Polyester

This movie had me laughing my rear off when I first saw it. I have never been a major John Waters fan. His early stuff was more grotesque than funny in my somewhat less than humble opinion. This film is delightfully offensive and hilarious. It's sort of in the 'Animal House' league of humor. Which is a nice change of pace from Waters earlier flicks.

I have to comment on this movie.It was 1981 and it was my birthday.I moved to a new job and knew absolutely no one and went to a theater to see "Polyester" knowing nothing about it.It was raining and as soon as I entered to buy a ticket three employees started laughing and looking at me.They said you are the only one here to see the movie.I was handed a card and I went to a seat and sat down and the previews started.An usher walked by and I said hey,turn down the lights and turn up the sound.I put my feet up on a seat-back and thought hey,this is okay.It was my first John Waters movie and I laughed a lot at the crazy movie.I used the scratch and sniff card as prompted by the screen which was cool.I had a great time.It wasn't until several years later when I saw more Water's films that I even knew that Divine was actually a man and Water's films were a wee tad irregular.If you are humored by odd movies and odd people then watch the movie.I wish I had saved the scratch and sniff card.Not a movie for the kids.

John Waters is truly a great director. I had seen Pink Flamingoes but not to much of his earlier work. I am more familiar with his later works like Serial Mom or Cecil B. Demented, which is all great stuff. Polyester is the bridge, as so many people put it, between his disgusting yet entertaining earlier work to more mainstream films like Hairspray.

Divine plays Francine Fishpaw. A rather large lady who is married to a man who owns a pornographic theater. Her son is a drug attic who loves to smash womens feet and her daughter is a wannabe Go-Go dancer who gets herself pregnant. Francine has only one friend in the world and that is Cuddles who is wonderfully played by Edith Massey. After Francine catches her husband sleeping with another woman (Mink Stole) Francine's life starts going into a downward spiral as she can't control her children and she becomes an alcoholic. Only, when she meets a man named Todd Tomorrow (Tab Hunter) do things start to change... or do they?

I had a grin on my face throughout the whole movie. The storyline sounds pretty depressing but only John Waters could have pulled this off and turn it into a complete comedy. Divine is right at home in her role as Francine. You truly do feel completely sorry for her. Edith Massey is excellent in the role as Cuddles and is definitely the most likable character in the whole movie. What made this movie so great for me was when this came out in theaters I was to young to see this. I just recently bought it on DVD and it comes with an actual Scratch N' Sniff card for the movie! Great stuff! This movie gets a 9/10 from me.

Okay I know a lot of John Water's fans _won't_ rank this movie as high as some of his earlier work, because it is fairly "mainstream" for Waters. I liked Divine's performance in this film and loved the relationship with Tab Hunter. Also get to see another fav of John Water's, Mink Stole, as well as many other "regulars" to his films. If you haven't seen any of his work, I would start here. Sadly though, we don't get the theatre experience of *Odorama* (that's what the numbers signify---a scratch and sniff card that was handed out to movie goers.

This was my first John Waters movie, and it opened with scratch and sniff cards. Each "spot" had a color and number and when the appropriate scene arrived we had the privilege of smelling what was on screen. Divine's character had an odor fetish and was constantly spraying air freshener, while a nefarious plot was instigated to drive her insane by planting offensively smelly things like gym sox, dead fish etc for her to find at home.

Her husband runs an adult cinema. Her son, based on the Baltimore Stomper, a true character, sniffs industrial solvents, stalks women with cute shoes and feet, and then stomps on them with his combat boots. The daughter, obviously the model for Christine Applegate's character in Married With Children, is the high school slut that dances on tables for quarters. And Mom worries about fresh scents.

With these subplots to the main plot, it should be obvious that plot resolution and character development are not the main attractions in a John Waters movie. The caricature of society and its stereotypes is his game, and the best moment of the movie has to be when the TV news camera is in the face of one of the Baltimore Stomper's victims as she is being carried to the ambulance on a strecher. The victim's on camera stream of obscene invectives against the callous media was one of the great moments of the movie because it was such a refreshing expression of the common person's real disgust and frustration with tabloid evening news and a culture that trivializes human suffering. Juxtapose a broken instep with the main character's insufferable pain of finding a smelly sock and you have the theme of this movie. Even the fairytale resolutions to the problems are a hilarious sendup of 80's America.

If you want to see what makes John Waters such a cult hero, but would find Female Trouble or Pink Flamingos too offensive, this was his first attempt to bridge the gap to the more accessible films he made later, while still having enough of the gross-out quality for a good laugh riot.

(Serial Mom will be on TV the weekend after Veteran's Day, and it is another very accessible glimpse into the mind of Mr. Waters.)