Yong zhe wu ju
- 1981
- 1 घं 35 मि
IMDb रेटिंग
7.1/10
1.2 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंA foul-tempered mute fugitive hides out amongst a theater troupe after his criminal wife got killed by the police. He sets his sights on a cowardly laundry man, and will not rest until he ki... सभी पढ़ेंA foul-tempered mute fugitive hides out amongst a theater troupe after his criminal wife got killed by the police. He sets his sights on a cowardly laundry man, and will not rest until he kills him, while donning a theatrical face paint.A foul-tempered mute fugitive hides out amongst a theater troupe after his criminal wife got killed by the police. He sets his sights on a cowardly laundry man, and will not rest until he kills him, while donning a theatrical face paint.
Fung Hak-On
- Demon Tailor
- (as Hark-On Fung)
Chun-Hua Li
- Biggie
- (as Chun-Wah Lee)
- …
Fan Mei-Sheng
- Marshall Pao
- (as Mei Sheng Fan)
फ़ीचर्ड समीक्षाएं
Aug 21
Yep Dreadnaught is a fantastic martial arts comedy action film, it stars Yuen Biao and Leung Kar Yan.
Some amazing stuff here especially from Yuen Clan actor Yuen Shun Yee as the villain of the piece, Yuen Cheung Yan is also in the film along with plenty of regulars.
I love this film, it is extremely rare and expensive to buy, but its worth it, trust me.
Apparently the Steven Seagal film Under Siege was going to be called Dreadnaught but they had to switch titles due to this film.
9.5 out of 10.
Yep Dreadnaught is a fantastic martial arts comedy action film, it stars Yuen Biao and Leung Kar Yan.
Some amazing stuff here especially from Yuen Clan actor Yuen Shun Yee as the villain of the piece, Yuen Cheung Yan is also in the film along with plenty of regulars.
I love this film, it is extremely rare and expensive to buy, but its worth it, trust me.
Apparently the Steven Seagal film Under Siege was going to be called Dreadnaught but they had to switch titles due to this film.
9.5 out of 10.
Dreadnaught features Yuen Woo Ping's extreme talent for choreography and action direction. Fan's of any of his other work will no doubt be very pleased to sit through this oddly titled film. Also, fans of Yuen Biao (that's me), will also be very happy to pick this one up, (although, like "Circus Kids" his role in the film could be argued as criminally underused).
Again, set in Ming Dynasty China, this film sees the plight of Mousy (Biao), who happens to be a very shy, in-confident, and even cowardly laundry worker. His nature is revealed when we witness him trying to collect laundry debts from various townspeople - they push him around and give him nothing.
All the while, an evil and eccentric killer "White Tiger" takes pleasure in terrorising anyone who happens to be around, and, unfortunately for Mousy, he seems to be high on Tiger's list. But, again, like most Kung Fu films, it's not so much what is done, but rather how they do it. Thankfully, Dreadnaught does well in it's direction and choreography, but it does not excel.
Credits list Biao as the star, but I believe Leung Ka-Yan (who is Mousy's older brother in the film) deserves equal billing - they certainly have equal screen-time. "Foon", played by Ka-Yan, is a more well-rounded martial artist, and a student of the legendary Wong Fei Hung (played brilliantly and hilariously by Kwan Tak-Hing a la "Magnificent Butcher). The scene involving a rather violent tailor is worth the sitting alone.
Dreadnaught seems more of an unfocused film as compared to Woo Ping's other work(s). "Drunken Master" for example had a clear, snappy and balanced screenplay. We knew where we were supposed to be at in terms of all the plot elements. Dreadnaught fails on these grounds, and it's action sequences do not mesh pleasurably with the dialog as they do in Drunken Master.
I was expecting a "Snake in the Eagle's Shadow" for Yuen Biao, but rather, I see this film as three main action sequences starring various cast, tied together with the broad characterisation of Mr. White Tiger. It is by far one of the better Kung Fu films out there, but I'm afraid Yuen Woo Ping's other works do the same thing but better.
Again, set in Ming Dynasty China, this film sees the plight of Mousy (Biao), who happens to be a very shy, in-confident, and even cowardly laundry worker. His nature is revealed when we witness him trying to collect laundry debts from various townspeople - they push him around and give him nothing.
All the while, an evil and eccentric killer "White Tiger" takes pleasure in terrorising anyone who happens to be around, and, unfortunately for Mousy, he seems to be high on Tiger's list. But, again, like most Kung Fu films, it's not so much what is done, but rather how they do it. Thankfully, Dreadnaught does well in it's direction and choreography, but it does not excel.
Credits list Biao as the star, but I believe Leung Ka-Yan (who is Mousy's older brother in the film) deserves equal billing - they certainly have equal screen-time. "Foon", played by Ka-Yan, is a more well-rounded martial artist, and a student of the legendary Wong Fei Hung (played brilliantly and hilariously by Kwan Tak-Hing a la "Magnificent Butcher). The scene involving a rather violent tailor is worth the sitting alone.
Dreadnaught seems more of an unfocused film as compared to Woo Ping's other work(s). "Drunken Master" for example had a clear, snappy and balanced screenplay. We knew where we were supposed to be at in terms of all the plot elements. Dreadnaught fails on these grounds, and it's action sequences do not mesh pleasurably with the dialog as they do in Drunken Master.
I was expecting a "Snake in the Eagle's Shadow" for Yuen Biao, but rather, I see this film as three main action sequences starring various cast, tied together with the broad characterisation of Mr. White Tiger. It is by far one of the better Kung Fu films out there, but I'm afraid Yuen Woo Ping's other works do the same thing but better.
Unusually good kung-fu of the old school. This is characterized by middle shots that emphasize the acrobatic ability of the performers instead of cutting around their short comings with extreme close ups of the actions that, let's say, show a single punch or kick.
As others have mentioned the lion dance scenes alone make this movie worth watching. If you have ever had the opportunity to see a lion dance, this one is in a whole different class at least compared to the ones I've seen in Chinatown parades in the USA.
Tak-Hing Kwan, steals the movie with his portrayal of Wong Fei-Hong. At the time Kwan would have been 76 years old. He was born in the last years of the reign of Empress Dowager Cixi Tai Hou, that is, before the last Emperor Pu-Yi came to power. Truly a link between the Kung-fu of yesterday and today.
All this said, the film is flawed by mixing Hong Kong movie genres. At times it is a kung-fu revenge film, comedy, supernatural horror, master and disciple, as well as a truncated unsatisfying love interest.
Still a must see, by any standard.
As others have mentioned the lion dance scenes alone make this movie worth watching. If you have ever had the opportunity to see a lion dance, this one is in a whole different class at least compared to the ones I've seen in Chinatown parades in the USA.
Tak-Hing Kwan, steals the movie with his portrayal of Wong Fei-Hong. At the time Kwan would have been 76 years old. He was born in the last years of the reign of Empress Dowager Cixi Tai Hou, that is, before the last Emperor Pu-Yi came to power. Truly a link between the Kung-fu of yesterday and today.
All this said, the film is flawed by mixing Hong Kong movie genres. At times it is a kung-fu revenge film, comedy, supernatural horror, master and disciple, as well as a truncated unsatisfying love interest.
Still a must see, by any standard.
This film begins so similarly to Young Master that I almost felt I was rewatching it. However, to my surprise, it matched and surpassed the classic Jackie Chan movie by miles. The Dragon/Lion fight scene is worth the admission price alone, and it only gets better after that. The comedy is almost Martin/Lewis, and the fighting is amazingly choreographed. Anything less would be your standard Kung Fu fare.
Highly recommended.
Highly recommended.
If I'm being honest, this movie peaks right near the start and fails to completely live up to the insanity of that first action scene. It opens with such a simple, brutal, thrilling, and kind of darkly funny brawl, and I was prepared for something genuinely masterful if it maintained that energy.
The rest of the action is good, but never as great as at the start. The whole movie gets more ridiculous, surreal, and even fantastical as it goes along, and I thought most of the ride was decent. It made things pretty unpredictable, and that snappy Yuen Woo-Ping directed action is always fun to watch.
If you're looking for a slightly less cartoonish and slightly more brutal Kung Fu Hustle kind of film that also has a premise you might find in a slasher movie, I could recommend Dreadnaught.
The rest of the action is good, but never as great as at the start. The whole movie gets more ridiculous, surreal, and even fantastical as it goes along, and I thought most of the ride was decent. It made things pretty unpredictable, and that snappy Yuen Woo-Ping directed action is always fun to watch.
If you're looking for a slightly less cartoonish and slightly more brutal Kung Fu Hustle kind of film that also has a premise you might find in a slasher movie, I could recommend Dreadnaught.
क्या आपको पता है
- ट्रिवियाDuring the lion dance scene, in the background a yellow and black flag can be spotted. This is a flag from Enter the Dragon (1973), which featured Shih Kien as the main villain. This is significant as Kwan Tak-Hing's interpretation of Wong Fei-Hong (as seen in this film) was originally known to frequently battle villains played by Kien in the 1950s and 1960s.
- इसके अलावा अन्य वर्जनFor the UK VHS version of Dreadnaught released in 1999, the BBFC cut 4 seconds.
- कनेक्शनFeatured in The Best of the Martial Arts Films (1990)
- साउंडट्रैकBallad of the Passing Train
Performed by Li Tai-Hsiang
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- How long is Dreadnaught?Alexa द्वारा संचालित
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