Quella villa accanto al cimitero

The son of the researcher is a fair haired boy who is frightened repeatedly throughout the film and seems to spend his entire time banging on doors and calling for his mommy. The boy has the single most annoying child's voice ever heard on film and this alone makes him a character who needing killing off in the first minutes.

Not great but made worse by the kid.

Probably the best Lucio Fulci movie! Still beats any hollywood horror movie 10-0. I have seen this about 4 times and it still keeps shocking me! Looking for good horror? Rent/buy this! (here in finland, you must buy films from other countries, everything is banned here... not so cool).

In some ways, you get a sense Fulci was trying hard to make this more "respectable" than some of his other movies. The camerawork is careful, creating atmosphere as well as a sense of polish. The makeup and gore effects (except for the ridiculous bat scene) are also well-crafted, and the Dr. Freudstein character is fairly creepy to see. Also, there are fewer splatter scenes, and they come more out of the story than any gratuitous attempts to add gore. However, the story (which has shades of THE SHINING) is pretty slow-moving, so after a while you wish Fulci *would* throw in some gratuitous splatter! And like many of Fulci's other movies, a lot of things are simply not explained. (I will admit I got a good laugh at the sudden burst of "explanation" by one character at the end, which comes out of nowhere!) Quite frankly, viewers who have heard about Fulci but not seen any of his other movies will be wondering at the end of the movie why he's received so much fuss. So only for Fulci fans, or people with more than a passing interest in Italian horror movies.

In New York, Dr. Norman Boyle (Paolo Malco) assumes the research about Dr. Freudstein of his colleague Dr. Petersen, who committed suicide after killing his mistress. Norman heads to Boston with his wife Lucy Boyle (Katherine MacColl) and their son Bobby (Giovanni Frezza) to live in an isolated house in the woods that belonged to Dr. Petersen. Bob befriends the girl Mae (Silvia Collatina) that only he can see and she warns him to leave the house. Soon his parents hire the mysterious babysitter Ann (Ania Pieroni) and creepy things happen in the house, When Bobby goes to the basement, his parents discover the secret of the house.

"Quella villa accanto al cimitero", a.k.a. "The House by the Cemetery", is a sinister horror movie by Lucio Fulci. The screenplay is confused with poor development of the characters, but the supernatural atmosphere is creepy and the camera-work is great. The metaphoric conclusion, with the soul of Bob following Mae and her mother, is excellent. My vote is seven.

Title (Brazil): "A Casa do Cemitério" ("The House by the Cemetery")

Note: On 23 March 2016, I saw this movie again on DVD with the original language (Italian) and subtitles in Portuguese.

A family formed by Norman Boyle (Paolo Malco), wife (Katriona MacColl, Fulci's ordinary) and son (Frezza) move an old mansion in New England outside Boston close a graveyard . Norman advised by professor Muller (secondary role by Lucio Fulci) has to investigate a scientific named Patterson who committed suicide by hanging and killed his lover. There they hire a mysterious babysitter (Anna Pieroni). Early rare deeds begin to happen to them, as they start hearing noises, rare characters and tragic murders. The picture terminates telling some lines by Henry James : ¨ No one will ever know whether children are monsters or monsters are children ¨.

Chilling Italian terror flick full of screams, chills, thrills and lots of blood and gore. Good make-up and special effects make-up by the maestro Gianetto De Rossi. Produced on a tight budget by Fabrizio De Angelis , Fulci's usual producer and occasionally director. Eerie musical score composed and conducted by Walter Rizzati. The motion picture is realized by one of the most controversial filmmakers of terror movies ,Lucio Fulci in his usual style with flaws and gaps but is professionally made because he is a skilled craftsman . Reviewers are divided over booth the morals and talents of Fulci (1927-1996) who sometimes directed under the alias ¨Louis Fuller¨. For some critics many of his movies are cruel and shockingly violent, yet their gory surface often conceals religious, social commentaries or intelligent issues. Whether he should be viewed as a cheap sensationalist or just a genius Fulci has a loyal fan base and undeniably has an important and unique influence on the terror genre , creating great works on a low budget such as proved in ¨The Beyond¨, ¨Manhattan baby¨, ¨Gates of Hell¨, ¨Island of the living dead¨, ¨New York ripper¨ , among them. This gore-feast that tried to disguised itself under many other titles will appeal to Lucio Fulci aficionados.