Bird

There are certain movies that leave you dazed when you walk out of the theater. For me, "Bird" was such a movie.

On a nice evening in 1988 I decided to take in a movie on the spur of the moment. I walked to the nearest theater (Fine Arts, Downtown Chicago) and looked to see what was playing. I had never heard of Charlie Parker nor his music, but I was developing a love of jazz and the movie being directed by Clint Eastwood didn't hurt.

I went in, found a seat and had no way of knowing that, in a couple of hours, my life would be different.

The music penetrated my soul in ways I could never express. I was in awe and filled with emotion as the music carried me away while the visions of Charlie Parker's life flashed in front of my face. When the final credits scrolled up the screen, I could not move. I was frozen to my seat, dazed, overwhelmed, completely awed. I couldn't get the music out of my head, songs were playing back as if I'd listened to them a thousand times. My mind felt as if it were orbiting the sun.. spinning round and round, bathed in this warmth of beauty.

I didn't walk out of the the theater so much as stagger. I walked around for miles just playing over and over in my mind what I'd seen and heard and finally, hours after the movie ended I found myself in front of an all night music store where I bought the soundtrack and raced home to listen to it.

No matter that I had to get up in the morning for work... no matter that the movie had ended before 10pm but I didn't find my way home until after 2am. No matter that I was dead tired from walking dazed miles in a haze of thought.

I played that CD until I fell asleep then took it to work and played it all day... I played it constantly for weeks and then I started to buy other Charlie Parker CDs and reading everything I could about him. Charlie Parker is my favorite musician of all time, to this day, nearly 20 years later... and it began with this movie.

A dark and atmospheric biopic on jazz legend Charlie Parker, who with his fast improvisational style formed the sub-genre of bebop. Clint Eastwood directed this movie with a heart and passion that reflects back to his own love of the music which he has carried with him all his life and played a role in all his work. Eastwood himself actually was fortunate to have seen Charlie "Bird" Parker play in when he was alive. The film chronicles his life and has a tight focus on his self destructive behavior and the music itself. Bird explores the highs and lows of his journey. Playing to a sold out house in Paris, playing alongside Dizzy Gillespie, and earning a respect that few other musicians have matched. In contrast we see his heroine addiction, his suffering and depression resulting in several suicide attempts, the death of his daughter, and his wife's loving struggle to help save a man who's ill-fate was inevitable and irreversible.

Forest Whitaker plays Bird with a lot of heart and soul. Even though I have no idea if it was an accurate portrayal in capturing the man's nuances, Whitaker's interpretation was superlative. Equally as good was Diane Venora as Bird's wife, who found enough strength for the both of them and tried to hold the family together in an un-winnable battle. There's lots of rain, lots of dark nightclubs, lots of street lamps reflecting the soaked streets, and lots of feeling in this one. Having just watched another biopic, that one on Ray Charles, it's clear to see Eastwood's was the real deal, whereas Ray was merely decent.

Grade: A+

Clint Eastwood's reputation as a serious filmmaker was given a considerable boost with this lengthy biography of jazz legend, Charlie "Yardbird" Parker, who Eastwood, a jazz aficionado, saw perform in Oakland, California in 1946. For this labor of love, Eastwood assembled an excellent cast including Forest Whitaker as Parker, Diane Venora--flawless as Bird's woman, Chan Parker--and, in a small role of one of the musician's flirtations, Ana Thompson (the "cut whore" from "Unforgiven"). With the aid of cinematographer Jack N. Green, Eastwood captures the neon burnished lights and darks of the night world Parker inhabited, and the music, featuring genuine Parker solos augmented by modern musicians, can't be faulted, but despite its merits, this "Bird" never takes flight. It is long--too long--and the story it tells, though certainly dramatic in its bleak and uncompromising portrait of an artist whose music was often overshadowed by his drug addiction, weighs down too heavily on the latter than the former. Why is Charlie Parker so important? That question isn't answered here, but another question--why was Charlie Parker dead at 34?--is addressed and answered at length. There is potential on view here--Parker's struggle to survive as a musician in a culture that is more appreciative of rock and roll than of jazz is a minor thread that could have been expanded--but much of it is unrealized. "Bird" is a handsome film, but its craftsmanship and artistry is defeated by the script.

If you like Jazz you can't 'not like' this movie. If you like Noir you will dig the overall look of it. My only problem is that Eastwood concentrates more on presenting the tragic side of Charlie parker's life and so we get a very dark and somber film.

While we do get glimpses of Parker as 'musician', Forest Whitaker's, Parker as 'junkie', tends to weigh down the story. If Eastwood had to choose between highlighting the story of 'The greatest jazz musician of all time' or 'The premature death of a self-destructive Junkie', It's obvious which route he chose to take...the easiest one.

Ultimately it becomes more a movie about Parker's relationship with his wife Chan, and less about Parker's relationship with Jazz. In my opinion, Clint doesn't really succeed at showing us why we should love the character of Bird and maybe this was not his intention; but if a separation of the personality (warts and all) and his art is necessary to show an honest depiction; then why not also highlight the music and allow it to speak for itself? In this case, by making it a more satisfying listening experience like Formans "Amadeus" or Tavernier's "Round Midnight". The way they allowed the music be THE lead character of the movie.

Still, the improved fidelity in the remix of the soundtrack makes some of these old recordings easier digestible for those who may be new to Parker's music. Incidentally, this is the best fidelity of Charlie Parker you'll find anywhere. On the whole this is not a bad movie; It is not a complete depress-fest like two other movies about drug induced pop culture icons: 'The Doors' or 'Sid & Nancy'. Indeed this movie has its moments. There's a scene where Parker (blowing on his sax) wakes up Dizzy in the middle of the night to improvise on 'Now's the Time'. I also love the scene where he takes a gig with Red Rodney to play at a Jewish wedding. I wanted more of this type of interaction with his fellow Jazzers!

The life of jazz great Charlie "Bird" Parker.

Clint Eastwood's homage to Charlie Parker. A great, sensitive biopic. I am not a fan of jazz music, and know very little about it, but you don't have to be a jazz aficionado to enjoy this movie.

Eastwood, a great fan of jazz and very knowledgeable on the subject, gives a great insight into Charlie Parker, especially his drives and personal demons. It could easily have become a very dry, paint-by-numbers, examination of Parker's life but Eastwood gives his character great depth and shows him warts and all. A very sensitive yet revealing portrayal.

Excellent performance by Forest Whitaker as Charlie Parker. Good supporting performances, especially by Diane Venora as Parker's wife, Chan.