Marco Polo

Chronicle. Colors. Feelings. Waters of events. Way. A young Venitian and essence of a wonderful universe. For my childhood, this movie was Wikipedia and cartoons in same skin. Images of far land and adventures of Marco Polo, smell of freedom and lessons about fundamental values are yet precious. It was more than a movie. Encyclopedia, trampoline, fairy tale, key to a form to know and feel, ingredient of escapes and show. One film for empathic travel, masterpiece in art to give elements from civilization and to teach science of dialog between different cultures. Ken Marshall is axis of an extraordinary trip. Ruocheng Ying is perfect Khan. So, a biographic movie is, in this case, a kind of palace, docu-drama and slice of delight in same time, in same measure.

I have seen this TV mini series when it first aired over WOR-TV in New York City in 1982, over one of the first home satellite TV receivers.

I was fortunate to record in VHS format this mini series on my Video Tape Recorder, although the quality is far from good. I still find this feature made for TV one of the greatest reenactments of Marco Polo ever. Even today with Hollywood relying on Computer Graphics and Blue Screen can't compare to the cinematography of Marco Polo of 1982. Why this feature was never released in Motion Picture Theaters or made available on commercial grade VHS or DVD or even re-aired over TV has me baffled. Yet this will always remain in my film library as a Classic film

As a long-time history buff and Silk Road scholar, I've been enamored of the Marco Polo mystique for many years. I've had this on VHS since it first aired and finally replayed the whole thing last week for the first time in 20 years. While it holds up remarkably well, it is not without some major faults. While the international cast is fabulous, Ken Marshall in the lead role is adequate at best. The real problem lies in the stiffs in the Asian scenes. I mean horrendously badly read English by Asian actors who sound like they took their first English lesson last week. What was the director thinking in letting such amateurish work into the final cut? Or was this an attempt at cinema verite, where people are struggling with a tongue that is not their own? Whatever, it is actually painful to listen to some of this stuff. Apart from Ying Ruocheng, who is perfect as Kubilai Khan, and James Hong, as Phags-Pa, the rest of the Asian cast sounds embarrassingly inept. Maybe its just the dubbing, but this is a real obstacle to enjoying some of the scenes set in China. I'm thinking they should re-dub some of the parts if they decide to ever release a DVD of this in the States. But, that's the only negative to this fine, ambitious project that succeeds in telling the story of Marco Polo against the backdrop of some great, exotic locations and the fabled Forbidden City in Beijing. And what's the deal with that? Wasn't the Forbidden City built by the Ming Dynasty after the fall of the Mongols? Oh well, we need not split hairs here. That and the Great Wall look fabulous. There's a lot to enjoy over the many hours and Ennio Morricone's score is still beautiful. Its a shame it isn't as exalted as some of his other work. I consider it one of his best.

Soon after finding out what IMDb was, only about a year ago, one of the first things I did was to look up Marco Polo in an attempt to find out something about this series on video. How surprised I was to find various contributors bemoaning the fact that they had not been able to track down any version of this magnificent production. For this is what Marco Polo – beware! 1982 version – is. A wondrous work of art; a beautiful piece of story-telling based on this medieval traveller's experiences as he followed the silk route caravans deep into Persia, Afghanistan, Kazakhstan and reaching China.

Although nearly twenty years old and with no way of seeing it again since then, memorable scenes from this tremendous production still come to my mind, accompanied by that glorious music – one of Ennio Morricone's crowning achievements. Haunting, exciting scenes, so beautifully filmed by Pasqualino de Santis you could almost smell the thronged streets and cooking turms, the obstinate camels and ragged beggars, and through it all one of the best scores to have ever been written for any TV series.

Oh, how I wish I had had VHS back in those days!

Superb directing by Giuliano Montaldo, who for me is a complete unknown, such that the acting is of the best to be seen anywhere. And what a surprise to see further down the list names such as Anne Bancroft, Sir John Gielgud, Burt Lancaster, Leonard Nimoy and even F. Murray Abraham, could you ever believe that?

Marco Polo in this production was a gigantic production by the Italian RAI. This superb work should be repeated, like any other great work of art; it should be made available on VHS and DVD; it should be shown in cinemas; this fine epic is not like Kleenex – to be used once and thrown away.

Some paltry excuse of copyright would seem to be the problem. But I argue that if other TV mini-series are repeated, why not this one? The only other magnificent TV mini comparable to Marco Polo that I can recall was 'Nostromo' (1996), another European co-production, based on Joseph Conrad's exquisite novel of the same name.

At last, now in 2005 I have managed to get this wonderful series on DVD: more than twenty years waiting for it!

...and it's a true shame this wonderful miniseries hasn't been reissued on DVD or even on video. I was fortunate enough to record it the one time it repeated on NBC (in 1984), and I recently transferred that copy to SVHS in an attempt to preserve it a bit longer. I really hope some day the studios will get their acts together and give this wonderful miniseries the legacy it deserves: on DVD.