Los violadores

One of the most vile exploitation movies ever made, MAD FOXES is often unduly compared to LAST HOUSE ON THE LEFT in its mixture of gory violence and subversive social commentary.

The film details a violent rivalry between Hal Martin, a yuppie playboy who drives a fancy Stingray sports car, and a band of sociopath bikers. At a stop light, Hal kisses his 18-year-old date Babsy as the bikers roll up. Their homosexual leader taunts Hal and spits on him. When the light turns green, Hal forces one of the bikers into a fatal accident.

In an extended party scene, Hal gets Babsy drunk at a club, as a prelude to deflowering her. His plans are interrupted by the bikers, who are waiting for them outside the club. They beat him up and Babsy is brutally raped by Stiletto, the hulking psychopath of the group.

Hal's desire for revenge is answered by a friend who runs a kickboxing school. As the bikers get drunk at a makeshift funeral for their fallen compatriot, a dozen or so angry kick boxers show up. After they beat up the bikers and castrate the leader.

The bikers retaliate, visiting the kickboxing school with machine guns and killing everyone in sight. They storm Hal's apartment building and shoot a parking lot guard. A neighborhood boy warns Hal, who quickly flees the city.

At this point, the film digresses with an overlong sequence of two nude lovers gamboling on an ocean beach. They get dressed and start hitchhiking when along comes Hal in his Stingray. The woman, Lily, gets in the car with Hal and leaves her man stranded on the side of the road.

She and Hal end up at his wealthy parents' country estate. Dad is a wealthy patriarch type and Mom is stuck in a wheelchair. As Hal and Lily exercise their sexual rites in the forest and in a bathtub filled with dirty water, the bikers show up and massacre the rest of the family and servants. This pushes Hal over the edge and, armed with guns and grenades, he finishes off the bikers. The movie's nihilistic coda finds the surviving castrated biker leader holding Hal and Lily at bay with a bomb.

MAD FOXES is constructed as a fable, in which logic is subverted in order to make a statement. If its makers offer any message at all, it's an hysterical overreaction to upper caste fears of street punks and gun-toting anarchists. The coiffed, macho Hal is not portrayed as an action hero, and his methods and motivations are only a little less vicious than the bikers. But he is rich, drives a nice car and can easily seduce vapid women, whereas the bikers are greasy-haired, un-socialized rejects who are given a vaguely gay cast.

In published interviews the film's producer, Swiss sleaze-master Erwin C. Dietrich, has played down his involvement with the film and claims it was too excessive even for him. That says a lot.

In Denmark this gory and sick mutant was called "The Bikers And The Disco Kid"!?! It should give you a clue of what kind of trash we're dealing with here. After showing off his flashy fast car the "hero" gets beaten up and his girl is brutally raped by a moronic biker gang. He then contacts his kung fu buddies for help and they beat up the bikers and cut off the leader's penis (!) for revenge. The bikers then come back and gun down the kung fu guys...and so on. The dubbing is properly the worst ever and the film is drenched in blood, swastikas, disco, heavy metal, small bikes, sex and bad acting. The spirit of Herschell Gordon Lewis lives on, so get a copy of this obscure anti-masterpiece! Swiss producer Erwin C. Dietrich also worked with Jess Franco, so you know you're in for a treat!

Warning: Don't watch this freakshow unless you're intoxicated, it can seriously damaged your health!!

I don't remember ever seeing such bad dubbing as in the version I saw of this film. It doesn't even seem like the voice actors were watching the movie! When the actor's face on the screen would seem to denote that he is yelling, the dubbed voice sounds calm. When the actor's face on the screen would seem to denote that he is in pain, the dubbed voice sounds calm. In fact, the dubbed voice ALWAYS sounds calm!!

Not only that, but the actual writing of the English dubbed version leaves a lot ot be desired, to say the least. We are treated to such scintilating, saucy dialogue as:

Man in bathtub, to woman: "Come here." Woman: "Okay."

Even further, we have a biker gang that rides around on dirt bikes (?!?!) and a group of the laziest karate masters ever as their karate kicks don't even rise above their waists!!

I'm a big fan of "bad" movies but this one didn't make me laugh at all. It just made me wince in pain.

This film has earned its cult reputation due to the fact that it's ridiculous - and as you might expect, this reputation isn't exactly unfounded. Mad Foxes is just as ridiculous as it's meant to be and then some...however, while I enjoy a good silly flick, the inconstancies and illogical nature of the film don't help it as the plot doesn't move well at all, and the film gets confusing too often, which isn't good when the plot is as simple as the one here. The plot is pretty much routine for a rape/revenge flick, and focuses on a guy and his girl who end up getting on the wrong side of a neo-Nazi biker gang. The gang beat him up and rape his girl, so he vows revenge on them...blah blah. The way that the plot moves isn't very fluent, and usually just jumps from one scene to the next; which can be irritating. There are a few good sequences in the film, and these include things such as a man being blown up on the toilet and a Nazi-style bondage session towards the end. In fitting with the rest of the film, the acting and the dialogue are both terrible; but the film is very funny on numerous occasions, and while I can't say I overly enjoyed Mad Foxes; it might appeal to those who enjoy seeing movies at their worst.

Mad Foxes is a film I first caught via its pre-cert UK VHS release, which was still a blast despite being a heavily cut version, and lead me to seek out an uncut DVD release a few years ago which contained all the ultra-violence that got trimmed by the nervous British distributor.

If you've never seen it before, Mad Foxes depicts the tit for tat conflict between flash playboy Hal and a shambolic biker gang, the bikers take umbrage at Hal's expensive corvette and spit on his face, he retaliates by running one of them off the road, they retaliate by beating him up and raping his girlfriend, he then calls on his friends at a karate school who beat up the bikers, castrate their leader and stick his dick into his mouth (needless to say that bit got cut from the UK video), the bikers then wipe out the members of the karate school with machine guns and grenades ….and so it goes on, and on, and on. Trashy and badly dubbed dialogue ("you squeal like an old bitch", "don't you have a little knife with you? I'd like to slice your prick", "you'll like my family, though my mother is an invalid, she fell from a horse and became paralytic"), only adds to the fun. It's also distinguished by a wildly over the top performance by an actor called Eric Falk, who judging from the trailers on the DVD, appears to have had quite a career in eurosleaze of the Erwin C. Dietrich stable. There is an air of Gypsy Dave Cooper about Falk's turn in Mad Foxes, and he is a similar mixture of heavy, exhibitionist, and comic relief imbecile "I can't stand it, we're not going to see him anymore" he boo hoos at the funeral of a slain biker buddy. Incredibly the film seems to have been conceived as an unofficial sequel to the 1978 American film 'Stingray' starring Christopher Mitchum , but I seriously doubt the two films have anything in common other than their heroes both owning Corvette Stingrays. In a scene towards the end of the film where Hal shoots up a film studio, you can even see this film's original title 'Stingray 2' written on a clapperboard prop, but it'll always be "Mad Foxes" to me. For all I know director Paul Grey could be a lifelong teetotaller and have grandchildren now, but the unusual amount of male full frontal nudity in the film, not to mention the excessive amount of drinking that goes on (Hal and his dad being rarely without a glass in their hands) does paint a mental picture of its maker as a serious alcoholic and closet case. The film optimistically writes its own epitaph when one of the bikers proclaims "the whole world will admire us".