Bird

"Bird" will probably be most appreciated by jazz fans who come to it already familiar with Charlie Parker and his incalculable contributions to jazz and influence on generations of musicians that continues to this day. The script contains many shorthand references that might be lost on the average moviegoer -- e.g., Parker calls Dizzy Gillespie "Birks," which was his middle name, but many people probably don't know that.

But there is the music, and tons of it. There are extraordinary performances by Forest Whitaker as Parker, and Diane Venora as his common law wife, Chan. In many ways the film seems more a love story than the standard musical biopic. Chan was unfailingly supportive of Bird, despite his self-destructive drug use, alcoholism and chronic infidelity. He loved her in his own way, and I think she realized that she was in love with a genius who would forever be plagued by demons, and that she couldn't have one without the other.

Clint Eastwood's love of jazz is well-known, and in "Bird" he provides a wealth of wonderful music, beautifully performed. The actual playing of Charlie Parker is augmented by accompaniment from contemporary musicians, and Parker has never sounded better. Eastwood also provides an unflinching portrayal of the complicated lives of jazz musicians, and the addictions to which so many succumb.

Despite the mess that Bird made of his life, he remains a charming and sympathetic figure. And his music, years ahead of its time, and so complex that countless fledging saxophone players have attempted to copy his recordings note for note, will forever live on.

I. feel that the person that wrote negative things about the movie "Bird" missed the point. He mentioned the fact that the movie didn't go into the interracial marrige of Charlie and Chan Parker. I for one am glad that it didn't. I hate movies that beat the audience over the head with the fact that people can't, won't,and don't except blacks and whites in relationships that are positive. I felt that even though Mr. Parker had an addiction to drugs and had a wondering eye at times, he truely loved his wife. Mrs Parker not only loved her husband the jazz musician but her husband the man and looked out for his well being as best she could. The movie never let me forget that he was an addict but it also showed his genious and creativity. I'd give it a 9 because there was an uneveness about it that made it less than pefect. I truely wished that they had shown more of how he interacted with other greats like Miles Davis and Art Blakey.

A dark and atmospheric biopic on jazz legend Charlie Parker, who with his fast improvisational style formed the sub-genre of bebop. Clint Eastwood directed this movie with a heart and passion that reflects back to his own love of the music which he has carried with him all his life and played a role in all his work. Eastwood himself actually was fortunate to have seen Charlie "Bird" Parker play in when he was alive. The film chronicles his life and has a tight focus on his self destructive behavior and the music itself. Bird explores the highs and lows of his journey. Playing to a sold out house in Paris, playing alongside Dizzy Gillespie, and earning a respect that few other musicians have matched. In contrast we see his heroine addiction, his suffering and depression resulting in several suicide attempts, the death of his daughter, and his wife's loving struggle to help save a man who's ill-fate was inevitable and irreversible.

Forest Whitaker plays Bird with a lot of heart and soul. Even though I have no idea if it was an accurate portrayal in capturing the man's nuances, Whitaker's interpretation was superlative. Equally as good was Diane Venora as Bird's wife, who found enough strength for the both of them and tried to hold the family together in an un-winnable battle. There's lots of rain, lots of dark nightclubs, lots of street lamps reflecting the soaked streets, and lots of feeling in this one. Having just watched another biopic, that one on Ray Charles, it's clear to see Eastwood's was the real deal, whereas Ray was merely decent.

Grade: A+

Those viewers who claim the film is flawed are missing the point. Screenwriter Joel Oliansky (who also directed the film "The Competition") attempted (quite successfully I believe) to combine the elements of jazz music with the visual medium of film. Rhythm, tone, the improvisational aspects of be-bop, all of these elements go into creating a movie unlike any produced. It is not to be viewed in the traditional sense of linear story-telling. The mood created by Jack N. Green's cinematography is completed suited to the atmosphere of the 1940's and 1950's. As for acting, let us point out Forest Whitaker's Best Actor Award from the Cannes Film Festival and Diane Venora's Best Supporting Actress Award from the New York Film Critics. This film resounds with fine filmmaking, headed by Clint Eastwood's passion for the music. And what music! Parker's original solos were cleaned up and integrated with modern musicians into a seamless flow. The picture won the Best Sound Academy Award (sadly, its only nomination). Look at this film as a tribute to a man and a music, a recollection of a brilliant yet dissipated life, and a kind of filmmaking rarely seen by today's audiences.

If you like Jazz you can't 'not like' this movie. If you like Noir you will dig the overall look of it. My only problem is that Eastwood concentrates more on presenting the tragic side of Charlie parker's life and so we get a very dark and somber film.

While we do get glimpses of Parker as 'musician', Forest Whitaker's, Parker as 'junkie', tends to weigh down the story. If Eastwood had to choose between highlighting the story of 'The greatest jazz musician of all time' or 'The premature death of a self-destructive Junkie', It's obvious which route he chose to take...the easiest one.

Ultimately it becomes more a movie about Parker's relationship with his wife Chan, and less about Parker's relationship with Jazz. In my opinion, Clint doesn't really succeed at showing us why we should love the character of Bird and maybe this was not his intention; but if a separation of the personality (warts and all) and his art is necessary to show an honest depiction; then why not also highlight the music and allow it to speak for itself? In this case, by making it a more satisfying listening experience like Formans "Amadeus" or Tavernier's "Round Midnight". The way they allowed the music be THE lead character of the movie.

Still, the improved fidelity in the remix of the soundtrack makes some of these old recordings easier digestible for those who may be new to Parker's music. Incidentally, this is the best fidelity of Charlie Parker you'll find anywhere. On the whole this is not a bad movie; It is not a complete depress-fest like two other movies about drug induced pop culture icons: 'The Doors' or 'Sid & Nancy'. Indeed this movie has its moments. There's a scene where Parker (blowing on his sax) wakes up Dizzy in the middle of the night to improvise on 'Now's the Time'. I also love the scene where he takes a gig with Red Rodney to play at a Jewish wedding. I wanted more of this type of interaction with his fellow Jazzers!