अच्छाई और बुराई के संघर्ष वाली इस फ़िल्म में केविन कोस्टनर फ़ेडरल एजेंट एलियट नेस की भूमिका में हैं, रोबर्ट डी नीरो शराब माफिया अल कपोन की भूमिका में हैं तथा शॉन कोनरी पुलिस अधिकारी मालोन की... सभी पढ़ेंअच्छाई और बुराई के संघर्ष वाली इस फ़िल्म में केविन कोस्टनर फ़ेडरल एजेंट एलियट नेस की भूमिका में हैं, रोबर्ट डी नीरो शराब माफिया अल कपोन की भूमिका में हैं तथा शॉन कोनरी पुलिस अधिकारी मालोन की भूमिका में हैं जो नेस को भीड़ की पिटाई करना सिखाता है: तेजी से मारो और पहले मारो.अच्छाई और बुराई के संघर्ष वाली इस फ़िल्म में केविन कोस्टनर फ़ेडरल एजेंट एलियट नेस की भूमिका में हैं, रोबर्ट डी नीरो शराब माफिया अल कपोन की भूमिका में हैं तथा शॉन कोनरी पुलिस अधिकारी मालोन की भूमिका में हैं जो नेस को भीड़ की पिटाई करना सिखाता है: तेजी से मारो और पहले मारो.
- 1 ऑस्कर जीते
- 11 जीत और कुल 18 नामांकन
फ़ीचर्ड समीक्षाएं
However, after years of growing up watching Robert Stack playing "Elliot Ness" on TV on the hit series, "The Untouchables," it took me a bit to accept Costner in that role. That part will always belong to Mr. Stack.
At first, he just did not speak with the authority of a tough Chicago cop out to get Al Capone and the racketeers from the Prohibition Age in Chicago. His partner, "Oscar Wallace," played by the little nerdy-looking Charles Martin Smith as a gun-toting T-Man, is even harder to believe. Of the "good guys," Andy Garcia is the only likeble and believable guy. Sean Connery has the best character in the film ("Jim Malone") and is the most interesting to watch.
Nonetheless, it's a good story with good characters and just about he right amount of action. It moves very well, which tells me the movie is entertaining. There are a few memorable scenes, such as the shootout at the train station with the baby carriage descending the stairway and a memorable scene with Robert De Niro as Capone.
This is a tough, very violent and bloody movie.....nothing like the old TV show.
Here are a few reasons why. First reason is that The Untouchables is just so darn entertaining. All the other films had completely different aims and even though I love a deep and brilliant story my main objective when I see a film is to be entertained and basically no film does that better than The Untouchables. That does not mean, however, that The Untouchables is just some half baked action comedy. No. There is genuine emotion and real story in this film. The story is, as most people know, loosely based on the actual events during the prohibition era in USA in the 1920s (the story is also based very, very loosely on the series that go by the same name) which to some extent means that what we see on the screen is real making the characters and general story seem that much more believable. This also adds greatly to the already very high entertainment value of the film because it draws the audience in. To add to the realism of the film the dialog is also very memorable and there are some great one-liners including some of my all time favorites in this film.
The acting is nothing short of brilliant. This is without a doubt Kevin Costner's best role. Some people have remarked that he seemed stiff and unable to portray the emotion of the character and to that I can only ask: Were we watching the same movie?! He is a hundred percent believable all the way through. In the beginning he seems a bit too much like a square I-wanna-do-some-good kind of character but as the story progresses he really evolves and becomes more and more emotionally involved in what he does. Both in his friends and in the cause. He even bends some of the rules he initially tried so hard to uphold. Brilliant. Charles Martin Smith does a good job as well and even though his character is very limited he still manages to pull the audience in. Andy Garcia appears in this film in a very limited role as well and he serves his purpose brilliantly. He is the sharpshooter of the group and he is perfectly believable in that part. He doesn't get to say much but what he does get to say is said with as much passion as I have ever heard from him (he seemed a little stale and lifeless in Godfather III). Robert DeNiro is great as Al Capone. He steals every scene he is in and he really brings the larger-than-life quality to the character which is extremely fitting. The film's best performance belongs to Sean Connery though. The film is for lack of a better expression a Sean Connery tour-de-force. Not only does he steal every scene he is in but he also brings the certain indescribable something to the character that he always does and in every situation you feel with him (as you do in all his films whether he is a villain or a hero). He also got a well deserved Oscar for his performance. People have claimed that the Oscar wasn't as much for this particular performance but an Oscar in recognition of his contributions to the film industry. This belittles his performance which I can safely say is the best of his career and one of the best displays of acting that I have ever seen.
The film also has a memorable score made by the legendary Ennio Morricone who is perhaps best known for the work he did with the equally legendary western director Sergio Leone (who doesn't know the score from The Good, the Bad and the Ugly) and in my opinion the score he did for The Untouchables is the best he has ever made. The score is very unlike most scores from the 80s which does that the film doesn't feel like an 80s film as much as Scarface which I find inferior to this masterpiece. The score is grand and epic just like the story and the effects. For an 80s movie the effects are pretty amazing. Once again everything works.
All in all The Untouchables is a riveting story which is highly recommendable to all fans of crime/gangster movies.
10/10 - on my top 10 of best films
In the 1930's, Prohibition is in full swing, and Chicago mob boss Al Capone (Robert De Niro) rules over his empire with bombs, bribes, and machine guns. Since Prohibition is very unpopular with the American people, who's going to stand up to Capone? Enter straight-laced young Treasury Agent Elliot Ness (Kevin Costner), who wants to do the right thing but realizes that the methods required are much more unorthodox, what with the corrupt police department and all. He enlists the help of an aging beat cop (Sean Connery in an Oscar-winning performance), a nebbish accountant (Charles Martin Smith) and a young police cadet who's a crack shot with a pistol (Andy Garcia) and begins taking down Capone "the Chicago way". After many shootouts, liquor raids, and assassinations, it all comes down to a climactic showdown - on the roof of a crowded courthouse! - between Ness and Capone's chief henchman, Frank Nitti (Billy Drago).
The movie is, as has been pointed out, much more faithful to the original television series with Robert Stack than the historical record, of which it bears virtually no resemblance, not that that is necessarily a problem. In real life, there were up to a dozen "Untouchables", whose success was very limited, and never got into any actual shootouts with Capone (though Capone did try to kill Ness himself on at least two occasions). Capone thought of Ness as a publicity seeking nuisance, nothing more; the two never even met face-to-face. Frank Wilson and the IRS had a LOT more to do with Capone's indictment than Ness and the Untouchables ever did. And of course Frank Nitti lived for over a decade after Capone was jailed.
That being said: who cares? This was intended as a fun, classy action movie, not a historical documentary. The movie is extremely authentic in attention to period detail, and though a bit over-the-top, it succeeds in its primary objective: to entertain. The movie was meant as a cross between a classy gangster film and a good old-fashioned cops'n'robbers shoot-'em-up, and was highly successful at that.
The acting is great all around, with Costner and Connery in particular giving one of their best performances. Costner does a creditable job at making Ness go from a greenhorn do-gooder (the scene where he yells at the corpse of a gangster he's had to kill is one of the movie's few weak moments) to a tough, hard-assed veteran in a little over two hours, no mean feat. Connery does a great job as Malone, the aging, guilt-ridden cop who becomes Ness's mentor (though his death scene is a bit overdone, I must admit I actually cried the first time I saw it!). Garcia and Smith have somewhat less to do, though each have their moments (Smith sipping bootleg whiskey during the bridge ambush, and Garcia's initial confrontation with Ness and Malone). De Niro, who made a career playing gangsters, takes the logical step of playing THE single most famous gangster of all time, Al Capone, and DeNiro, Method actor that he is, does a great job managing to look, sound, and act the part, despite very limited screen time (does ANYONE come away from this film not remembering the infamous baseball scene?). Drago fits the part of a sneering, one-dimensional villain, and manages to make Nitti a menacing and even charismatic character despite having little to work with. Other talented character actors - Richard Bradford, Jack Kehoe, Patricia Clarkson, Brad Sullivan, Del Close, Clifford James - round out the cast.
Where the movie excels, however, are its action sequences. The ambush of Capone's bootleg convoy at the Canadian border is simply exhilarating, and the suspenseful rooftop shootout between Ness and Nitti is extremely memorable as well. But what steals the show is the wonderfully done "Potemkin" homage in Union Station, where Ness and Stone try to apprehend Capone's book keeper, take out his bodyguards, AND save a baby carriage pluming down the stairs. Virtually the whole scene is done in slow motion, and is indescribably intense and even beautiful.
Ennio Morricone provides a wonderful score, and I'm not sure why he dislikes it so much, as he's said in interviews. True, it's not up to par with his works for Sergio Leone's films, but what is? He provides an exhilarating, heroic score which captures the feel and tone of the movie perfectly (though for my money, the heartbreaking "Death Theme", played on solo saxophone, is the best track).
Overall, "The Untouchables" is NOT a great gangster film, like "The Godfather" or "Once Upon A Time In America", nor is it an accurate account of the real-life events it portrays. But it's a fun, extremely stylish, well-made and enjoyable film, and on that score, I can wholeheartedly recommend it.
Score: 8/10.
क्या आपको पता है
- ट्रिवियाAn envelope is dropped on the desk of Eliot Ness in one scene. It is assumed to be a bribe, but the amount inside is never revealed. In real life, Al Capone promised Eliot Ness that two $1,000 bills (about $46,000 - $48,000 in 2025) would be on his desk every Monday morning if he turned a blind eye to Capone's bootlegging activities. Ness refused the bribe, and in later years struggled with money. He died almost broke at the age of 54.
- गूफ़At one point Eliot Ness says that drinking alcoholic beverages is illegal. Drinking itself was never illegal during Prohibition. The 18th Amendment only made the manufacturing, transportation and sale of alcoholic beverages illegal. People who had bought alcohol before January 16, 1920, could and did continue to drink and serve it privately.
- भाव
Jim Malone: [talking privately in a church] You said you wanted to get Capone. Do you really wanna get him? You see what I'm saying is, what are you prepared to do?
Eliot Ness: Anything within the law.
Jim Malone: And *then* what are you prepared to do? If you open the can on these worms you must be prepared to go all the way. Because they're not gonna give up the fight, until one of you is dead.
Eliot Ness: I want to get Capone! I don't know how to do it.
Jim Malone: You wanna know how to get Capone? They pull a knife, you pull a gun. He sends one of yours to the hospital, you send one of his to the morgue. *That's* the *Chicago* way! And that's how you get Capone. Now do you want to do that? Are you ready to do that? I'm offering you a deal. Do you want this deal?
Eliot Ness: I have sworn to capture this man with all legal powers at my disposal and I will do so.
Jim Malone: Well, the Lord hates a coward.
[jabs Ness with his hand, and Ness shakes it]
Jim Malone: Do you know what a blood oath is, Mr. Ness?
Eliot Ness: Yes.
Jim Malone: Good, 'cause you just took one.
- इसके अलावा अन्य वर्जनIn Belgium the first release in the theaters omitted the scene where Al Capone hits one of his henchmen with a base-ball bat. Two weeks after its release the scene was restored. Cinemas announced this to be the 'uncensored version'.
- कनेक्शनEdited into Public Enemies (1996)
- साउंडट्रैकMOOD INDIGO
Written by Duke Ellington, Irving Mills and Barney Bigard
Arranged by Bob Wilber
Courtesy of Wilkes College Jazz Archives
टॉप पसंद
- How long is The Untouchables?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- Los intocables
- फ़िल्माने की जगहें
- Roosevelt University - 430 S. Michigan Avenue, Downtown, शिकागो, इलिनॉय, संयुक्त राज्य अमेरिका(front entrance and main lobby used as Lexington Hotel, where Al Capone lives)
- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $2,50,00,000(अनुमानित)
- US और कनाडा में सकल
- $7,62,70,454
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $1,00,23,094
- 7 जून 1987
- दुनिया भर में सकल
- $7,62,72,360
- चलने की अवधि1 घंटा 59 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.35 : 1