Fast Times at Ridgemont High

Fast Times at Ridgemont High is a quality film. It's over 20 years old and has become one of those iconic teen movies and it's pretty easy to see why. It has everything you would expect; the bad hair, the bad clothes, the bad music, teenage awkwardness...all the clichés and stereotypes that we've seen repeated in basically every teen movie since then. And it has Sean Penn playing a stoner surfer. Sean. Penn. I'm pretty sure this movie is funnier now just because Sean Penn has had a successful career as a proper dramatic actor, and he plays the ultimate surfer dude perfectly. The grudge between himself and Mr Hand (Ray Walston) is great and probably produces the best (or at least funniest) moments of the film.

All in all, Fast Times is fun. It might be because it's dated, cheesy, and clichéd, but it still does the job and it is entertaining.

All throughout the decade of pencil-thin neckties and Pat Benatar look-alikes, various films came along that served to embody the times. "Valley Girl" (which introduced us to Nicholas Cage) and "Secret Admirer" were just a drop in the proverbial bucket. Amy Heckerling's "Fast Times at Ridgemont High" was the textbook definition of life as a teenager in the eighties and remains so to this day. The story was brought to life in a very unique way that hasn't been duplicated since:

There was no actual plot to speak of. This was just...High School.

It's a film about a group of kids looking for love, status, or a good buzz. The film was nothing more than that, and it didn't pretend to be more. In addition, Cameron Crowe's script made you *care* about what these kids went through as if their individual situations were happening to us (as they may very well have). It's almost a crime that a sequel was never made, although a mediocre TV series was spawned. Armed with a cast of characters that struck a chord with all of us (primarily because we knew someone in High School who acted just like them), and a soundtrack that reeked of the Mark Goodman-J.J. Jackson era of MTV, this film stands as a perfect portrait of a decade a lot of us say we'd like to forget....shortly before brushing the dust off an old Night Ranger cassette and indulging in a guilty pleasure.

I was a few years out of high school when this came out, and really hit close to home for me. After I saw it, I looked up some of my old friends, most of them also saw it too, and we said to each other, "that's us!"

Many of the characters were a lot like the people I went to school with. I knew my share of stoners, studs, and girls who getting guys wasn't the biggest hang up in their life. Even today, I can sit, and watch this and I get fond memories of my old friends, and the fun we used to have.

This was made during the post-disco, pre-greed era of the 80s that was far too short. I'm surprised to find out this movie is still popular considering it is far from being politically correct. I'll admit, I wouldn't want my kids to some of the things these high school kids did, but it is a reminder how much fun the era was.

Fast Times at Ridgemont High (1982)

Cameron Crowe's script for `Fast Times at Ridgemont High' has totally held up in the nearly 20 years since it's release, in its portrayal of teenage life. Virtually plotless, the movie just follows the stories of a group of teenagers as they go about life in high school. And like so many 80's teen movies, it rightfully takes place for quite a bit of its run at the local mall. I find this movie to be extremely realistic, even in its somewhat exaggerated depictions of what some of the characters do (Jeff Spicoli ordering a pizza in the middle of class, or Charles Jefferson's winning of the football game by venting his anger at the school that supposedly trashed his car). But this is, after all, a movie, and a pretty good one too. And check out all those kick-ass 80's arcade games! *drools*

I'll try and give my best recollection of each of the main character's basic storylines. Let's see, Jeff Spicoli is the ideal surfer dude, empty-headed, sporting Hawaiian shirts, and talking in irresistible slang. He dislikes the uptightness of school, particularly personified by his history teacher, Mr. Hand. The two begin to have a battle of the wills. Brad Hamilton is a senior who goes from one fast-food job to the next, who has no idea what he is supposed to do with his life, even though everyone, including his guidance counselor, expects a lot from him. Stacy Hamilton is a guy-crazy chick who is sensitive but who wants sex and attention, leading her first into the arms of an older man, and eventually into those of Mike Damone, a cocky hustler, when the only guy who genuinely cares for her is nerdy Mark Ratner. Damone is a shady character, a charming sweet-talker who scalps tickets and does what he can for a quick buck. He tries to help Ratner score with Stacy, but then steals the girl. Ratner is an insecure nerd-type who is good at heart, who works at the mall movie theater, and who just wants his shot with Stacy. He finds himself broken-hearted when he uncovers Damone's betrayal. Linda Barrett is Stacy's best friend and confidante, a sexy, confident girl who is constantly moving from one guy to the next and sort of becomes a quasi role model for Stacy. That's the basic premise for all of what goes on.

Probably the most famous line is that uttered by Sean Penn's Jeff Spicoli: `Aloha, Mr. Hand.' I'm not sure if it's the Hawaiian talk or the idiocy of the teacher's name that has made this line so supremely quoted over the years. Anyone who has seen the movie recognizes it immediately. I can say immediately that I have never, ever seen Penn play a part like this, and I don't think I've ever seen a surfer personified with such grace. Even though the conflict between Spicoli and Mr. Hand is light-hearted, I always wanted to see them having a fist-fight in the halls. Stacy's story is actually pretty serious.she winds up being the victim of a teenage pregnancy, which is not often addressed in a teen comedy. Her eventual realization that Mark is the guy for her seems natural and not scripted. And thankfully, they're only starting to date by the end of the movie, and not getting engaged or married or something equally stupid as in some lesser movies. Damone is such a weird off-beat character, and his friendship with Ratner so unusual, that I have to give Cameron Crowe credit for making it all work. Brad seems to have the least to do with the other characters but as an unsuccessful go-getter, I can definitely relate to him.

In conclusion, this is one of my favorite 80's teen movies. It goes a lot deeper than `The Breakfast Club' and its adult characters, though not well-sculpted, are treated with more warmth and humanity than many of teen comedies. It's a required viewing for teens, young adults, and anyone with a fondness for 80's culture.

Grade: A

This teen movie set in the 1980s and sending up the 1980s was actually made in the 1980s. Well as teen movies goes it has the following

Hooters Virgin who loose their virginity Teenage sex Slightly crazy teacher Hooters A stoner Virgins who remain virgins And of course more hooters.

But like Saturday night fever it also has a story that has true elements and characters that you really care about.

The crazy teacher is someone you like as much as you like to make fun of. The virgins don't delve don't go into a long self analysis before having or not having sex, they just do or do not have sex. There are no horrible jocks to be destroyed, only one jock hero who is fooled into being an even greater hero.

And except one scene with bare breasts the nudity is integral to the story.

Why is this, because Cameron Crowe wrote a book based on his time in school as a young looking 25 year old journalist.

The movie hasn't aged because it takes the characters journey's very seriously and many of these themes still exist today. In addition it does not take the 1980s seriously. In fact as I watched it I had to check the release date to make sure it wasn't a late 1990s movie sending up the 1980s.

Some disappointments come from some of the characters and their relationship never really developing but this is a result of an author documenting what he sees around him rather than projecting himself into the characters.

Certainly one of the more interesting teen movies to be made, real in an unpretentious way..."It is like if Crowe didn't write it as he saw it, it would be bogus and then the movie would be bogus too."