Sêrâ-fuku to kikanjû

Humorous satire of Japanese yakuza flicks in which Hiroko Yakushimaru plays the daughter of a yakuza oyabun (boss) who dies and leaves the clan to her. Unfortunately, the clan is not exactly top flight, as they drive around in old, backfiring cars, one member is, well, a little effeminate, and veteran actor Ken Takakura (Black Rain, Mr. Baseball are his two most recent American flicks) tries his best to keep Hiroko out of trouble. The scene with Hiroko when she sprays a room with machine gun fire and then exclaims "Kaikan"!! (roughly translated as "exciting" but perhaps in a physical sense) became somewhat famous in Japan at the time with people using the phrase in the same tone of voice as Hiroko. A funny and entertaining movie that I would definitely recommend to anyone who can understand Japanese (alas, there is no subtitled version).

What sells it is the main characte,r she is wonderful to see on the screen, just looking around being cute, but, Assertive, and just takes the scream.

It's a really nice useful energy to the movie and it reminds me of a children's movie but then something really dark happens and we could grab back to reality.

There's one really impressive long shot in the movie, and it's hard to hate those goofy Yakuza in her group.

The story goes so many different directions and is so interesting but still hard to follow, It is delightful confusing but still entertaining.

Movies biggest problem would say is it's a bit too slow, I did watch that directors extended version but still I wish it was cut down, but still a fun and memorable movie.

Based on a novel by Jiro Akagawa that was published by Kadokawa publishing company, "Sera fuku to kikanjyu" (sailor uniform and machine gun) was also Kadokawa's (and then president Haruki Kadokawa's) first attempt at movie targeted for teens and young adults featuring also a teenager in the starring role.

Izumi Hoshi (Hiroko Yakushimaru) is a normal high school student, until one day a horde of yazuka shows up at the gate of her school. Unbeknownst to her, her father was the head of a "Medaka Gumi" yakuza clan. His passing away prompted the soldiers to fetch her to become the next "kumicho" or the head of the clan. Pror to passing away, her father smuggled a heroin, and that becomes the focus of rivaling yakuza clans to take possession. When one of her soldiers gets killed, Izumi reluctantly takes charge and starts to lead her troops to face the opposing yakuza clan - the only problem is Madaka Gumi only has four yakuza soldiers where the other clans have many more.

Hiroko Yakushimaru shows her brilliant intelligence to lead the group of adults much older than her. The story seem to lack focus as different characters comes and goes, but the real focus is where's the heroin, and who hid it ? Everyone is running after the heroin and much killing goes on to find it. This all sound's serious, but it's all done in light hearted fashion (how a killing can be light, you have to see this film) to appeal to the target audiences. Towards the end, Izumi while wearing her sailor suit school uniform takes a machine gun and goes into Futoccho's (Rentaro Mikuni) office to settle the score and fires the machine gun in his office, exclaiming "Kaikan" (Feel's good) which was one of the defining moments in Japanese cinema at the time.

Hiroko Yakushimaru goes on to becoming a successful movie and TV actor and is still active today.

Okay piece, on the surface, this film resembles a standard yakuza or idol film. The film lacks the enticing violence of the yakuza genre and the self-absorbed camerawork of idol films, making it more like a teen coming of age tale.

It places a strong emphasis on a compelling story and a visually delectable range in cinematography. The story was very progressive for 1980s Japan, and the gang treated a woman like their Oyabun. At the forefront of the film is the incredible acting by pop idol Hiroko Yakushimaru, her performance throughout brings the film together.

Accompanying the illustrious score is impeccably expressive and technical cinematography, focusing on a beautiful mix of static, wide angle shots as well as long take aesthetic

Those who are expecting an adrenaline-fuelled action adventure may be disappointed. The film, as previously mentioned, is a teen coming-of-age tale with a bizarre underwater setting, rather than an urban crime drama, leaving the final product somewhat confusing for those who are unaware of its intentions.

It could receive a remake with another perspective of the work and would probably be successful with the public and the current zeitgeist.

It's really not very good and after after a while I decided to stop watching the film once I had enough to see the sailor suit get out the machine gun and that would be it. No although she made the yakuza at the top she never really wanted to get out the gun. I entered watching the old film but it was still not very good and I can to the idea that it was a film for teens and was never going to get anything other than being sweet and singing. And although rather sweet, but not shouting she wasn't very wonderful although youngsters would might like it.