IMDb रेटिंग
5.8/10
5.3 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंIn this feel-good body-switchers comedy, aging worldly-wise businessman Jack Watson swaps bodies with his grandson David in the wake of an automobile accident. George Burns shines in his fin... सभी पढ़ेंIn this feel-good body-switchers comedy, aging worldly-wise businessman Jack Watson swaps bodies with his grandson David in the wake of an automobile accident. George Burns shines in his final leading role.In this feel-good body-switchers comedy, aging worldly-wise businessman Jack Watson swaps bodies with his grandson David in the wake of an automobile accident. George Burns shines in his final leading role.
- निर्देशक
- लेखक
- स्टार
Josh Devane
- J.P.
- (as Joshua Devane)
फ़ीचर्ड समीक्षाएं
10bibi-3
I saw this movie almost ten years ago, and I still haven't seen a better comedy.
I enjoyed every minute. Don't miss it !!
I enjoyed every minute. Don't miss it !!
The '80s was a good time for this kind of movie. Obviously.
Not only was there "18 Again!", but there was "Big", "Like Father, Like Son" and "Vice Versa", all with the same basic idea - regaining lost youth. And in comparison with the others, this falls sorta mid-way.
Burns, as always, is great and in fine form. Schlatter does a great Burns imitation in his early scenes especially. Runyon plays basically the same character she did in "Up the Creek" an just about every other part she'd played in movies before this. But she does okay. Morris, slinky and sultry as ever, doesn't disappoint. Everyone else just kind of hangs back and lets the story take care of itself. But that's okay; it does.
Let's face it: you can only say good in a movie where Pauly Shore play a halfway tolerable person.
Seven stars. Watch "18 Again!" and if you have before, do it "Again!"!
Not only was there "18 Again!", but there was "Big", "Like Father, Like Son" and "Vice Versa", all with the same basic idea - regaining lost youth. And in comparison with the others, this falls sorta mid-way.
Burns, as always, is great and in fine form. Schlatter does a great Burns imitation in his early scenes especially. Runyon plays basically the same character she did in "Up the Creek" an just about every other part she'd played in movies before this. But she does okay. Morris, slinky and sultry as ever, doesn't disappoint. Everyone else just kind of hangs back and lets the story take care of itself. But that's okay; it does.
Let's face it: you can only say good in a movie where Pauly Shore play a halfway tolerable person.
Seven stars. Watch "18 Again!" and if you have before, do it "Again!"!
This is a fun comedy. It hits all the right notes for a very tired "soul-switching" genre that tended to dominate in the late-80s/early-90s. The difference is "18 Again" is the best of that genre hands-down. "Big" is a better movie, but that isn't soul-switching as much as a "child/grownup" genre. Match "18 Again" against other soul-switchers like "Dream A Little Dream", "Vice Versa", "Freaky Friday", or the horrific "Like Father, Like Son" from the same era - and you'll see a story with a heart unlike the others. In modern terms, this movie is closest to "17 Again" - although again, that isn't soul-switching as much as "child/grownup". However, I would take "18 Again" over "17 Again" simply for two reasons: Charlie Schlatter's uncanny physical mimicking - and the comedy talents of George Burns.
Charlie Schlatter is absolutely PERFECT as both David/Jack. His lovable-but-worthless "deer in the headlights" college freshman vs. that of his world-wise, confident grandfather, played by the irrepressible George Burns. The story twists with young David going through a series of let-downs that only a college freshman could experience with all the put-downs and disappointments we could expect. Enter his amazingly spontaneous and funny grandfather, Jack. Once Jack's soul enters David, we see all the confidence David needed to solve so many of his difficult situations.
The supporting cast is fine, if not a bit caricatured. However, watching Burns "inhabit" Schlatter's 18-year-old body is a joy. Schlatter should be teaching young actors/actresses on how to mimic body movements. He is simply that mesmerizing once Jack is "inside" him. It's a hoot. The part where "young" Jack tells his best friend, Charlie (Red Buttons) who he really is... It's a gem of a scene. Two legendary comedians using the body of a very capable young actor to convey joy and happiness from a bygone era... Loved it.
This is not a classic college comedy like "Animal House", "Revenge of the Nerds" or anything like that. But as a feel-good, happy little story that is well worth watching simply to watch George Burns at his best as the old gent with a wicked wit, this is a good one.
Charlie Schlatter is absolutely PERFECT as both David/Jack. His lovable-but-worthless "deer in the headlights" college freshman vs. that of his world-wise, confident grandfather, played by the irrepressible George Burns. The story twists with young David going through a series of let-downs that only a college freshman could experience with all the put-downs and disappointments we could expect. Enter his amazingly spontaneous and funny grandfather, Jack. Once Jack's soul enters David, we see all the confidence David needed to solve so many of his difficult situations.
The supporting cast is fine, if not a bit caricatured. However, watching Burns "inhabit" Schlatter's 18-year-old body is a joy. Schlatter should be teaching young actors/actresses on how to mimic body movements. He is simply that mesmerizing once Jack is "inside" him. It's a hoot. The part where "young" Jack tells his best friend, Charlie (Red Buttons) who he really is... It's a gem of a scene. Two legendary comedians using the body of a very capable young actor to convey joy and happiness from a bygone era... Loved it.
This is not a classic college comedy like "Animal House", "Revenge of the Nerds" or anything like that. But as a feel-good, happy little story that is well worth watching simply to watch George Burns at his best as the old gent with a wicked wit, this is a good one.
I must have a thing for body swap stories because I've liked nearly every film with this premise. 1987-88 was the peak year for this type of flick and you had a bunch of good ones: Like Father, Like Son, Vice Versa, and Big all came out that fall, spring, and summer. 18 Again is the one that came and went. It lasted about three weeks in theatres and then disappeared. The thing is, I think I like this one more than the others that I've mentioned. Maybe it's because George Burns is in it, maybe it's because of the gorgeous Anita Morris, or maybe it's the idea of being an older man getting a second chance at youth. It's possible that all of the above contribute to the appeal. Regardless, when I want to watch a movie in this genre, 9 times out of 10, I stick in 18 Again and enjoy it every time. It's not the best of the genre but it's probably the most fun.
Some people didn't like this film, but I did. It was one of the four body swap comedies that came out in the same 12 months during 1987-1988. I remember them all very well cause I was 12 and 13 then and I was always going to the movies.
"18 again" was the second best of the four. ("Vice versa" was best due to very convincing and humorous acting from Fred Savage and Judge Rhinehold when they switch. "Like father, like son" was my least favorite due to very unconvincing and stupid annoying acting from Kirk and Dudley when they switch. And "Big" was Tom Hanks as a 13 year old in a 30 year old body acting more like was 6 instead of 13 when he switched and not acting anything like he did when he was actually 13). George Burns was always a good comedian, and I liked him in the "Oh god" movies. Here he switches places with his 18 year old grandson, Charlie Shlatter. The swap comes after Burn's birthday party when he says how he's happy about how he has everything he wants, except youth. Then, Burns and Charlie, in the car together, have an accident.
When he comes to, Charlie in Burn's body, he discovers he's been swapped. He's shocked for a moment, but then he is ecstatic and excited, he has gotten his wish. He goes back to school and things for him change due to Burn's soul now being in Charlie's body. Before, Charlie was always being pushed around by the bullies in his fraternity, and he had no confidence with girls. Now, Burns in Charlie's body, he stands up to those bullies, makes a jerk of a teacher look bad in front of the whole class by outsmarting him and being a wise ass about it. He now, with confidence, improved his track abilities. And he now, with confidence, was able to attract and win the girl he couldn't get when Charlie was Charlie. I also liked the scene when Burns/Charlie throws a roaring 20s style party, but some of that is cause I'm a big fan of movies from Hollywood's golden age. It being an 80s movie though, I am a tad bit curious how a bunch of 80s kids were automatically able to jump into a 20s style party like that, right away knowing all the dance moves and styles from that era. I like how Burns/Charlie's girlfriend dresses and dances just like a flapper (same with all the girls at that party). I also liked how Burns/Charlie mentioned bathtub gin and said "let's roar like the stock market crash is just around the corner". I also liked the scenes of Burns/Charlie and his old friend Red Buttons when he was convincing him what really happened with him and his grandson switching. And I liked their suggestive version of "By the light of the silvery moon" that they had sang many years ago when they were younger.
The one thing that bothered me a bit more in this film is how the other half, Charlie in Burn's body, was basically unconscious through most of the movie, since the souls were swapped, and Burn's body was in a coma from the car crash. But I guess it did give us more time to explore the different experiences Burns was having in Charlie's body. Still a good movie.
"18 again" was the second best of the four. ("Vice versa" was best due to very convincing and humorous acting from Fred Savage and Judge Rhinehold when they switch. "Like father, like son" was my least favorite due to very unconvincing and stupid annoying acting from Kirk and Dudley when they switch. And "Big" was Tom Hanks as a 13 year old in a 30 year old body acting more like was 6 instead of 13 when he switched and not acting anything like he did when he was actually 13). George Burns was always a good comedian, and I liked him in the "Oh god" movies. Here he switches places with his 18 year old grandson, Charlie Shlatter. The swap comes after Burn's birthday party when he says how he's happy about how he has everything he wants, except youth. Then, Burns and Charlie, in the car together, have an accident.
When he comes to, Charlie in Burn's body, he discovers he's been swapped. He's shocked for a moment, but then he is ecstatic and excited, he has gotten his wish. He goes back to school and things for him change due to Burn's soul now being in Charlie's body. Before, Charlie was always being pushed around by the bullies in his fraternity, and he had no confidence with girls. Now, Burns in Charlie's body, he stands up to those bullies, makes a jerk of a teacher look bad in front of the whole class by outsmarting him and being a wise ass about it. He now, with confidence, improved his track abilities. And he now, with confidence, was able to attract and win the girl he couldn't get when Charlie was Charlie. I also liked the scene when Burns/Charlie throws a roaring 20s style party, but some of that is cause I'm a big fan of movies from Hollywood's golden age. It being an 80s movie though, I am a tad bit curious how a bunch of 80s kids were automatically able to jump into a 20s style party like that, right away knowing all the dance moves and styles from that era. I like how Burns/Charlie's girlfriend dresses and dances just like a flapper (same with all the girls at that party). I also liked how Burns/Charlie mentioned bathtub gin and said "let's roar like the stock market crash is just around the corner". I also liked the scenes of Burns/Charlie and his old friend Red Buttons when he was convincing him what really happened with him and his grandson switching. And I liked their suggestive version of "By the light of the silvery moon" that they had sang many years ago when they were younger.
The one thing that bothered me a bit more in this film is how the other half, Charlie in Burn's body, was basically unconscious through most of the movie, since the souls were swapped, and Burn's body was in a coma from the car crash. But I guess it did give us more time to explore the different experiences Burns was having in Charlie's body. Still a good movie.
क्या आपको पता है
- ट्रिवियाIn George Burns' last starring role, he played an 81-year-old when he was 91.
- गूफ़For David's big race, Charlie gives him the running shoes that he wore back in 1928, however the leather on sixty year old shoes would have deteriorated to point that the shoes would be unusable.
- भाव
David Watson: I don't want to hit a lady, Horton, but I wouldn't mind hitting her.
- इसके अलावा अन्य वर्जनFor its official rental video release, the film has been licensed to MovieTees for its Watch & Wear video shop promotion. In addition to the theatrical logo plastered with its home video counterpart at the opening, it attached the promo's "stay tuned" portion that leads into the film itself. The promo begins as it slides up at the tail end of its closing credits.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is 18 Again!?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $25,67,099
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $14,75,645
- 10 अप्रैल 1988
- दुनिया भर में सकल
- $25,67,099
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