The Aftermath

After knowing it "inspired" DEFCON-4, I went in search for this film, since I'm addicted to PA (Post-Apocalyptic) movies. I don't care about budget and technical limitations. I'd rather focus on the feel and the honesty of the work. And in this field, The Aftermath really shines. The history and characters easily overlook the obvious low budget restrictions and put to shame many hi budget counterparts.

The premise is: 3 astronauts come back to Earth after a long space mission, just to find it destroyed by nuclear war. One of them die on the spaceship forced landing, and the other two must find their way through the new and haunting reality of a nuked world, facing radiation, mutants, marauders and the lack of hope for the future.

The dialog, acting and the action scenes are somewhat laughable, but no one can deny the fact that there's an obvious labor of love beneath each take. OTOH, inventive (altough simplistic) visual effects, a huge and loud soundtrack and the voice-over only adds to the bleak atmosphere. There are effective sequences like the radioactive rain, the dead city landscapes and the corpses on the beach. Surely they're the film highlights.

A great movie despite the low budget restraints, and much better than the most contemporary (and some newer) PA movies.

I remember seeing this low quality cheese production several years ago. It was repackaged in the UK as 'Zombie Aftermath', but 10 minutes into this extravaganza, it became apparent that the only zombie on view would be 'versatile' 'actor' Steve Barkett.

Steve's the kind of guy who was always picked last in a line up to play school sports, an out-of-shape middle aged trainspotter who you would certainly not cast as the lead. At first you wonder how he landed this role, until a cursory glance at the video box reveals that he wrote and directed it.

There certainly are some laughs to be had, as Steve comes to terms with the horror of a post apolcalyptic Earth (and viewers come to terms with the horror Steve's limited abilities, both in front of and behind the camera) and if you're prepared to pan a river of boredom in search of a piece of cheese gold (as I always am) then get prospecting.

I saw this on Amazon after an especially hard day at work. I needed some dumb escapism. But you know what? This move is not lame enough to be really funny, nor good enough to be in any way entertaining.

The set up is simple. Three astronauts return to earth after some sort of mission to, well, somewhere. They land their craft just off the coast of Los Angeles, but the two survivors find dead bodies on the beach, the city devastated, and a band of mutant humans threatening them.

They make their way to a mansion in the Hollywood Hills, while encountering a young boy, Chris (Christopher Barkett, the producer's son), and Sarah (Lynne Margulies) an attractive 20ish woman fleeing what looks to be an amped up motorcycle gang / Mad Max cult. Along the way our two astronauts learn that most of mankind has been wiped out by nuclear war or biological warfare. The rest of the film is about their navigating and trying to survive in the dangerous post armageddon L. A.

Negatives?

-Wooden acting. Steve Barkett is the producer, director, writer, and star so this is clearly a vanity project. He is pretty deficient in each category. And fails to get much more from the other actors. Margulies tries her best, but is mostly relegated to being the helpless female, always in peril.

-Exploitive. There are gratuitous scenes of poor Sarah bouncing, jiggling about, on the run from what looks to be a biker gang gone berserk, her nipples plainly showing beneath her tight tank top. She's at the center of several disturbing rape / sexual assault scenes that are way over the top for violence. While no one was prosecuted for obscenity, this was the early Thatcher years in Britain. The film was seized and confiscated in the UK under Section 3 of the Obscene Publications Act.

-A blaring, intrusive, off-the-VU meter musical score. The composer, John Morgan, used a full orchestra and got every dollars worth. Trumpets blast. Flutes riff. Snare drums snare. French horns warn. No one makes a move without the music overwhelming the scene. And it's usually inappropriate. Happy music, say, for an abduction scene.

-Looks cheap, but the budget in 2023 dollars is just under $500,000. Today that would make for a pretty good indie film. Maybe the money went for the score?

Positives?

+A for effort. The cast looks like they are having a good time, especially the senior Barkett.

Clearly this movie needs the RiffTrax, MSTK3 treatment.

In the UK this was originally released as The Aftermath, but a few years later it was re-released on VHS under the title Zombie Aftermath, however this is NOT a zombie movie. Two astronauts land back on Earth in their cheap looking spacecraft only to find themselves in a post nuclear aftermath. There are only a few survivors, these are comprised of a few good people, a gang of vicious thugs (led by Sid Haig, who excels in the role) and some mutants, who eat human flesh. Aftermath is a very violent movie, it did find itself on Section 3 of the Video Nasties list in Britain, though it was never prosecuted. It is also a very cheap looking movie, add to that a bad script and some very far fetched fight sequences, I did find it quite comical at times. So bad it's good. Well sort of. Certainly recommended for Sid Haig and post apocalyptic movie fans.

A fabulous music score evocative of the Great Bernard Herrman films. It has a full symphonic original music score on a low budget movie!Landmark effects by the soon to be famous Skotak Brothers(3 time Academy Award Winners for ALIENS, ABYSS and TERMINATOR 2). This low budget film transcends the usual genre limitations, and deals with its subject matter on an emotional as well as visual level. That may be one of the reasons it is so disturbing to some, and so misunderstood by others. At a recent international sci fi convention it was voted among the best "end of the world movies" ever made. I saw it on laser and highly recommend it.