Horror is said to be driven by a fear of death when the genre is often more viscerally concerned with rejection and loneliness. Henenlotter feels these emotions in his bones.
80
TV Guide Magazine
TV Guide Magazine
Arguably one of the best horror films of the 1980s.
75
Slant Magazine
Slant Magazine
Henenlotter’s consistent blurring of the line between horror and comedy is one of the more perverse side effects of his warped sensibility, keeping viewers off balance, so that they never know whether the punchline to one of Basket Case’s many gags will be just that, a crude joke, or the sight of someone getting their face ripped to shreds.
60
Time Out
Time Out
Same old gore and poignancy, but some garish characters and the nightmare quality of the New York hotel give it more low budget charm than it deserves.
