स्टेकाउट

I really enjoyed this movie! It's filled with laughs and excitement, and never once was I not entertained. Next to "48 Hours" I think this is one of the best buddy cop movies I have yet seen. Richard Dreyfuss and Emilio Estevez make a wonderful team, with dead-on chemistry. Dreyfuss steals the show with his hilarious performance, proving he's just as talented at doing broad comedy as he is intense drama. That especially shows in the scene where he's about to walk out of Madeline Stowe's house, but doesn't want to be recognized, so he asks her to lend him a hat. The way he handled that scene was so magnificent, and there are many other farcical moments that he handled just as efficiently, and with the wrong timing and delivery those scenes could've collapsed. Estevez plays the straight man, also doing a magnificent job, and you really feel his envy when he's spying on Stowe, who's being hit on by Dreyfuss. I loved the scenes where the rival cops pulled pranks on each other. Speaking of which, Forrest Whitaker pops up in a fine early performance. And Madeline Stowe is great and sexy, as always.

Sure, the plot is quite predictable, but as I said I was always entertained, thanks to sharp writing and great performances. John Badham is a fine action director, so he kept those action scenes filled with suspense and tension. "Stakeout" is not a film that will keep your brain occupied--as a matter of fact there are some scenes that require you to check your brain at the door--but I assure you that you'll have a damn good time.

My score: 8 (out of 10)

"Buddy Cop" movies were all the rage in the 80s, and 'Stakeout' is filled to bursting with the genre's clichés. But the fresh titular premise and charming performances by, and great chemistry between, stars Richard Dreyfuss and Emilio Estevez help to lift it above the fay and make it feel fresh. Oh, and then there's Madeline Stowe. My God, Madeline Stowe. She is just... wow. But, she also gives a really nice performance here, and she and Dreyfuss make for a strangely good screen couple.

'Stakeout' is a breezy, fun and subtly clever action/comedy (emphasis on the "comedy"). It's not groundbreaking, but it is solid entertainment for a lazy Sunday afternoon.

For a film which reached number 1 at the US box office and earned enough movie for the studio to green-light a sequel, Stakeout has strangely enough become a forgotten 80s gem.

The story is simple, officers Lecce (Richard Dreyfuss) and and Reimers (Emilio Estevez) are assigned to a stakeout of the house of waitress Maguire (Madeleine Stowe), hoping that her fugitive ex-boyfriend (Aidan Quinn) will return to her house. Things soon take a bizarre twist, as Lecce, posing as a telephone repairman, and Maguire start to fall in love.

Although the film offers no originality and is riddled with clichés, it is very entertaining. Although it runs for nearly two hours, it thankfully doesn't feel that long and the story keeps you interested all the way. Richard Dreyfus and Emilio Estevez are quality comedians, somewhat surprisingly in my opinion. Their jokes and banter make the comedy part of this film work well.

The thriller elements are good too, Aidan Quinn does a good job making his character look like a real bad-ass, and the film's action sequences are really solid pre-cgi-stuff. I was especially impressed by the car chase, which looks really good.

Overall, this is pure solid 80s entertainment and I think this film deserves to be remembered and watched. I think it is equally good as many other 80s action classics like "48 hours" for example. Recommended!

This is a forumulaic buddy movie, but it works. Madeleine Stowe is just wonderful. Richard Dreyfuss and Emilio Estevez also work very well. With good supporting acting all around, this movie works, when normally I would be rolling my eyes.

Good acting and some very good one-liner writing make what could have been a bad movie (like "Another Stakeout") and enjoyable experience. I recommend it for some good-hearted fun.

This is kind of funny and, for the most part, enjoyable. On the surface it looks like another comic cop thriller but, really, the core of the plot couldn't be older. That is -- it goes way past "The Gay Divorcée," past the Greek or Roman from whom Shakespeare stole "A Comedy of Errors," back past the masques, winding up somewhere I would guess around Homo cromagnonsesis in Les Ezyies de Tayac. The mistaken-identity plot is framed by a bit of violence. First, Dreyfus gets into a fist fight with a perp he and Estevez are chasing (Estevez is nothing much more than a straight man in this movie) and the two combatants fall into a huge container of fish and barely escape being filleted by the Chinese workers. The second involves a shoot out between Aidan Quinn's villain and a lot of cop cars and owes a lot to the chase in "Bullitt", although done mostly for laughs. At the end there is another strictly conventional shootout and fist fight, aboard a boat, on top of rolling logs (this is Seattle), and in a timber mill which gives us a good idea of how gigantic saws are used to turn logs into planks -- and men into planks as well, given half a chance.

Quinn is excellent, but so is almost everyone else. Madeleine Stowe is drop-dead gorgeous, with or without Hispanic makeup, and she can act too. Dreyfus is very funny. He is caught in all sorts of embarrassing situations and gets a chance to display that expression of abject humiliation that he does so well. He gets a chance to do a lot of physical comedy too, running around wearing a pink sun hat, wrapped in a shawl, while pursued by the police. And when he inadvertently reveals he is spying on Stowe, during a phone call in which he warns her that her food is burning, she demands to know how he knew. He tears his eyes from the telescope and tells her, "I -- er -- I could hear is sizzling in the background." Then he turns his face to the side, wrinkled with disgust, and hisses to himself -- "Heard it SIZZLING in the background?" There are all sorts of run-ins in which she still thinks he is the phone repairman he's been pretending to be, and they're all engagingly cute.

It's not a masterpiece of comedy, and the realistic violence is out of place. But it's smoothly, professionally done. There is an icky them song, but the composer gives Stowe's scenes a bouncy fingido-sabor-Latino sound. I've seen this a couple of times and keep waiting to be bored by it but have never quite been able to get over the hump.