Murder Is Easy
- टीवी फ़िल्म
- 1982
- 1 घं 30 मि
IMDb रेटिंग
6.1/10
1 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंAn American computer expert meets a distraught old lady on a train and she tells him that a homicidal maniac is stalking her quiet little village.An American computer expert meets a distraught old lady on a train and she tells him that a homicidal maniac is stalking her quiet little village.An American computer expert meets a distraught old lady on a train and she tells him that a homicidal maniac is stalking her quiet little village.
- निर्देशक
- लेखक
- स्टार
- 1 प्राइमटाइम एमी के लिए नामांकित
- कुल 1 नामांकन
Olivia de Havilland
- Honoria Waynflete
- (as Olivia De Havilland)
Gordon Lord
- King Edward
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
American adaptations of Agatha Christie (especially for television) tend to be on the low end of the scale. It's principally the writing, secondarily the directing – i.e. the writers and directors mold the Christie work into something they *think* American audiences want instead of giving us what we actually *do* want – which, when it comes to English murder mysteries, is the same thing the English want.
So, I was greatly taken by surprise so see that *this* adaptation of *Murder is Easy* was NOT bad. It is not grade 'A' quality by a long shot; but it is definitely a high 'B' grade. And it is certainly more faithful to the original than the 2008 adaptation (which has a lot of *very* bizarre flights of fancy that do NOT make for a better story; just a bizarre one).
In this version, Luke is not a retired policeman from India but a computer expert from America; but the age difference is the same (or at least Bixby was 20 years older than Down, which is the age difference in the novel). Lavinia Pinkerton has become Lavinia Fullerton for some reason, but she's killed the same way under either surname. Gordon Ragg, Lord Whitfield (no known relation to June) has become Lord Easterfield (in full credit, Lord Gordon Easterfield; but Easterfield would be his lordship, not his surname - so he might still be a Ragg, at least by birth). Honoria Waynflete, Rose Humbleby, and the rest (so far as I can tell) are all the same.
The plot develops steadily and cleanly, as the suspense slowly builds. As in the novel, Luke believes the killer is a certain individual – which, of course, is a classic signal to reader and viewer that it must be someone else; but who? Ah, therein lies the mystery – and when the identity of the killer is finally revealed, it *is* a surprise (unless, of course, you have already read the book) because it is somebody whom nobody would suspect.
And as long as nobody suspects you ... Murder is Easy.
Side Note for Radio Fans: The best adaptation of this novel to date (November 2016) is one that was done a few years ago for BBC Radio 4 by Joy Wilkinson. It stars Patrick Baladi (New Tricks, Poirot), Lydia Leonard (The 39 Steps - 2008 version), Michael Cochrane (Downton Abbey), Marcia Warren (Agatha Raisin, Dangerfield), and a lot of other very good British actors that most Americans will not have heard of.
So, I was greatly taken by surprise so see that *this* adaptation of *Murder is Easy* was NOT bad. It is not grade 'A' quality by a long shot; but it is definitely a high 'B' grade. And it is certainly more faithful to the original than the 2008 adaptation (which has a lot of *very* bizarre flights of fancy that do NOT make for a better story; just a bizarre one).
In this version, Luke is not a retired policeman from India but a computer expert from America; but the age difference is the same (or at least Bixby was 20 years older than Down, which is the age difference in the novel). Lavinia Pinkerton has become Lavinia Fullerton for some reason, but she's killed the same way under either surname. Gordon Ragg, Lord Whitfield (no known relation to June) has become Lord Easterfield (in full credit, Lord Gordon Easterfield; but Easterfield would be his lordship, not his surname - so he might still be a Ragg, at least by birth). Honoria Waynflete, Rose Humbleby, and the rest (so far as I can tell) are all the same.
The plot develops steadily and cleanly, as the suspense slowly builds. As in the novel, Luke believes the killer is a certain individual – which, of course, is a classic signal to reader and viewer that it must be someone else; but who? Ah, therein lies the mystery – and when the identity of the killer is finally revealed, it *is* a surprise (unless, of course, you have already read the book) because it is somebody whom nobody would suspect.
And as long as nobody suspects you ... Murder is Easy.
Side Note for Radio Fans: The best adaptation of this novel to date (November 2016) is one that was done a few years ago for BBC Radio 4 by Joy Wilkinson. It stars Patrick Baladi (New Tricks, Poirot), Lydia Leonard (The 39 Steps - 2008 version), Michael Cochrane (Downton Abbey), Marcia Warren (Agatha Raisin, Dangerfield), and a lot of other very good British actors that most Americans will not have heard of.
Bill Bixby, not actually turning into the Incredible Hulk, tries to solve the deaths of citizens in one of those quaint English villages where murderers seem to thrive. A nice fair adaption of a fun Christie book with pretty Leslie Anne and a hefty Olivia huffing and puffing thru the scenery. She's a wicked gas here.
This is not an outstanding film by all means, but it is a very decent one, that is faithful in story, tone and dialogue to the book. The story is compelling and interesting, hindered only really by the nonsense with the computers which was underdeveloped and added very little to the story.
The pace starts very briskly, and Helen Hayes brings a lot of charm to her brief role, but once more in the story unfolds it gets slower up to the conclusion, which is well-paced and rounds things off nicely as it should do. Bill Bixby starts off rather wooden and dull, but gets better.
That said, the production values are excellent, the photography is pleasing on the eye and the costumes and scenery are beautiful. The music has some nice parts as well, the direction is decent and the dialogue is charming, controlled and witty. The cast do do very well, while some of the characters could have been developed a tad more, the cast do great jobs especially Lesley-Anne Down, Olivia DeHavilland and Timothy West.
All in all, a decent film and adaptation. 7/10 Bethany Cox
The pace starts very briskly, and Helen Hayes brings a lot of charm to her brief role, but once more in the story unfolds it gets slower up to the conclusion, which is well-paced and rounds things off nicely as it should do. Bill Bixby starts off rather wooden and dull, but gets better.
That said, the production values are excellent, the photography is pleasing on the eye and the costumes and scenery are beautiful. The music has some nice parts as well, the direction is decent and the dialogue is charming, controlled and witty. The cast do do very well, while some of the characters could have been developed a tad more, the cast do great jobs especially Lesley-Anne Down, Olivia DeHavilland and Timothy West.
All in all, a decent film and adaptation. 7/10 Bethany Cox
Luke Williams encounters and strikes up a conversation with an elderly lady on a train, she explains that her village is beset by accidental tragedy, and as soon as she departs the station, she is killed in another......accident.
I have to say Murder is Easy is one of my all time favourite Agatha Christie books, I love the characters, I love the witchcraft element, I also love the concept of murder being easy, it is undoubtedly one of Christie's cleverest themes.
I actually like this adaptation, it's one that's grown on me over the years, early on I didn't really care for the modern setting, or the probability theme, but in recent times, I've come to accept them.
I'm surprised by just how much of the book is actually present here, of course there are lots of differences, but the core of the story is very much here, most or the deaths are covered, and they didn't veer too far off the grizzly ends that Christie originally wrote.
The script is a little clunky at times, some of Luke's dialogue doesn't work, but the whole thing is elevated by a wonderful cast, the cast list makes for impressive reading, and fair play the acting is terrific, Bill Bixby, Lesley-Anne Down, Freddie Jones all spot on, and of course there's real Star quality in the form of Olivia del Havilland.
It deserves a remake, it deserves a quality remake, I know one is coming from The BBC/Britbox, I'm intrigued to see what they do with it.
Overall, it's a thumbs up.
7/10.
I have to say Murder is Easy is one of my all time favourite Agatha Christie books, I love the characters, I love the witchcraft element, I also love the concept of murder being easy, it is undoubtedly one of Christie's cleverest themes.
I actually like this adaptation, it's one that's grown on me over the years, early on I didn't really care for the modern setting, or the probability theme, but in recent times, I've come to accept them.
I'm surprised by just how much of the book is actually present here, of course there are lots of differences, but the core of the story is very much here, most or the deaths are covered, and they didn't veer too far off the grizzly ends that Christie originally wrote.
The script is a little clunky at times, some of Luke's dialogue doesn't work, but the whole thing is elevated by a wonderful cast, the cast list makes for impressive reading, and fair play the acting is terrific, Bill Bixby, Lesley-Anne Down, Freddie Jones all spot on, and of course there's real Star quality in the form of Olivia del Havilland.
It deserves a remake, it deserves a quality remake, I know one is coming from The BBC/Britbox, I'm intrigued to see what they do with it.
Overall, it's a thumbs up.
7/10.
Agatha Christie's 'Murder Is Easy' gets off to a brisk start with Helen Hayes as a little old lady on her way to Scotland Yard to report a series of murders in her village. She describes the look that made her realize who the murderer is and tells Bill Bixby, "If no one suspects you, murder is easy." Shortly after she leaves the train station, she is killed in an auto accident. Thus, Bixby decides to investigate for himself.
Carmen Culver's teleplay would have been better if it hadn't updated the Christie material and tried to modernize the story with foolish computer nonsense. Furthermore, by devoting entirely too much time to the red herrings and focusing almost all of the remaining time on Lesley-Anne Down and Bill Bixby's growing relationship, it turns the surprise ending into little more than a sham for which there is no preparation. Bill Bixby's character in the novel was a young policeman--here he is an American computer wizard who delves into use of the computer (to no avail) to solve the crime. He's charming and believable enough but too many scenes are throwaways involving him and Lesley-Anne Down.
Suffice it to say that this is not one of the best adaptations of Christie's work. The technical aspects are excellent--the color photography of the English settings is impressive and all of the performances are first-rate. Nice to see Olivia de Havilland and Helen Hayes as "special guest stars". Helen Hayes contributes so much to the opening scenes that she makes up for the fact that there is no Miss Marple in this one.
But the tight suspense of the final scenes in the novel when the murderer is caught and revealed is missing here and the explanations are too swift to carry much weight.
Still, an absorbing who-dun-it for mystery fans although modernizing the story with computer detection work is no help at all.
Carmen Culver's teleplay would have been better if it hadn't updated the Christie material and tried to modernize the story with foolish computer nonsense. Furthermore, by devoting entirely too much time to the red herrings and focusing almost all of the remaining time on Lesley-Anne Down and Bill Bixby's growing relationship, it turns the surprise ending into little more than a sham for which there is no preparation. Bill Bixby's character in the novel was a young policeman--here he is an American computer wizard who delves into use of the computer (to no avail) to solve the crime. He's charming and believable enough but too many scenes are throwaways involving him and Lesley-Anne Down.
Suffice it to say that this is not one of the best adaptations of Christie's work. The technical aspects are excellent--the color photography of the English settings is impressive and all of the performances are first-rate. Nice to see Olivia de Havilland and Helen Hayes as "special guest stars". Helen Hayes contributes so much to the opening scenes that she makes up for the fact that there is no Miss Marple in this one.
But the tight suspense of the final scenes in the novel when the murderer is caught and revealed is missing here and the explanations are too swift to carry much weight.
Still, an absorbing who-dun-it for mystery fans although modernizing the story with computer detection work is no help at all.
क्या आपको पता है
- ट्रिवियाThis film was the only film in Bill Bixby's long career that was entirely filmed outside of the United States.
- गूफ़At the beginning of the film, Luke Williams is seen in a compartment of a loco hauled train. The shots of the train on the journey alternate between this train and an Intercity HST125 which always used open carriages which did not have compartments.
- भाव
Bridget Conway: [to Miss Waynflete] O why do you walk through fields in gloves O fat white woman whom nobody loves?
- कनेक्शनReferences Jim'll Fix It (1975)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Agatha Christie's 'Murder Is Easy'
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें