The Time Guardian

Sci-fi junkies may derive some entertainment out of the silly time killer "The Time Guardian". It's often incoherent, and is of no real substance, but it's amusing often enough, and just clunky enough, to make it adequately diverting for those with a fondness for cheese. Those intrigued by the presence of Carrie Fisher ("Star Wars" episodes IV to VI) and Dean Stockwell ('Quantum Leap') may be rather disappointed with the overall results, but if one isn't too demanding, it may put a smile on their faces. The special effects, sets, music, acting, and action sequences are mostly passable.

It takes place in the Earth of the 41st century when humans are overwhelmed by a new adversary: half organic, half machine villains called Jendiki. Fortunately, some of the humans inhabit an entire city that has the ability to travel through time. The city transports itself back to the Australia of the 1980s in an attempt to change the future, with troopers Ballard (a tough, snarling Tom Burlinson ("Flesh + Blood")) and Petra (Fisher) sent ahead as scouts to ensure that the spot chosen for landing will be safe. Of course, the Jendiki are hot on their trail, and Ballard and Petra have to deal with them as well as with crooked local cops. One good thing for Ballard is that he meets perky young Annie, played by the insanely gorgeous Nikki Coghill of the Aussie TV series 'Neighbours'.

As directed by "Mad Max 2" co-writer Brian Hannant, "The Time Guardian" can't boast any truly memorable set pieces, but it's an easy enough to take bit of fluff. Fisher does what she can with a spunky role, but Stockwell is utterly wasted in his part, the "boss" of the city. Burlinson would have fared better had he played his part with a little more humour. But Coghill is quite charming, and goes topless for a sexy swimming scene. Peter Merrill chews up the scenery as head bad guy Zuryk.

This movie may be a trifle in the end, but it does wrap itself up fairly quickly, clocking in at a brief 88 minutes. Overall it's a fair bit of fun.

Six out of 10.

It has been said that there is a world of difference between a bad movie and a boring movie. The bad movie be enjoyed for what it is, and the further it misses it's intended mark, the more likely it is to become a cult hit. The boring movie is destined for the rubbish bin of film history, to not rate a second thought from the collective conscience.

This movie is not boring, but it is very very bad. And that is gold for the lovers of the kitch, seekers of the worst, those who appreciate the fun to had from the truly bad. This movie is FUN.

You'll continually ask yourself, "What were Carrie Fisher and Dean Stockwell thinking!!", "What overacting school did Tom Burlingson go to, and why is he always angry?", "Where can I buy those costumes?", "What exactly the hell did they spend their $8 million dollar budget on?" Every Australian lover of "unique" film needs to buy a copy of this movie. They then need to show it to at least 10 friends. This NEEDS to be a cult Aussie movie.

In the end this movie is a steamer. But I'll probably watch it many more times than my "Citizen Kane", "Apocolypse Now" or "Casablanca" DVDs.

Tom Burlinson and Carrie Fisher are sent back in time from the 41st century to late 20th century Australia to thwart their cyborg enemies the Jen Diki-who are costumed like Vikings and have major nasal congestion problems into the bargain.Fisher is sidelined early through injury and Burlinson's main ally becomes a fetching young geologist with whom he develops a relationship Bags of noisy action but the budget restrictions are all too evident and its Stateside stars Fisher and Stockwell have essentially dispensable roles with too little to do

Only really suitable for die hard science fiction nuts

John Baxter is an absolutely brilliant short story writer and apparently a life-long student of films, so I was very interested to see what his only screenplay was like. I simply could not believe that he came up with such a piece of total crap. There is nothing to recommend in this film.

Considering the fact that Carrie Fisher did this six years after Star Wars, I was expecting a lot more from her in this horrible movie. Her dialogue was flat and should be ranked right up there with the Star Wars Christmas special.