Makai tenshô

The parts of the movie that I have seen fit to the other story

For those of us who enjoy Martial arts films this one is just the same. The dubbing may have a bit of a flaw but once you get into it,it is a very good story. It is the predecessor of the ''96 title Reborn from Hell, the story in both are similar but Samurai Reincarnation tells more of the story.

Samurai Reincarnation is my favorite film. Every aspect of this movie caters directly to my taste. And although my taste is often for the bizarre, this movie is almost always held together by great acting. The story, if you can get passed the totally strange (yet contextually wonderful) opening, is completely engrossing to anyone interested in Japanese myths, history, culture, or just really great ghost stories. Aesthetically, Samurai Reincarnation is masterly crafted. From a battlefield filled with mountains of corpses to the elaborate interior of the shogun's palace, each setting perfectly sets the stage for the story to unfold. The costumes are all beautifully designed as well. Of course, the sword fights! With characters such as the sword fighting legend Miyamoto Musashi and Jubei Yagyu, it would only be appropriate to include sword fights of the highest caliber. And that's exactly what you'll find! Everything in the movie comes together as the complete package for me, and even though it might not end up being your favorite movie, give this one a chance if anything I wrote about above interests you; it won't disappoint!

Oh, GREAT MUSIC TOO!

SAMURAI REINCARNATION is a visual tour de force from action master Kinji Fukasaku. From the very first scene in which 37,000 people are massacred and the camera pans over a wasteland populated by severed heads, you know you're going to be in for a real treat with this one. I've found Japanese period films made around the late '70s and early '80s to be real masterpieces in terms of set design and cinematography and SAMURAI REINCARNATION carries on that trend.

The plot is slow moving but this is a film that rewards close viewing so it doesn't matter. After his people are massacred by a cruel Shogun, a Christian is reincarnated as a devil and goes around collecting famous dead people, bringing them back to life so that they can slaughter the living. Only one man can stop them: Jubei Yagyu, a one-eyed pirate-looking dude played by genre star player Sonny Chiba at the top of his game.

As a samurai film, this has plenty of dramatic action scenes to recommend it, and they're all of the classic variety; a duel on a beach is a highlight, but the real wowzer is an extensive fight in a burning building. You've never seen fire burning like this before and the fight scene is incredible, as well as looking incredibly dangerous for the actors involved. Alongside Chiba, we get a supporting turn from Hiroyuki Sanada, playing a role that's a bit different to his usual heroic stuff, and there's even a pivotal part for LONE WOLF & CUB star Tomisaburo Wakayama. SAMURAI REINCARNATION is a film possessed of a dark and brooding atmosphere throughout; it's a grim, haunting, and visceral tale, and completely oppressive too. In fact, it might well be one of the moodiest Japanese films of the 1980s.

When you blend historical figures with fictional stories that go way beyond realism, you often get mixed results. Well to be honest you really don't get good results. Suffice to say it's a dangerous line to tread. Luckily when you have an experienced director like Kinji Fukasaku and a great cast of actors like Sonny Chiba and Tomisaburo Wakayama you can't expect anything less then good. And "Makai Tenshu" is good, really really good. Flawlessly using legendary figures from Japanese history such as Jubei Yagyu and Myamoto Musashi in a thick supernatural plot about vengeance, along with some of the most stylish action sequences I've seen in chambara movies.

"Makai Tenshu" is an adaptation of the book bearing the same name. A pseudo-historical variation of the story about the Christian rebellions during the opening years of the Tokugawa Shogunate. And their subsequent, brutal conclusion. That event seals the fate of thousands upon thousands of Christians. It is here where our tale begins, amidst the bloodied aftermath of the massacre. After a mysterious ritual is performed, the leader of the Christians Shiro Amakusa returns from the dead to exact his revenge on the Shogunate. He vows the destruction of Japan and it's rulers. But before that can happen he must gather his retinue. Tortured, wretched souls whose life has been incomplete, unfinished. He offers them a second chance. Reincarnation, as demons like himself. This leaves the Yagyu clan with Jubei Yagyu (Sonny Chiba) and his father Tajima Yagyu (Tomisaburo Wakayama) as the only ones capable of confronting them.

I enjoyed very much how this story was handled. Divided into two parts the movie spends it's first hour on establishing the villains and their present motivations. Everything is written so that it makes sense, Amakusa's chosen for minions is not random and each has a role to fulfill. For example he uses the female he's risen, under a different name and background to seduce the Shogun and cloud his mind. While the ninja is used to used to eliminate anyone who has been curious about her "past". This level of detail is certainly satisfying when it comes to nitpicking every single detail. And it's not just the villains that are developed well. The relationship between Jubei and his father is also explored and plays an interesting part in the story. Fukusaku directs this first part of the film accordingly, while keeping his trademark kinetic action direction for the expositional second portion of the movie. There, the entire build up from firts part explodes into a series of stylishly directed action sequences. Fukasaku demonstrates his skill once again, using the sets and landscapes as an effective tool that enhances the experience of watching samurai duels. Skillful swordplay is not absent with the likes of Chiba and Wakayama both chambara veterans. This is not a movie that depends on strong acting ability to express itself, but even so performances are still commendable and at a higher ladder than most movies in the genre.

Visually speaking "Makai Tenshu" is a feast for 80s cinema fanatics. If you love old-school special effects as I do, then you've come at the right place. There is some lovely use of montages and the classic lighting effect does add up to the whole experience of watching a movie about demons and sorcery. But what really takes the cake in terms of visual goodness is the awesome set design. A tremendous amount of work has been put in the creation of these sets and it all pays out. Looking at that great opening shot of the massacred Christians was a chilling, beautiful moment as a twisted horroresque picture was laid upon my eyes. Bodies piled up, heads stabbed on pikes, crosses everywhere and the scorched sky, mesmerizing shot.

Kinju Fukasaku once again delivers a truly visceral experience. A story so carefully written and so visually stunning that it makes me long for the time when there was no CGI or Digital Cameras, when directing a movie was not just a question of budget but of skill and creativity.

Maybe I'm strange, but I thought this was the best movie I have ever seen. It seems long, but short too, as you watch it. And maybe, to us Americans, the kabuki style make-up is slightly KISS-like. Still, it was beautiful and thoughtful. I can't even begin to describe the plot. Think Charles Dickens crossed with H.P. Lovecraft. Anyway, here's what I think may have happened... an extremely good-looking Japanese Christian denounces his faith in the beginning, bitter about the whole Shogan clan system and all his friends being killed. He becomes an eternal satanic warlock, who is able to raise other disgruntled spirits from the dead. Over time they get up a group of undead who plan to topple the government. (Not, perhaps without some justification, but remember, they are evil.)

On the other side, a one-eyed, fabulously talented swordsman. He's more of a Buddhist, not so interested in eternal vengeance and all. He goes to the most evil swordsman in Japan, and asks him to make him a sword, because only a creature of evil can create a sword that can kill evil ghosts, (or gods). There are many wonderful scenes besides the sword making one. (The swordmaker gives his all and dies.) The Shogun lord is enamoured of one of the undead group, (she's very lovely). I think this may have been his ex-wife whom he had murdered. When the royal court goes out hunting (with beaters dressed in black and white french prisoner costumes???), as the villagers flee before them she says "Oh look, there's a nice deer to shoot", (or something to that effect, and all the courtiers and eventually the prince, begin shooting the villagers with arrows, sort of a mass hallucination). They tie them up on stakes, still thinking they are deer. It was all very surreal. If you like excellent sword fights, good mob scenes, nice nature scenery, and theological conflict, this movie has it all and more. You MUST see it. Oh, and it all ends in flames. Lots and lots of flames. A must see for pyromaniacs as well.