Camille Claudel

This film is about the tragic failure of a genius. She fails not so much because of her tendency to make fatal mistakes but because of the shape those mistakes took in her mind. This, even as lesser personages prospered (e.g., Camille's brother Paul, the famous Catholic poet and diplomat) because they were not adverse to espousing convenient "beliefs" for the sake of earthly success. Many viewers will feel a strong affinity with Camille, not because they consider themselves geniuses but rather for the interior world she constructed that, without religion, gave the exterior world meaning. I say she was without religion, but in fact sculpture was her religion--at least until her final failure to gain the respect and patronage of capricious buyers. It was then that her religion (her meaningful myth) took the form of a conspiracy delusion. Powerful people, she thought (mostly, the sculptor Rodin, who had been her lover), were out to get her, thwarting her every move.

What we experience here is a thoughtful, scary exploration of the darkness that is a paradoxical part of all brilliance.

A *very* powerful film about a woman and her life. Acting and setup is so good that it can leave permanent scars on your psyche. Hitchcock can scare for a few minutes, while this movie can scare you for life. Do not watch while depressed. I give it a minimum of 8 out of 10. Wonderful job.

There's some nice photography in here, which is what helped me get through this long (159 minutes) soap opera-type story about the girlfriend (the title name, played by Isabelle Adjani) of the famous sculptor Rodin (Gerard Depardieu).

There are a lot of closeups of Adjani which was fine with me as I never get tired of seeing her looks. "Camille" also was a sculptor but when the romance with Rodin went sour, she went literally crazy. This movie details that saga.

In addition to the cinematography, you get to see some great sculptures - really good pieces of work. I just wish they had shown how the artists accomplished these pieces. Since they are just actors, all it did was show the two leads chipping away chunks of clay, never showing any detail work.

At least, the film made me appreciate the art form more.

Isabelle Adjani is stunning as the title character in this rich and passionate film. I am amazed anytime an actor or actresses changes physically in the part of a film (and without tons of make-up and special effects, either!)and Adjani does this remarkably well! We as an audience are just as stunned as Eugene Blot when he finds Camille drunk and spiraling into the depths of madness. Her appearance is nothing less than shocking.

The film as a whole is engaging with a whirlwind of emotions--rage, sadness, torment, bliss; by the time the nearly 3 hours are up, I am exhausted. Adjani and Depardieu are part of that emotional energy as they passionately go at it--sex, sculpture and anger; especially when it comes to the latter. It is almost worth it to stop reading the subtitles and listen to them rage and lash out at one another.

Adjani is powerful in so much of this film...I am amazed she didn't receive that best actress Oscar she was up for. Her torment and pain is riveting--especially in French. I am glad they did not decide to dub this film into English; hearing Adjani sob and ask "Pourquoi? Pourquoi?" would be empty with her mouthing the words "Why? why?" in English.

The film as a whole is a bit long, but overall is stunning. The sad epilogue is even sadder if you know that Claudel's remains were interred in a mass grave after her brother Paul failed to claim them from her original grave [the asylums only interred bodies in individual plots for a certain amount of time; space was at a premium.] So, the brilliant Camille Claudel's remains ended up in an unmarked grave mixed in with others who went unclaimed, as well.

This film is beyond beautiful and beyond heartbreaking. After 19 years, it still tears the heart right out of me. I first saw "Camille Claudel" while it was on it's Oscar campaign in 1990 for "Best Foreign Film" and "Best Actress - Isabelle Adjani". I hadn't really begun to appreciate foreign film yet so I had no idea what to expect. What I saw was an angel beyond description giving one of the greatest acting performances I had EVER seen, still to this day. This film is heart-wrenching in it's beauty and romantic tragedy. In fact it makes art of it. I went back to the theater to watch it six times, I even dragged friends along. Yes the film was brilliant, but what I went back to see was perhaps the most beautiful woman I've ever seen on the big screen. Isabelle Adjani's beauty in this film is breath-taking and her performance is one of the most intense and deeply moving in history. I have this film on VHS and DVD. I still love to watch it.