularly well made, presumably due to budgetary restraints, but it is good fun. Bit slower to get going than I remember on video but some more explicit imagery also than I remember. Everyone seems to have had fun in the making and if the dialogue is a bit hit and miss there is some really nice stuff. I don't think this really fits, as some have suggested, into the , so bad it's good category, but I guess it's headed in that direction. Amanda Donohoe is splendid and Hugh Grant acceptable as ever. Special effects, like the dialogue are not always 'special' but there are great moments and it's always good looking, particularly Amanda Donohoe!

Leave it to director Ken Russell to find an obscure Bram Stoker novel and take its most exploitive elements and turn it into a bloodfest of snakes, vampires, virgin sacrifices, phallic symbols, Christian symbolism and more. He throws in some comic book slashings along with some sly humor to create a tacky Gothic horror called THE LAIR OF THE WHITE WORM. It kept me awake until the last shot where the dimwit hero HUGH GRANT is about to find out he's made another mistake before the screen fades to black. This must have been the film that first made Grant known to American audiences.

He plays an aristocrat who is attracted to a new neighbor whom he later learns is a woman (AMANDA DONOHOE) who is keeper of a giant worm waiting to devour people whole if she decides to feed victims to it. She's played with delicious relish by Donohoe, who picks up a scout trudging along a deserted country road and must quickly dispose of him in a bath when Grant knocks on her door.

It's weird stuff from start to finish, but try to look away! It's typical Ken Russell overkill--or should I say overbite--since much of the action involves vampirism and some friendly suburbanites who suddenly grow fangs. Handsomely photographed in color with attractive settings indoor and out, it provides a steady mix of laughter and fright while managing to be entertaining despite the overly weird material.

CATHERINE OXENBERG plays the virginal heroine who falls under the spell of the demonic woman, at her best when forced to assume a vacant expression. PETER CAPALDI is excellent as Hugh's friend who comes to her aid before the white worm can do its work and claim another victim.

Silly stuff, but if you like the work of Ken Russell, you should find it extremely interesting to watch.

This movie definitely belongs in the, "it's so bad it's good" category. However, the more times I see it, I'm thinking it's more like, "It's so bad, it's GREAT"! A good movie is in some ways is like a great plate of Italian food. It needs a firm base, some zesty sauce, and just the right amount of cheese.

I first heard about this movie when I was in high school. Everyone around me was catching it on cable except me. Everyone seemed to have the same opinion of the movie, "man, it's so weird". When I finally got to see the movie, we were over at a party at a practical strangers house in a town far from our own at 3 in the morning; an uncomfortable situation. But, when this movie came on, for some reason it made everything alright. I saw it years later in a bargain bin VHS rack and I had to get it. It was by far the best $5 I've ever spent. This is one of those movies that is great to watch late at night with a good buzz on. I'm sure it annoys the hell out of my wife, but this movie makes me laugh like a little kid.

Filmwise, the movie is terribly made (or, if you're a Ken Russel fan, wonderfully made). There's holes in the script, the acting is bad, the props even worse; but there are so many insanely bad puns in this movie that it gets more entertaining each time you see it.

I know I haven't said too much about the movie, but perhaps that's for the best. To sum it all up, it's a great flick if you're in the mood for a real cheesy B grade movie.

'Dr. Who' actor Peter Capaldi plays Angus Flint, an archaeology student who unearths a strange skull from the grounds of a bed & breakfast, where a convent had existed once upon a time. Meanwhile, the seductively sexy young Lady Sylvia Marsh (Amanda Donohoe) returns to her neighboring home, and more weird things are soon happening. It turns out, there is a local legend in the area, of a nobleman who'd vanquished a hideous reptilian beast - not literally a "worm" - centuries ago. Also mixed up in the plot are that noblemans' descendant, James D'Ampton (Hugh Grant), and lovely sisters Mary (Sammi Davis) and Eve (Catherine Oxenberg).

The director is Ken Russell of such classics as "The Devils", and he also produced and adapted the novel by "Dracula" creator Bram Stoker. So we know going in to expect a fair amount of outrageousness. Fortunately, this film never does get out of control, but it combines some sober drama with some very campy and sometimes hilarious horror. Clearly, it's not meant to be taken all that seriously, especially when we consider the crudely done fantasy sequences envisioned by the characters and the audience. (People who are easily offended will undoubtedly be put off by some of this imagery.) The makeup is amusing, but what's really a hoot is the beast itself, Dionin. Excellent location shooting adds atmosphere.

The actors, commendably, maintain serious expressions. Although he's reputed to refuse to talk about this film, Grant does a good, droll job. Capaldi is a decent hero who, at one point, attempts to attract a reptilian presence by putting on a kilt and playing the bagpipes. Oxenberg and Davis look appropriately scared, Stratford Johns is a solid presence as the butler Peters, and Donohoe, often dressed in very sexy outfits, does appear to be having some real fun as the villainess.

A truly frightening film this is not, but it's quite entertaining just the same.

Eight out of 10.

I'm not going to strain my brain trying to work out just what Ken Russell was trying to achieve with 'The Lair Of The White Worm', but he ended up with a semi-classic slice of campy, sleazy trash that is full of nudge, nudge, wink, wink smutty humor. There's absolutely no way anyone could take this one seriously! I haven't read Bram Stoker's novel so I don't know how much the movie has to do with it, but Russell takes EVERY opportunity for to show a phallic symbol or a puerile gag, and that, added to the tongue in cheek performances from the cast (especially Peter Capaldi, Hugh Grant and the delicious Amanda Donohoe), makes this one of the silliest and most entertaining movies you'll ever see. Donohoe is just brilliant, the monster is cheesy, the blatant gags will make you roll your eyes and groan, and there are a few extraordinary Russell touches in the very brief, quasi-psychedelic "visions" experienced by a few of the characters. 'The Lair Of The White Worm' is certainly not for everybody, but there's nothing else quite like it, not even in Russell's very strange ouevre, and if you "get it" it's a complete hoot!