एक युवा लड़का और उसकी छोटी बहन द्वितीय विश्व युद्ध के दौरान जापान में जीवित रहने के लिए संघर्ष करते हैं.एक युवा लड़का और उसकी छोटी बहन द्वितीय विश्व युद्ध के दौरान जापान में जीवित रहने के लिए संघर्ष करते हैं.एक युवा लड़का और उसकी छोटी बहन द्वितीय विश्व युद्ध के दौरान जापान में जीवित रहने के लिए संघर्ष करते हैं.
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- कुल 3 जीत
Tsutomu Tatsumi
- Seita
- (वॉइस)
Ayano Shiraishi
- Setsuko
- (वॉइस)
Akemi Yamaguchi
- Aunt
- (वॉइस)
Yoshiko Shinohara
- Mother
- (वॉइस)
Kazumi Nozaki
- Cousin
- (वॉइस)
Yoshio Matsuoka
- Gosaku
- (वॉइस)
Michio Denpô
- Station worker
- (वॉइस)
- …
Mika Sekita
- Nurse
- (वॉइस)
सारांश
Reviewers say 'Hotaru no haka' is a poignant film highlighting war's impact on children. It delivers a strong anti-war message and realistic portrayal of civilian suffering. The sibling bond is deeply moving, evoking strong emotions. Animation and storytelling are praised for conveying tragedy and life's beauty amidst war. Its focus on personal struggle makes it unique. Despite its somber tone, it underscores human resilience and the importance of love and family.
फ़ीचर्ड समीक्षाएं
10bdod5489
This film is utterly emotionally draining whilst being rewarding at the same time.
The animation is both realistic and stylized but that's not the point, the main focus of this film is the character development of the brother and sister protagonists. Their relationship is nothing short of beautiful and touching.
And without spoiling anything I have to say that this film touched me in a way no other film has ever touched me in my adult life. One or two films have upset me and reduced me to watery eyes but Grave of the Fireflies had me in fits of sobbing despair. I was a mess! I'm talking total emotional breakdown. Couldn't talk without sobbing! One of the best films I have EVER seen, animated or not.
The animation is both realistic and stylized but that's not the point, the main focus of this film is the character development of the brother and sister protagonists. Their relationship is nothing short of beautiful and touching.
And without spoiling anything I have to say that this film touched me in a way no other film has ever touched me in my adult life. One or two films have upset me and reduced me to watery eyes but Grave of the Fireflies had me in fits of sobbing despair. I was a mess! I'm talking total emotional breakdown. Couldn't talk without sobbing! One of the best films I have EVER seen, animated or not.
10Dark0
Being my first Anime review I thought I'd start off with my one of my favourite pieces of work from who else but Studio Ghibli. Ghibli have rarely produced anime that doesn't fall short of great but Graveyard is something different indeed.
Set in the aftermath of World War II, Graveyard is focused on the lives of a caring brother and his young sister (Setsuko and Seita) and how they struggle against both the elements of wartime and a depreciating Japanese empire. The most striking thing about Graveyard is probably how real everything seems. The animation is very unconventional to the likes of say Spirited Away or Laputa but in a good way. The horror of war is beautifully realised through the animation, whether it be the American destruction being shown or the bleak outlook on peoples lives, namely the two main characters. Thankfully it earns every shred of emotion it conveys through these two sympathetic characters that only the coldest of hearts wouldn't warm up to.
Avoiding any Hollywood sentimentality, it is often a bleak and depressing perspective depicted but all the more brutally powerful in the process. With my eyes welling up through the duration of the film, it occured to me just how well the Director understands what raw heartfelt emotion is and how to play the audiences heart strings. Nevertheless nothing is shown in a heavy handed approach, no empthasis is put on the Americans nor is there any special attention taken to the war details. If anything the citizens of Japan are shown in the coldest light often giving little help to the plight of others, but demonstrating furthermore what desperate situation everyone is in.
Takahata instead decides to focus on the plight of it's title characters against the background of war. With the empire of Japan in crisis and food shortages everywhere it is heart breaking to see a brother struggle to meet ends meet for his sister. Due to the approach taken it borders on being horrifying but fortunately the tone is changed with the spirit put into Setsuko's character. Much like 'The Pianist' the issue is not the war but the struggle and will to survive in it. This is clearly displayed in a plot that revolves around the downward spiral Setsuko trying to feed himself and more importantly the younger and more vulnerable sister Seita. The animation though detailed and indeed beautiful in some sequences (namely relating to the title), is not by any means flashy but captures emotions and interactions between the characters perfectly. It's the perfect mixture of such animation, realistic and highly likeable characters that makes the whole film one tearful experience. Dealing with such difficult issues it's very hard to imagine this being a film and if it was I don't think it would of been done as well.
Part of the brilliance also comes from symbology and the association to many different worlds in such a understanding depiction. The child, Seita, is nothing short of perfection in child like behaviour happily oblivious to the desperate situation, amusing herself with simplicity and the quirks of nature and the outdoors. The older brother Setsuko who must carry the burdon of everything is also perfectly portrayed and to watch there decent is painful to say the least. To struggle is one thing but to have shock, shattered dreams and be depended on is something anyone can empthasise with.
There may be some people who will shy away from Anime, disregarding it as a mere cartoon. To those people and everyone else I recommend Graveyard as the tonic, which can be appreciated by anyone with a heart and soul. Among the finest pieces of Anime created and one of the most touching war films ever made.
Set in the aftermath of World War II, Graveyard is focused on the lives of a caring brother and his young sister (Setsuko and Seita) and how they struggle against both the elements of wartime and a depreciating Japanese empire. The most striking thing about Graveyard is probably how real everything seems. The animation is very unconventional to the likes of say Spirited Away or Laputa but in a good way. The horror of war is beautifully realised through the animation, whether it be the American destruction being shown or the bleak outlook on peoples lives, namely the two main characters. Thankfully it earns every shred of emotion it conveys through these two sympathetic characters that only the coldest of hearts wouldn't warm up to.
Avoiding any Hollywood sentimentality, it is often a bleak and depressing perspective depicted but all the more brutally powerful in the process. With my eyes welling up through the duration of the film, it occured to me just how well the Director understands what raw heartfelt emotion is and how to play the audiences heart strings. Nevertheless nothing is shown in a heavy handed approach, no empthasis is put on the Americans nor is there any special attention taken to the war details. If anything the citizens of Japan are shown in the coldest light often giving little help to the plight of others, but demonstrating furthermore what desperate situation everyone is in.
Takahata instead decides to focus on the plight of it's title characters against the background of war. With the empire of Japan in crisis and food shortages everywhere it is heart breaking to see a brother struggle to meet ends meet for his sister. Due to the approach taken it borders on being horrifying but fortunately the tone is changed with the spirit put into Setsuko's character. Much like 'The Pianist' the issue is not the war but the struggle and will to survive in it. This is clearly displayed in a plot that revolves around the downward spiral Setsuko trying to feed himself and more importantly the younger and more vulnerable sister Seita. The animation though detailed and indeed beautiful in some sequences (namely relating to the title), is not by any means flashy but captures emotions and interactions between the characters perfectly. It's the perfect mixture of such animation, realistic and highly likeable characters that makes the whole film one tearful experience. Dealing with such difficult issues it's very hard to imagine this being a film and if it was I don't think it would of been done as well.
Part of the brilliance also comes from symbology and the association to many different worlds in such a understanding depiction. The child, Seita, is nothing short of perfection in child like behaviour happily oblivious to the desperate situation, amusing herself with simplicity and the quirks of nature and the outdoors. The older brother Setsuko who must carry the burdon of everything is also perfectly portrayed and to watch there decent is painful to say the least. To struggle is one thing but to have shock, shattered dreams and be depended on is something anyone can empthasise with.
There may be some people who will shy away from Anime, disregarding it as a mere cartoon. To those people and everyone else I recommend Graveyard as the tonic, which can be appreciated by anyone with a heart and soul. Among the finest pieces of Anime created and one of the most touching war films ever made.
One of the great animated films of all time Grave of Fireflies tells the story of a couple of kids as the try to survive in war time Japan. What happens to them should be seen by anyone thinking of starting a war since it tells very graphically what happens to those often forgotten, the children.
Like its companion piece, Barefoot Gen, which tells the story of survivors of atomic bombing and the horrors that were experienced by those unlucky enough not to have been killed out right, this film proves that war is hell for everyone, especially the children.
Its very hard to send anyone out to see this unhappy little film (The previously mentioned Barefoot Gen spawned sequels, this has not) but at the same time you owe it to yourself to experience, however distantly what sort of monster we unleash upon the world every time we go to war. It helps that however depressing this is, its also a damn good and incredibly compelling story.
9 out of 10
Like its companion piece, Barefoot Gen, which tells the story of survivors of atomic bombing and the horrors that were experienced by those unlucky enough not to have been killed out right, this film proves that war is hell for everyone, especially the children.
Its very hard to send anyone out to see this unhappy little film (The previously mentioned Barefoot Gen spawned sequels, this has not) but at the same time you owe it to yourself to experience, however distantly what sort of monster we unleash upon the world every time we go to war. It helps that however depressing this is, its also a damn good and incredibly compelling story.
9 out of 10
A tragic film covering a young boy and his little sister's struggle to survive in Japan during World War II.
Apparently people, including Roger Ebert, consider this one of the greatest -- or perhaps the greatest -- war film ever made. Now, that is interesting because it is a cartoon. You never expect that, and this might not be something you want to show kids. It is pretty bold, with wounded people, maggots, and anyone can die.
Even more interesting is how it takes place from the point of view of a Japanese youth during World War II. He is not nationalistic, he is not anti-American, he is just a kid. And is that not the truth of war? No matter who is right or wrong, millions of kids become the victims.
Apparently people, including Roger Ebert, consider this one of the greatest -- or perhaps the greatest -- war film ever made. Now, that is interesting because it is a cartoon. You never expect that, and this might not be something you want to show kids. It is pretty bold, with wounded people, maggots, and anyone can die.
Even more interesting is how it takes place from the point of view of a Japanese youth during World War II. He is not nationalistic, he is not anti-American, he is just a kid. And is that not the truth of war? No matter who is right or wrong, millions of kids become the victims.
10dee.reid
"Grave of the Fireflies" is one of the most ambitious, depressing, and quite frankly, best films that I've ever seen. I was nearly moved to tears by this film's brave treatment of such critical subject matter. Yes, it's an Anime' piece, but surprisingly, it came out in 1988, during a time where most Japanese animation films were either relentless bloodbaths, borderline pornography, or both.
As a fan of the Anime' genre of film-making, many great pieces have achieved some sort of cult status here in America, yet none have really reached mainstream success. Some have broken through the barrier and have gained acceptance with American critics, like Katsuhiro Otomo's "Akira," or "Princess Mononoke," or "Spirited Away" (both films directed by Hayao Miyazaki). One that I've seen and has been barely mentioned by most critics is "Grave of the Fireflies."
What we have with "Grave of the Fireflies," is a story of innocence lost and two children who ultimately face a losing battle with trying to survive in a small Japanese village in the closing days of World War II. WWII was the costliest conflict in world history, with millions dead and thousands left to pick up the pieces.
In the center of it, are the aforementioned two children, who are pretty much left to fend for themselves after their mother is killed in a bombing raid. Because their father is off fighting in the war and they have no way of contacting any other family, they're sent to live with their aunt, who is at first warm and welcoming to them, but eventually becomes very cruel and the children are forced to live in a nearby bomb shelter. From that point on, the two children embark on a journey that is every bit as unpleasant and difficult as the grim realities of the world around them.
Very easily one of the best Anime' films that I've ever seen (or any animated film for that matter), I find it difficult to believe just how truly overlooked "Grave of the Fireflies" is. The animation is beautiful, though certainly not dated by any means (even though Japanese animation has progressed well since this film was made).
We get a sense of the dread of the two lead characters, who watch as the world around them crumbles into heaps of ashes, and aircraft loom ominously overhead, dropping their deadly, incendiary cargo on unsuspecting Japanese villagers.
The director, Isao Takahata, obviously has a special resentment of the war, but manages to avoid condemning it outright. The director instead lets us focus in on the conflict as seen through the eyes of the two children, who watch unflinchingly as the realities of their world begin to falter before them.
"Grave of the Fireflies" is a bold statement on the condition of the human soul during conflict. I probably shouldn't say this but I am anyways, but this film has to be the "Schindler's List" of animated pieces. It's brave, it's not overly sentimental, but it is relentless in its dramatization of a dangerous reality. It should be required viewing in any high school world history class.
A beautiful film; not to be missed by anyone.
As a fan of the Anime' genre of film-making, many great pieces have achieved some sort of cult status here in America, yet none have really reached mainstream success. Some have broken through the barrier and have gained acceptance with American critics, like Katsuhiro Otomo's "Akira," or "Princess Mononoke," or "Spirited Away" (both films directed by Hayao Miyazaki). One that I've seen and has been barely mentioned by most critics is "Grave of the Fireflies."
What we have with "Grave of the Fireflies," is a story of innocence lost and two children who ultimately face a losing battle with trying to survive in a small Japanese village in the closing days of World War II. WWII was the costliest conflict in world history, with millions dead and thousands left to pick up the pieces.
In the center of it, are the aforementioned two children, who are pretty much left to fend for themselves after their mother is killed in a bombing raid. Because their father is off fighting in the war and they have no way of contacting any other family, they're sent to live with their aunt, who is at first warm and welcoming to them, but eventually becomes very cruel and the children are forced to live in a nearby bomb shelter. From that point on, the two children embark on a journey that is every bit as unpleasant and difficult as the grim realities of the world around them.
Very easily one of the best Anime' films that I've ever seen (or any animated film for that matter), I find it difficult to believe just how truly overlooked "Grave of the Fireflies" is. The animation is beautiful, though certainly not dated by any means (even though Japanese animation has progressed well since this film was made).
We get a sense of the dread of the two lead characters, who watch as the world around them crumbles into heaps of ashes, and aircraft loom ominously overhead, dropping their deadly, incendiary cargo on unsuspecting Japanese villagers.
The director, Isao Takahata, obviously has a special resentment of the war, but manages to avoid condemning it outright. The director instead lets us focus in on the conflict as seen through the eyes of the two children, who watch unflinchingly as the realities of their world begin to falter before them.
"Grave of the Fireflies" is a bold statement on the condition of the human soul during conflict. I probably shouldn't say this but I am anyways, but this film has to be the "Schindler's List" of animated pieces. It's brave, it's not overly sentimental, but it is relentless in its dramatization of a dangerous reality. It should be required viewing in any high school world history class.
A beautiful film; not to be missed by anyone.
क्या आपको पता है
- ट्रिवियाThis film was initially distributed with My Neighbour Totoro (1988) because it was the only way that Miyazaki could have been able to make "Totoro." The reason being that the original film pitch for that film was rejected, so they pitched a double feature with "Grave of the Fireflies," and the project was eventually backed financially by the original writer of the book on which "Grave" is based. It often was overlooked as a film because whenever "Totoro" was screened first, people were left happy and did not wish to be saddened by "Grave" afterward.
- गूफ़Right at the beginning, someone places what looks like a rice ball loosely wrapped in some tree bark as a protective cover next to the boy known as Seita. The scene cuts to Seita's face and soon after he collapses, the wrapped rice ball is nowhere to be seen.
- साउंडट्रैकHome Sweet Home
Written by H.R. Bishop (uncredited)
Performed by Amelita Galli-Curci
Courtesy of RCA Victor Red Seal, a division of BMG Classics
टॉप पसंद
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विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- La tumba de las luciérnagas
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $37,00,000(अनुमानित)
- US और कनाडा में सकल
- $5,16,962
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $1,58,101
- 12 अग॰ 2018
- दुनिया भर में सकल
- $8,42,132
- चलने की अवधि1 घंटा 28 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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