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5.6/10
4.8 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंA mental patient embarks on a murder spree upon escaping from an institution.A mental patient embarks on a murder spree upon escaping from an institution.A mental patient embarks on a murder spree upon escaping from an institution.
John L. Watkins
- Man with Cigar
- (as John Watkins)
Bill Milling
- Paul Williamson
- (as William Milling)
William Kirksey
- George's Father
- (as William S. Kirksey)
Candese Marchese
- Candy, the Jogger
- (as Candy Marchese)
फ़ीचर्ड समीक्षाएं
Caught this at an Arizona drive-in, back about 1983. It truly bothered some of my friends, but we all thought it was better than the co-feature, "Happy Birthday To Me". I hunted for quite a while looking for this, and finally found it at a Pawn shop in St. Paul, on VHS. Guess some folks have also been looking, and it is on DVD as "Nightmares In A Damaged Brain". But the disc runs about 94 minutes, and is missing some gory highlights, as well as a few touches of plot. the one you want was just "Nightmare", and runs about 98 minutes. the version you want came from 21st Century releasing, and is worth the hunt, if this is your sort of thriller. I wish everyone good luck, but I'm not giving mine up.
A mental patient (Baird Stafford), who is troubled with horrible nightmares, has escaped from his hospital. Now on the streets he cannot help killing innocent people. But there is one family he is more than interested in and when he tries to kill them, he finds that it is not that easy.
First of all, to properly enjoy this film, you need to see a good copy of it. Although I have not seen it, the Code Red DVD is apparently the best and as clear as could be wanted. The version I watched was pretty awful, grainy and discolored. This took nothing away from the fun, but made it seem even cheaper than it needed to be.
The plot is a bit disjointed, incoherent, and the editing is not flawless. Maybe Code Red fixed this, but it is most likely just a part of the film. The plot still makes sense, but trying to figure out who all the characters are and why they matter might take a bit of work even if you pay close attention. A second viewing (or third) could not hurt.
The best thing about the film is either the gore (which is great whether or not it was done by Tom Savini) or the kid (C. J. Cooke) who plays CJ. When he faces off against the "bad guy", the whole scene is priceless and well worth the build up.
Although Romano Scavolini has been directing since the 1960s, this is his best-known title and he has never really made himself a big star from his work. Baird Stafford has only one other credit, appearing in Scavolini's war film "Dog Tags" (1985). C. J. Cooke never acted again... a real shame.
First of all, to properly enjoy this film, you need to see a good copy of it. Although I have not seen it, the Code Red DVD is apparently the best and as clear as could be wanted. The version I watched was pretty awful, grainy and discolored. This took nothing away from the fun, but made it seem even cheaper than it needed to be.
The plot is a bit disjointed, incoherent, and the editing is not flawless. Maybe Code Red fixed this, but it is most likely just a part of the film. The plot still makes sense, but trying to figure out who all the characters are and why they matter might take a bit of work even if you pay close attention. A second viewing (or third) could not hurt.
The best thing about the film is either the gore (which is great whether or not it was done by Tom Savini) or the kid (C. J. Cooke) who plays CJ. When he faces off against the "bad guy", the whole scene is priceless and well worth the build up.
Although Romano Scavolini has been directing since the 1960s, this is his best-known title and he has never really made himself a big star from his work. Baird Stafford has only one other credit, appearing in Scavolini's war film "Dog Tags" (1985). C. J. Cooke never acted again... a real shame.
Trying to bring the Italian giallo genre into the then-popular American slasher genre, Nightmare is a half-clever attempt. Those two extremes don't seem like a good fit, with the typical slash-and-hack, one-by-one structure of the slasher genre mixing a bit awkwardly with the more flamboyant, open-ended and director-focused giallo film movement. "Nightmare" isn't particularly coherent and can feel a bit half-hearted at times, but it has enough startling moments and a truly twisted (and brutal) view of sexuality to at least be interesting beyond it's initial viewing.
Often considered a Grindhouse staple, it shares the qualities of many other films of that "genre": lousy dubbing, horrid acting, completely conspicious continuity blunders, a soundtrack and film print that makes the viewer feel like their head is being held under muddy water. It's also unusually bleak and morally ambiguous for an American film, a telling sign that this was directed by an European. There's also a sense of the American-slasher puritanism, as noticed by the Killer's view of promiscious adults around him, but it's not quite as black-and-white as many of the like-minded films at the time. Largely because we're asked to look at the film's largely unseen killer with a more subjective eye.
"Nightmare" may be poorly made, although a few cat-and-mouse sequences are well-staged and engaging enough, but it's far from useless. It's cross between American DIY ethos and lavish, fetishitistic European flavoring is uneven and sloppy but always weird and alluring enough to keep you watching. The film's modest cult following is understandable.
Often considered a Grindhouse staple, it shares the qualities of many other films of that "genre": lousy dubbing, horrid acting, completely conspicious continuity blunders, a soundtrack and film print that makes the viewer feel like their head is being held under muddy water. It's also unusually bleak and morally ambiguous for an American film, a telling sign that this was directed by an European. There's also a sense of the American-slasher puritanism, as noticed by the Killer's view of promiscious adults around him, but it's not quite as black-and-white as many of the like-minded films at the time. Largely because we're asked to look at the film's largely unseen killer with a more subjective eye.
"Nightmare" may be poorly made, although a few cat-and-mouse sequences are well-staged and engaging enough, but it's far from useless. It's cross between American DIY ethos and lavish, fetishitistic European flavoring is uneven and sloppy but always weird and alluring enough to keep you watching. The film's modest cult following is understandable.
This is one of the most prominent films on the legendary video nasty list. For those who do not know, this was a list of videos that were considered obscenely violent by the establishment in early 80's Britain. Nightmares in a Damaged Brain was one of the first to be tagged as problematic and it's distributor even served six months in prison for releasing the thing. The question now I suppose is how does it shape up today? Well, on the one hand, it isn't at all hard to understand how it made the list in the first place. On the other hand, it still works pretty well as a sleazy grind-house slasher movie.
The film in a nutshell is about a troubled man who is released from an asylum. Too early it seems, as he pretty much immediately starts committing brutal murders.
The film's primary notoriety I am guessing comes from the very mean-spirited violence. There isn't an awful lot of it but when it does happen it's very gory and brutal. Particularly nasty is a knife attack on a woman in her home, while the carnage inflicted by the little boy near the end is pretty intense. The film also has some scenes in New York where the psycho visits sex shows and starts to lose his fragile mind - these sequences resemble an exploitation version of Taxi Driver. So the film is essentially well served on the violence and sleaze fronts. The biggest problem is that it drags in the middle section. In this part the story relocates to follow the goings on of a family, one which our psychopath seems to be stalking for some reason. The pacing takes a dive here when we focus on these none too interesting characters. However, the aforementioned parts that bookend the family drama are certainly not boring.
Nightmares in a Damaged Brain is ultimately one of the better video nasties. Unlike many on the list it's actually pretty nasty at times. And that is kind of what you want really.
The film in a nutshell is about a troubled man who is released from an asylum. Too early it seems, as he pretty much immediately starts committing brutal murders.
The film's primary notoriety I am guessing comes from the very mean-spirited violence. There isn't an awful lot of it but when it does happen it's very gory and brutal. Particularly nasty is a knife attack on a woman in her home, while the carnage inflicted by the little boy near the end is pretty intense. The film also has some scenes in New York where the psycho visits sex shows and starts to lose his fragile mind - these sequences resemble an exploitation version of Taxi Driver. So the film is essentially well served on the violence and sleaze fronts. The biggest problem is that it drags in the middle section. In this part the story relocates to follow the goings on of a family, one which our psychopath seems to be stalking for some reason. The pacing takes a dive here when we focus on these none too interesting characters. However, the aforementioned parts that bookend the family drama are certainly not boring.
Nightmares in a Damaged Brain is ultimately one of the better video nasties. Unlike many on the list it's actually pretty nasty at times. And that is kind of what you want really.
"Nightmare (in a damaged brain)" is a dark and sinister mixture between William Lustig´s "Maniac" (1980) and John McNaughton´s "Henry: Portrait of a Serial Killer" (1986). The nightmarish atmosphere of Scavolini´s film is combined with some creepy and bizarre flashbacks - the most memorable one is the scene when young madman George Tatum beheads a prostitute and splits the head of his father with an axe..! Gore galore!! Main actor Baird Stafford is almost as great as the legendary Michael Rooker, supporting actor Mik Cribben filmed some years later the Troma-shot "Beware! Children at play"... "Nightmare" is one of the most disturbing, but also fascinating movies about psycho-killers that deserves much more praise and attention than it actually gets!!
क्या आपको पता है
- ट्रिवियाThe film's original UK distributor was sent to prison for releasing an unapproved version.
- गूफ़According to his patient record displayed on the computer screen, George suffers from "schizophernia" (spelling error).
- भाव
Man with Cigar: SORRY? You lose a dangerously psychotic patient from a secret experimental drug program, and all you can say is "I'm sorry"?
- इसके अलावा अन्य वर्जनThe original UK cinema version was heavily cut by the BBFC with edits made to closeups of throat slitting and repeated stabs during the telephone murder, the pick axe killing, and axe blows (including blood frothing from a man's head) during the climactic flashback. The film was then listed and banned as an official video nasty, and a successful prosecution was brought against the distributing company World of Video 2000 in 1984 for releasing an unauthorized video version (which was 1 min longer than the cut cinema print). The film was finally granted a video certificate in 2002 though the print submitted was an edited U.S version, which restores the ice pick murder and around 1 minute of dialogue scenes but still has edits to the throat slashing/stabbing scene and some brief cuts to the climactic flashback nightmare murder. Finally in 2015 was the uncut version given an 18 rating from BBFC.
- कनेक्शनFeatured in Terror on Tape (1985)
- साउंडट्रैकNecessary Evil
Sung by Those Northern Women
Music and Lyrics by Jack Eric Williams
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