The Last Chase

Seeing a movie like this gives me a feeling deep in my bowels that someday, I might become an action movie hero. This is an incredibly horrifying movie about the future that could be. I was compelled to watch this movie from front to end, hoping that somehow this movie could get cheesier, and my wishes came true. It is great to know that once an incredibly bad movie gets worse, that it comes out on top again as an entertaining vision of our fears as they were in the early-Eighties.

OK, I'll be the first to admit that this film is nothing special in the grand scheme of millions of movies ever made. However, did you ever see a movie that was barely OK production & acting wise but held your interest? That movie is "The Last Chase." Sometimes you don't want a movie to be technically correct with perfect continuity and a flawless believable story line. This again is "The Last Chase". Sometimes you see a movie at a certain point in your past and watching it again brings back great memories from that time in your life. The Last Chase has characters that you can identify with. Lee Majors plays Franklin Hart an ex-race car driver living in a futuristic Boston who is tired of the laws of an America without oil. Chris Makepeace (Meatballs) plays a brainy student who tags along and gives Lee someone to talk to in the film. Longing for the days when America has gasoline and he could race his car and be a recognized sports figure Frank sees an illegal television broadcast from California (A Free State) and decides that Boston is no longer the place he wants to be. Set in the United States and filmed in Canada, the Last Chase is a fun albeit silly romp that converts an interesting story to film. If it's listed, record it. This one's very tough to find in any format. Made by Crown International Pictures Canada, I'd plead for the DVD, but that request would fall on deaf ears as almost no one would ever remember this one. But I liked it. The Gil Melle score is terrific!

This was a staple of 1980s Canadian television, not because it's particularly good (though I like it), but because it was made with Canadian dollars. Thus allowing it to fit in with the country's strange (to non-Canadians anyway) Canadian Content broadcast regulations.

Lee Majors takes time out inbetween his Six Million Dollar Man/Fall Guy gigs and races around the countryside near my neck of the woods, while Chris Makepeace blows the head off a statue real good and Burgess Meredith talks to his kite. All this, plus a decent supporting role from Harvey Atkin as the orgy-frequenting conformist co-worker who frowns upon Lee's free-thinking spirit. What's not to like?

Adding to the enjoyment is playing the game of "spot the location" and comparing places I've been to to how they're shown in the movie. The sight of dozens of extras bicycling around the Yorkdale shopping centre on their way towards a big clean Utopian bubble city (or a matte painting of it, anyway) always raises a smile.

Avoid the Mystery Science Theater 3000 version of this, it's really not funny, although the last line "aw, no wonder it sucks, it's Canadian!" is a good one.

First of all, it has a great score by Gil Melle. He did cool synthesizer stuff with stuff like The Questor Tapes and Kolchak: The Night Stalker, and he doesn't disapppoint here. Even at the dullest moments, you can count on the score to give you a jolt or two.

The main problem is that everything in this movie is just...slightly off-key. Give it a better actor than Lee Majors as the "hero," and a better old fogey/jetfighter than hammy Burgess Meredith, and do a little more than just rehash Farenheit 451 with gas instead of books, and this might have worked. Chris Makepeace is okay (although the juvie bad boy/computer hacker stereotype was already overdone by '81), and the plane vs. car action sequences aren't too badly done.

*shrug* I liked it. It wasn't better than Cats, but otherwise it works for me.

In a fuel-starved future, the totalitarian government has just impounded all private vehicles. Twenty years ago, the world was ravaged by a mysterious disease. Race car driver Franklyn Hart (Lee Majors) lost his family during the epidemic. Hart is now the spokesman for the mass transit system. He is being investigated for breaking into the impound lot and in danger of re-education. Ring (Chris Makepeace) is a hacker anti-authority boarding school student. Ring goes on the run from the police and gets Hart's help to drive to "Free California". The government has to stop this symbol of personal freedom. They bring out Vietnam vet Captain Williams (Burgess Meredith) and an F-86 Sabre jet.

This is a rally for driving freedom in response to the speed limit. There are a couple cool things in this movie. However at its heart, it's a non-sensical cheesy Canadian production. I like the operations room although I wonder if it's recycled from another movie. The world in the movie makes little sense but the idea of the freedom of the road is very appealing. Burgess talking to his plane is kind of funny. The movie probably needs more comedy and not the unintended kind.