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"Creepshow" is a unique, funny, and creepy horror anthology from Stephen King and George A. Romero. The film centers around five stories - consisting of a murderous revenge tale of a father on fathers day ; a redneck (played by Stephen King himself) who begins growing a green substance on his body after coming in contact with a meteor ; a man who buries his wife and her lover up to their heads on the beach as the tide begins to come in ; a strange monster that lives in a crate that was discovered beneath a stairway ; and a Scrooge-like businessman who lives in a purely sanitized apartment that can't get rid of pesky cockroaches.

Each of the stories displayed in this movie are a little bit corny to a certain extent, but they are still well done and are quite amusing. There is a very good cast, including Ed Harris, Leslie Nielsen, Ted Danson, Adrienne Barbeau, and E.G. Marshall, whom all give good performances in the movie. The whole movie is tied in with the classic E.C. comics from the 1950s, each story as if it were from a comic book. I thought that whole comic aspect was pretty unique, and I liked the stories in the film ("The Crate" is by far the best of them all, the one with Leslie Nielsen is my runner up for second place).

Bottom line - if you are expecting some serious, intense horror movie, this is not for you. This movie isn't scary at all, I watched it when I was very young and it failed to even scare me then. "Creepshow" is a comical, campy, and well-done horror anthology. I only recommend it if you like this sort of thing, because it is more comic than horrific. Otherwise, it's really quite good for what it is. 8/10.

This is a homage to pulp E.C. comic books from the 50s, adapting an anthology which presents creepy looks and grotesque events at the horror genre. With writings by Stephen King and teaming up George A. Romero, both devise a gruesome terror tales. Stephen King mingles efficiently the spirit of ¨Vault of horror¨and ¨Tales from the crypt¨. The film is constituted by four scary stories. King even plays a redneck farmer who cultivates a rare meteor but gone wrong and create fantastic consequences. Viveca Lindfords and Ed Harris as a heirs when abruptly appears a living dead. Besides the perennial Leslie Nielsen confronting a ghoulish Ted Danson. And Hal Holbrook with a unbearable spouse Adrienne Barbeau alongside a strange monster. Finally, a man with an insect and germs phobia, played by E. G. Marshall as a Howard Hughes-alike , closed into flat, and suddenly bursting by hundred roaches.

The picture packs gory scenes, morbid humor with some jokes, creepy images and is quite entertaining though some moments is heavy-handed. Eerie and frightening stuff appointed for juvenile public from two masters of the terror genre and delight all enthusiastic of the terror vein. Followed by a sequel(1987) directed by Michael Gornick, cameraman of this one. Rating. Acceptable and passable , it will like to terror moviegoers

This was after Tales from the Crypt, however, Romero and King both where heavily influenced by these comics that they developed a movie that was sort of a satire/parody of Tales but in the same time a tribute to that comic book. In this movie there are four scary stories being told some written by Stephen King from his short stories and some written by Romero and SK. These stores, for that time, were pretty scary and freaked me out when they came in theaters. There are many great things about this movie that I enjoyed but there was, however, one huge things that I did not like about this movie. Regardless, it's about time for two horror geniuses to team up and do something good for a change.

First off, the movie itself is about a comic book similar to Tails and the four stories in the movie come directly from the Creepshow comic books. The reason why that this idea works in not only the principle of bringing a comic book to life but the way it was shot, edited and lit. The camera angles had very defined and geometrical angels, similar to those that you would see in a comic book. The lighting when something horrible happens turns red, or if somebody is screaming the background turns to a shattered red background, thereby giving each scene a more comic book-like feel to visual picture. It had choppy edits and quick cuts, which we all know that comic books have. So we have a visual perspective of a comic, the overall pattern and texture of a comic and now we have the quick stimulus of a comic.

Between each story there is a sub-story dealing with a young boy who finds the Creepshow comic book and how little by little he becomes more possessed by it. These intermissions also incorporate The Creep or our host for the evening. This character is by far the Crypt Keeper or the Vault Keeper to our mockup of Tales. Like the Crypt Keeper in the actual comic, he begins each segment with a scene setup and a conclusion, however he does not talk, he just blows around in the wind. With the beginning of each new story it starts out with a still scene of that story with heavy rotoscoping to make it look as if it is a comic book page, then fades out to a real-life still image and then begins. The same could be said about the ending. The clever technique gives the viewer a further illustration that this is a comic book come to life.

Though this movie strikes it rich on my scare-o-meter there is just one thing that took me out of the movie just a little. I know what they where going at when they decided this concept and I understand it was a good idea but it doesn't work when it gets put on film. The campy one-liners, the cheesy sub-story and the lame screams. Of course its predecessor did the same thing, I don't think that it works as well on film as it does on paper. I think it was a nice try though.

Overall I do believe that this is a horror/parody classic and that many horror fans, if not cult horror fans, would like this movie for what it is. I certainly enjoyed it, even now; I recommend this movie to anybody who loves the zombie king and the horror king. A movie worth buying a ticket for.

Despite some major problems (mainly contained in Stephen King's uneven and often heavy-handed script), this is still a pretty fun attempt to bring 1950s EC horror comics to the big screen. One of the best things about it is director George ('Night of the Living Dead') Romero's creative, vivid direction, that captures the bright color schemes and comic book framing to a tee. Each tale has a different horror theme usually tempered with some comedy and ranging from a rich patriarch returning from the dead to get revenge on his obnoxious family to a meteor that causes an outbreak of vegetation to a fanged, ape-like creature that's been locked away in a crate for decades. All five of the tales presented, despite some missteps, offer up good gory fun. Some of the acting is good, too, particularly Adrienne Barbeau as a heavy drinking, obnoxious faculty wife who gets what she deserves, Hal Holbrook as her hen-pecked husband and E.G. Marshall as a wealthy, obsessively clean old jerk who is savaged in his futuristic apartment by a legion of cockroaches. Talk about flesh crawling! Tom Savini's special effects are great, as usual.

I think it's pretty clear that the amount of enjoyment you get out of this movie is directly related to how sick your sense of humor is. Those people with a fairly low tolerance for sick humor, such as myself, won't particularly like it, but people who thoroughly enjoy horror cheese like "Tales From the Crypt" should LOVE this.

Now, even though I personally don't like this movie, I have to admit it is very well made. Everything is perfectly over-the-top: the music, the gaudy colors, the makeup--it's all done to the point where it is totally ridiculous, which is what King and Romero want. And I must admit I did like the segment "The Crate." How can you NOT love a giant ape-monster running around tearing people to bits? Sick, sick stuff, but enjoyable all the same.

If you like gruesome black humor, this is the movie for you. "Creepshow" is shock schlock at its very best. And as an added bonus, it is not very well known today, so it can have a wonderful "What the hell are you WATCHING!?" effect on other people.

8/10 stars.