Cries in the Night

This is no doubt one of the best low-budget horror flicks that I have seen since SLEEPLESS. My copy of the tape was very old and I got it in some really huge box that was falling apart. My tape was slightly damaged and it made fuzzy noises throughout the movie. But this didn't bother me. I think I kinda enjoyed the fuzziness. It added to the campiness of the film. Making it look and sound older than it actually was. It all starts out when a young girl goes to visit her grandmother at her home which was recently a funeral home. Grandma wants to make her house into a motel for passers-by. And then some of the guests begin disappearing. If you want some good, campy fun of a horror film, then see FUNERAL HOME. You will be surprised........5/5.

Exceptional in all departments for a cheaply constructed horror film, FUNERAL HOME is the creepy little tale of a young girl relocating to a provincial town in order to assist her grandmother in converting the family funeral home business into a modest bed-and-breakfast retreat. When people begin to mysteriously disappear, a history of bizarre family secrets is gradually revealed in a suspenseful mystery which spires toward a bizarre and thoroughly satisfying conclusion.

A surprisingly adept parsimonious undertaking, FUNERAL HOME is an atmospheric chiller with primary characters which are believably written and energetically dramatized...a largely uncharted item demonstrative of what talented hands can craft with limited resources.

Worthwhile and recommended. 6.5/10

I'm sure I'm in a distinct minority, but I actually like '80's slasher movies more for their atmosphere than for their special effects (which seem to look more cheesy and primitive with each passing year). Unfortunately, the eerie atmosphere of the early slasher movies eventually got overwhelmed, first by out-of-control special effects, then by talentless "scream queens" and softcore sex, and finally by cornball comedy and self-conscious parody. That's why I kind of like this film, even if it's nobody's idea of a great slasher flick or a good horror film. It has no gore and no nudity, but it has a good early 80's slasher movie atmosphere.

A teenage girl (Lesleh Donaldsen) comes to stay with her grandma who operates a hotel that was once a funeral home. Her violent grandfather has supposedly disappeared, but grandma keeps talking to someone in the cellar. Meanwhile, various obnoxious guests check into the hotel, but don't check out, and the girl and her new boyfriend start to investigate. This movie is original in that instead of ripping off "Halloween" like almost all the other slasher movies, it rips off an even older classic horror/thriller. But, as they say,if you're gonna steal, you should at least steal from the best. The ending probably won't surprise you too much, but it not entirely ineffective. The actress playing the grandma is very good and effectively scary. Donaldsen was one of a group of young Canadians that were regulars in these kind of films (Canadian tax shelter production masquerading as middle American films). She wasn't as pretty as Lisa Langlois or Tracy Bregman and didn't fall out of her clothes at the drop of a pay-cheque like Joy Boushel, but she was very good at playing "the girl next door", and this was one of her better roles.

Don't expect any T and A or gore here, but see this if you ever get a hankering for the old atmospheric early 80's slasher films.

An effectively spooky low-budget thriller that takes more inspiration from Hitchcock's Psycho (1960) rather than Carpenter's Halloween (1978), as so many horror films from this era did.

A girl goes to help her grandmother with her new boarding house, a former funeral parlor, and begins to uncover sinister things as the guests start vanishing.

Solid direction uplifts this tight thriller, whose storyline is ultimately not very surprising. A few well-drawn characters do help to keep the story interesting. The rustic filming locations help to add to a chilling summer atmosphere and an air of mystery that works well to the films advantage. The re-occurring images of the black cat are a nice touch. The film is fairly subtle in its horrors, and probably comes off more compelling (and classy) because of it. In short, it's simple but good.

The cast is a strong point. Kay Hawtry is a stand-out as the grandmother, Lesleh Donaldson is fetching as our young female, and Dean Garbett is good as Donaldson's summer love.

All around, Funeral Home is a film that serves well as a thriller. It's not especially brilliant, but it does make for good entertainment.

*** out of ****

Also known as Cries In The Night, this little seen Canadian horror film directed by William Fruet arrived at the height of the slasher movie boom. It has a plot that may seem very familiar (especially if you've seen a certain Alfred Hitchcock film), but offers little to satisfy any perspective gorehounds sniffing around drawn in by the macabre set up. A teenage girl goes to stay with her grandmother at the small hotel she runs, which just so happened to once be a funeral parlour. When the guests start disappearing young Heather (Lesleh Donaldson) starts to investigate, and gets a nasty surprise when she looks in the basement. It's obscure but unspectacular stuff, and kind of disappeared from view after the initial home video boom of the early 80's before resurfacing on DVD years later much to the delight of completists.