Krótki film o milosci

Kieslowski's movies are very unique in the sense of reflecting on feelings. One needs to think outside of the box and try to go beyond the surface... His goal is not to create an average love story, but to put love bare as it is in the center. What is love? One could list a number of adjectives, to say the least; but instead let's just use one sentence: love wants nothing in return. To love and being loved, two sides of a coin, is presented to us in this beautiful movie. Little conversation, nice music, great frames and shots, well-chosen actors, actresses, although very few; intense, touching, and serious.

It helps a bit if the watcher knows some about Eastern-European culture. But it is by no means necessary. One should only have been given the gift of being loved and to have loved.

I have watched this movie 10 years ago when I was feeling that love was an impossible happiness to achieve and it always accompanied disappointments.

Now that I am a happy man and I am not so pessimistic about love and life. However, this movie still fills my soul with wonder: How can love, disappointments and life be described so beautiful, like a poem, stylish and touching...

I will remember it as long as I believe in love.

I invite viewers of this film to compare it with the short version (Dekalog 6) and the script. All three differ from one another. They have different endings and lead to different interpretations.

In this film, the feature length version, Kieslowski portrays human love poetically, authentically, and powerfully. I consider Tomek as a lover by the form of incarnation. He takes into different forms (post worker, milkman, voyeur) in order to show his love towards Magda. It is important to notice that Tomek sheds his blood when Magda has sex with others. There is a scene in which Magda spills a bottle of milk and cries. Tomek sees her from his telescope. Only he is present for Magda. Overall, Tomek's love is both sacrificial and redemptive.

After Tomek's hospitalization, Magda dresses more conservatively. She does not engage in sexual affairs with any man. In this sense, Tomek's love redeems the lustful Magda. The commandment (Thou Shalt Not Commit Adultery) functions in the background. We normally perceive a voyeur as being adulterous. But in Tomek's situation, he peeps into Magda not as an adulterous voyeur. He loves Magda by peeping her as an incarnate. He expresses sacrificial, and redemptive love in a humane and authentic manner.

I suppose Gaspar Noe never seen this film, otherwise he would've known how to make a movie about love.

I have no words...

sorry about the summary title, but i hate pithiness. this is, of course, more than just a film i like. it's beautiful. the scene when the woman fantasizes about what might have been with the boy is heartrending, and you don't have to have lived in communist East Europe to understand her sense of loneliness. others think that "A Short Film about Killing" was the stand out from the Dekalog, but to me this is the director's finest achievement, and the harshest and boldest treatment of love that you could see on celluloid. The most important film of my life.