The House on Carroll Street

The House on Carroll Street is a movie that knows what it is like to be a movie from thirty years before it.

It is a delicious throwback to the days of Alfred Hitchcock. In fact, there are only two items in the House on Carroll Sreet to suggest that this movie is NOT a product of that decade. A) the cast of this movie were just being born when Hitchcock was in his prime. and b) there is a bit of frontal nudity. Needless to say, you would never see that in Hitchcock's days (in fact before he made Psycho it was considered indecent to show qa toilet being finished on screen, or so I heard)

The makers of The House on Carroll Street have a great eye for detail, and they recapture the period beautifully. Everything has been carefully assembled, down to the last fat stripped tie. If the House on Carroll Street was released thirty years earlier, it may have been a classic, but by the 1980's the Hitchcock/film-noir formula had become somewhat generic. There are still great movies like Chinatown, but there are a lot of critically bashed items as well such as Brian de Palma's work. The look of this movie took me back, but not the storyline. It feels shallow, derivative and also rushed, so it's not as great a movie as it could've been. It's just a good movie.

Leading the cast is Kelly McGillis. Her performance is not that great, but her screen presence is interesting. She plays the role with a sort of Grace Kelly mindset, and she knows how to act with her face (although the makeup job deserves a bit of credit there too). In terms of character, she doesn't have a whole lot to work with, in fact most of the characters in the film are genre stereotypes. On screen, this film is full of life, but on the pages it could use a bit more strength. The House on Carroll Street is not great, but it's enjoyable.

This movie had its moments, but i actually enjoyed it. Hitchcock style film with an interesting plot. If you like hitchcock, you will like this. The cast is good with Kelly McGillis and Jeff Daniels very well casted and Mandy Patinkin is excellent in a rare role.

Much has been made of films which use past decades to set their stories in, but much less praise has been directed at those which emulate the style originally employed in that period. There has, of course, been many failures to replicate the successful Alfred Hitchcock formula. "The House on Carroll Street" is not one of those. It falls into neither common failing of such films - there is no attempt to graft an anachronistic approach to an older style, nor to bring that older style into a modern decade. This film understands that such a style cannot be separated from the emotions and perceptions of the time.

Peter Yates, a director who generally creates for the present time, does an unexpectedly excellent job at recreating this lost world. He uses cinematographer Michael Ballhaus (who went on to photograph "Quiz Show", another 1950s recreation) to wonderful effect, letting him capture his scenes in a manner that never once strays from the older approach. Yates shows us how thrilling the suspense and big set-pieces can be when not buried in special effects and quick cuts. Yates proves why he's one of the great overlooked talents.

Jeff Daniels and Kelly McGillis have very much that 'star chemistry' valued for this sort of picture. McGillis, especially, brings a lightness and intensity most modern actresses could only pretend at. Patinkin is appropriately menacing. Jessica Tandy was my favorite performance, a tiny role nonetheless brightened by the nuances she brings to it. Christopher Buchholz provides an engaging, fearful, yet somehow innocent performance to the character of Stefan.

Imagining that "The House on Carroll Street" were somehow released during the era in which it is set, I have little doubt it would be considered one of the great classics. Films such as "North By Northwest" have all the same limitations and plot implausibilities, yet are no more or less thrilling than this one. I see nothing of lower quality to be found here, only a picture made in a period where it couldn't be recognized. If you love the classic thrillers, you should certainly love this one as well.

Like Guilty By Suspicion this film follows the tale of what it was like to be on the wrong side of a McCarthy style witch hunt looking for reds under the bed. Not having lived through it however I can not judge how accurate this account is. Certainly old film footage of a man with a gavel shouting down anybody who he believes is obstructing justice looks intimidating. This story follows idealist Life magazine picture editor Emily (McGillis) who falls foul of an ambitious politician (Potentkin)who himself as a few skeletons in his own closet. It's about being on the right side. You can bring ex-Nazis into America as long as you have no conscience and are quiet happy to win the space race with information they have given you, the problem is you just don't get caught. With the help of her FBI watcher, Cochran (Daniels) they begin to unwind this crooked scam, unfortunatly it's hard to except that they find every clue and the man who is her tormentor in chief just happens to be involved as well. The story just doesn't hold up to scrutiny. On the plus side the look and feel of the film are great and if prepared to overlook the outrageous and some what slow plot it's watchable.

This is a wonderfully Hitchcockian, quite realistic, but also nostalgic return to the time when some people were looking for Communists under every bed, as well as in Hollywood and =Life= magazine. Kelly McGillis is terrific as the idealistic civil liberties type who discovers Nazis in the garden and her own personal SS man in a Senator's office. Mandy Patinkin is really convincing as the Senate staffer who hounds McGillis from her job. He even looks a little like a famous politician with the initials RMN. For a bang-up thriller without any shooting, car chases or explosions, this is one of the best videos around.