Cries in the Night

I just watched Funeral Home and keep wondering why I've never seen it before now. It's a 1980 horror flick that's a little above average for its budget. What I mean to say is that it fits right in there with the horror films during the time, the ones that had fairly decent acting and good enough scripts. Why didn't I ever see this on cable TV back in the day? I recognized actress Lesleh Donaldson playing Heather, remembered her from the films Happy Birthday to Me and Curtains. Now those two movies played on cable all the time back then. Also, recognized the one cop played by Alf Humphreys from My Bloody Valentine. Funeral Home is a decent horror movie, especially having been made in 1980. It does mirror Hitchcock's Psycho in certain plot aspects and in its build up, but it's still distinct enough, I think. There's not a lot of action, blood spraying everywhere, but it has a creepy atmosphere in which the setting is believable. Holds the attention. I really thought the ending was clever with the credits rolling and the movie still playing. Liked the dialogue at the end between the cop and the old woman. Funeral Home should be in every horror collector's arsenal.

After her husband passes away,a young widow decides to turn the old funeral home into a bed and breakfast.Unfortunately no one is prepared for the nightmare that is locked in the cellar.Canadian director William Fruet who made excellent rape-and-revenge film "Death Weekend" directed also this obscure slasher.Lesleh Donaldson more known from "Happy Birthday to Me" and "Curtains" is surprisingly decent and charming in the main role."Funeral Home",whilst obviously influenced by Alfred Hitchcock's classic "Psycho",offers some creepy surprises.The pace is rather slow and the body count is low,however the character of grandmother surely send shiver down my spine.All in all,"Funeral Home" is a surprisingly watchable slasher flick.Give it a look.7 out of 10.

Exceptional in all departments for a cheaply constructed horror film, FUNERAL HOME is the creepy little tale of a young girl relocating to a provincial town in order to assist her grandmother in converting the family funeral home business into a modest bed-and-breakfast retreat. When people begin to mysteriously disappear, a history of bizarre family secrets is gradually revealed in a suspenseful mystery which spires toward a bizarre and thoroughly satisfying conclusion.

A surprisingly adept parsimonious undertaking, FUNERAL HOME is an atmospheric chiller with primary characters which are believably written and energetically dramatized...a largely uncharted item demonstrative of what talented hands can craft with limited resources.

Worthwhile and recommended. 6.5/10

Every now and then, you want to watch a movie that's just cozy and won't make you think too hard, scare you too much, or leave you too disturbed. One days like that, Funeral Home would make a nice movie companion. It never goes anywhere too dark, there's not any blood or gore to speak off, and it moves along at a reasonable pace, leaving you mostly unmoved, but not feeling like you wasted your time either.

Heather moves in with her quirky grandmother to turn their old funeral parlor into a boarding house and, as soon as the guests arrive, they start disappearing or dying under mysterious circumstances.

Any horror or mystery fan won't find the central mystery of Funeral Home too tough to crack, but that's part of the charm. Sometimes, it's just nice to see a familiar story well told.

I'll give "Funeral Home" a little extra credit, since it was directed by William Fruet, who also gave us the decent revenge pic "Death Weekend." The plot has a young girl returning to her grandparents' home, the former funeral parlor now converted into a bed and breakfast by the grandmother; but who is grandma talking to in the basement every night, and who is bumping off the sinful heathens who stop and stay at the B&B? The typical genre stereotypes are present: Goofy Young Deputy, Mentally Challenged Gardener, Puritanical Parental Figure, and the Sweetly Innocent Girl. The plot itself echoes "Psycho" in more ways than one, but with a fraction of the budget and considerably less talent. The actors are fairly good for this type of low-rent affair, and there are a few cheesily-integrated, yet atmospherically effective flashback scenes, but "Funeral Home" is simply a forgettable affair.