अपनी भाषा में प्लॉट जोड़ेंThe residents of a housing development find themselves in trouble after they discover that their development was built on top of a sacred aboriginal graveyard, on which a curse was placed up... सभी पढ़ेंThe residents of a housing development find themselves in trouble after they discover that their development was built on top of a sacred aboriginal graveyard, on which a curse was placed upon anyone who disturbed it.The residents of a housing development find themselves in trouble after they discover that their development was built on top of a sacred aboriginal graveyard, on which a curse was placed upon anyone who disturbed it.
फ़ीचर्ड समीक्षाएं
Nowhere can cinema claim a monopoly on tried and true horror tropes: a cast of teen characters, including a musician, a nerd, a randy couple, and so on; a curse on land held sacred by indigenous people, which was subsequently developed by white people; an onslaught of violent death for those teens, living on that developed land; black magic, an even darker local history, capitalist greed, and so on. 'Kadaicha' is very upfront about all of this, and the formula is so intact that, not necessarily through any fault of this title, there are no thrills or surprises to be had - unless, perhaps, you've never seen any similar title before, which would be impressive indeed. By all means, this 1988 flick is still enjoyable in and of itself for those who appreciate genre fare for more than just the visceral reactions they may inspire - just don't go expecting a revelation.
This may not be breaking any ground, but it's still well made. The cast give earnest, commendable performances, and I find no faults in the writing that imparts a complete, duly compelling story, with some welcome little details. There's a nice bit of variety in the death scenes, and all the stunts, practical effects, and special makeup look terrific. Bolstered by Peter Westheimer's music, the picture is even able to manifest a measure of uneasy atmosphere, and a couple scenes are especially striking (such as Gail in the bathroom). The filming locations are fantastic, and the art direction is nice; between James Bogle's direction and Stephen F. Windon's cinematography, 'Kadaicha' is shot well. Really, this is well made all around, and even as the tale walks a familiar path there are no especial flaws here - save, perhaps, for that the one thing that the feature can't do is achieve a spark of vitality to make any of the course of events strike a major chord. It's fun, but kind of flat.
Very simply, what it comes down to is that for anyone who has spent any amount of time exploring the horror genre, we've seen this film before. It's still a suitably good time, but there's no reason to go out of our way for it, and it's best left as something fairly light for a lazy day. I admire the work that all involved put into it, and I'm glad I watched it; I just don't anticipate ever feeling the need to do so again, and I wish this carried itself with more vibrant energy. Ah well. Not every flick needs to be a revelation, and this is decent enough as it is.
This may not be breaking any ground, but it's still well made. The cast give earnest, commendable performances, and I find no faults in the writing that imparts a complete, duly compelling story, with some welcome little details. There's a nice bit of variety in the death scenes, and all the stunts, practical effects, and special makeup look terrific. Bolstered by Peter Westheimer's music, the picture is even able to manifest a measure of uneasy atmosphere, and a couple scenes are especially striking (such as Gail in the bathroom). The filming locations are fantastic, and the art direction is nice; between James Bogle's direction and Stephen F. Windon's cinematography, 'Kadaicha' is shot well. Really, this is well made all around, and even as the tale walks a familiar path there are no especial flaws here - save, perhaps, for that the one thing that the feature can't do is achieve a spark of vitality to make any of the course of events strike a major chord. It's fun, but kind of flat.
Very simply, what it comes down to is that for anyone who has spent any amount of time exploring the horror genre, we've seen this film before. It's still a suitably good time, but there's no reason to go out of our way for it, and it's best left as something fairly light for a lazy day. I admire the work that all involved put into it, and I'm glad I watched it; I just don't anticipate ever feeling the need to do so again, and I wish this carried itself with more vibrant energy. Ah well. Not every flick needs to be a revelation, and this is decent enough as it is.
Every once in a while Australia produces a good straight-up horror-movie (not really considering many fine ozploitation genre-mixtures with this statement). RAZORBACK, a fine monster-movie for example. KADAICHA, however, isn't really one of those excellent horror gems. The teenage inhabitants of one particular street in a suburban area get in deadly trouble when the spirit of an ancient Aboriginal voodoo-priest wants revenge. Aparantly the houses in that street were build on an Aboriginal burial ground (what else did you expect?). The spirit of the voodoo-priest manifests itself through animals. This flick is amusing at times and gets a little boring and pretty bad at others. A 'didgeridoo' seems to be a horrifying instrument, because it can be heard on the soundtrack every time something supposedly scary is about to happen. I'll give KADAICHA some extra points because it tries hard, and the death-by-spider scene was amusing. But you'll have to be in the mood for it when you watch this stuff, otherwise you might dismiss it as nonsensical crap.
Plot: Residents living on land built on an ancient burial ground die after finding strange stones.
Kadaicha started off looking very promising but as time went on, didn't seem to go anywhere at all. It started to meander too much and take too long to reach the conclusion. The acting was very good for this type of movie (compared to most low budget horror flicks), but the deaths weren't very gory and the ending was rather dull.
Overall I feel this film could have been much more interesting as the storyline itself was quite good. Sadly it's just too boring - I wouldn't recommend seeking this out unless you're a collector.
4/10
Kadaicha started off looking very promising but as time went on, didn't seem to go anywhere at all. It started to meander too much and take too long to reach the conclusion. The acting was very good for this type of movie (compared to most low budget horror flicks), but the deaths weren't very gory and the ending was rather dull.
Overall I feel this film could have been much more interesting as the storyline itself was quite good. Sadly it's just too boring - I wouldn't recommend seeking this out unless you're a collector.
4/10
Low-budget Oz shocker mostly delivers what it promises as the teenage inhabitants of a residential estate run afoul an ancient Aboriginal curse.
Ideal for the teenage video market, whilst the cast are obviously older than the school-age students they depict, this isn't anything unusual and certainly doesn't detract from the otherwise tense mood. Sometimes resembles an MTV video, the make-up effects are gory and the killing devices are imaginative albeit the body count is relatively limited.
Likeable cast features Zoe Carides becoming increasingly concerned by the actions of her father (Oldfield) after she learns that the commercial development he oversaw lies above an ancient Aboriginal burial ground. Supporting cast is an all-Aussie affair with Tom Jennings (who was prominent in 'Sons & Daughters' around the same time), Natalie McCurry ('Chances') and Deborah ('not happy Jan') Kennedy as the sage school teacher whose knowledge of the ancient stones' meaning heralds the subsequent danger. Some viewers might also recognise Anthony Ackroyd in a blink-and-you'll-miss it part as a police constable sickened to discover the mutilated corpse of one of the curse's hapless victims, whilst Sean Scully, Alan Lovell and Steve Dodd are also potentially familiar faces to local audiences.
Plenty of colourful dialogue, garish 80s wardrobe and superfluous musical numbers, whilst another reviewer mentioned a Brisbane setting, this looks more like New South Wales landscape & housing (and vehicle regos).
Aside from the final act which feels a little unresolved, it's a decent exploitation effort with committed performances, contemporaneously a little less eerie than 'Spook' but just a little more professional than 'Houseboat Horror' and worthy of an Ozploitation film aficionado's burgeoning collection 😊
Ideal for the teenage video market, whilst the cast are obviously older than the school-age students they depict, this isn't anything unusual and certainly doesn't detract from the otherwise tense mood. Sometimes resembles an MTV video, the make-up effects are gory and the killing devices are imaginative albeit the body count is relatively limited.
Likeable cast features Zoe Carides becoming increasingly concerned by the actions of her father (Oldfield) after she learns that the commercial development he oversaw lies above an ancient Aboriginal burial ground. Supporting cast is an all-Aussie affair with Tom Jennings (who was prominent in 'Sons & Daughters' around the same time), Natalie McCurry ('Chances') and Deborah ('not happy Jan') Kennedy as the sage school teacher whose knowledge of the ancient stones' meaning heralds the subsequent danger. Some viewers might also recognise Anthony Ackroyd in a blink-and-you'll-miss it part as a police constable sickened to discover the mutilated corpse of one of the curse's hapless victims, whilst Sean Scully, Alan Lovell and Steve Dodd are also potentially familiar faces to local audiences.
Plenty of colourful dialogue, garish 80s wardrobe and superfluous musical numbers, whilst another reviewer mentioned a Brisbane setting, this looks more like New South Wales landscape & housing (and vehicle regos).
Aside from the final act which feels a little unresolved, it's a decent exploitation effort with committed performances, contemporaneously a little less eerie than 'Spook' but just a little more professional than 'Houseboat Horror' and worthy of an Ozploitation film aficionado's burgeoning collection 😊
I saw this film once late at night when it was played on television. It really isn't at all good, and I don't recommend it, but for me it was one of those films with a really strange feel about it. I can't remember too much of the film because I saw it so long ago but it had a strange feel about it which I enjoyed.
All I can remember of the plot is that if you find this Aboriginal stone on your pillow when you wake up, you are cursed and will die. Now, I think the reason for this is that these people live in an area over sacred Aboriginal ground, and the Aborigines have cursed the people who live there. Totally absurd I know, but there are a few gruesome deaths, one nasty one with a spider.
If you can find it, have a look, but its not that great. A silly look at Aboriginality, because I don't think Aborigines would be that way inclined.
All I can remember of the plot is that if you find this Aboriginal stone on your pillow when you wake up, you are cursed and will die. Now, I think the reason for this is that these people live in an area over sacred Aboriginal ground, and the Aborigines have cursed the people who live there. Totally absurd I know, but there are a few gruesome deaths, one nasty one with a spider.
If you can find it, have a look, but its not that great. A silly look at Aboriginality, because I don't think Aborigines would be that way inclined.
क्या आपको पता है
- ट्रिवियाIntended for a cinema release, went straight to television and video.
- कनेक्शनFeatured in Woodlands Dark and Days Bewitched: A History of Folk Horror (2021)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Stones of Death?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Stones of Death
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