Ladies and Gentlemen, the Fabulous Stains

This film apparently is one of the best-kept secrets of 80s cinema, a movie that was born to be a cult hit. The film focuses on an orphaned teen(Diane Lane)who hits the road with her three girl rock group the Stains as opening acts for an over-the-hill glam rock group and an up-and-coming British new wave/punk outfit. When the glam rock group bows out due to the death of their drummer(who is mourned by his several common-law wives and illegitimate children), the Stains and the other group slog on alone, with Lane and her group quickly grabbing the spotlight through a series of gimmicky stunts and gaining media notoriety(for one, the girls all dye white skunk-like stripes down the middle of their heads, causing a new teenybopper trend). The film looks down the long, thin line that separates fame from notoriety, a line that has grown increasingly blurred in the past 20 years. We see the way the media latches on to these girls and their antics, making them celebrities over night, and unmaking them just as quickly. But not to fear, for the girls latch on to a new medium, the rock video, and find themselves the fame they deserve.

It's no accident that this movie came out the same year that M-TV premiered, because a lot of the fears and concerns that M-TV generated(some of them still valid)are explored. Is rock that relies on the visual image really rock? Is rock's spirit diluted or prostituted by videos? In an era where we watch television shows based on a corporate entity's quest to "create" a pop group, the questions are valid ones. I saw this movie on VH-1 a couple of years ago, and now regret not taping it. Supposedly it was labelled unreleasable and never made it to the theatres, and has yet to appear on video. Pity, because there's much to like--and discuss--that is still relevant today.

For this film not to be available to the public (with the exception of the odd midnight movie crowd) is scandalous!! It's a touchstone for the next twenty years of pop culture! The film predicts the Madonna Wanna-Be craze by *years*; there's nods to such programming as MTV and such shows as VH1's Behind the Music & Driven; it was co-written by the cool, great Jonathan Demme; it features early screen appearances by later screen/TV stars Laura Dern, Christine Lahti, Star Trek's Brent Spiner (has the line, "You're fired!" ever been uttered more emphatically on film??), Rugrats voice Elizabeth Daily, B-Movie Goddess Debbie Rochon, and it stars newly-minted Unfaithful Oscar nominee Diane Lane, in a performance arguably as solid as the one she's just been nominated for. SO WHAT IS THE PROBLEM?? Release the film on video/DVD already!!!

Ladies & Gentlemen, the Fabulous Stains may not be the best film to come out of it's time.. but it certainly is not the worst. Many fans of this film probably know it best from when it aired on VH1 a few years back. Most "film buffs" probably have not even heard of it! It is a "fun" film, nothing too deep.. If you've ever considered yourself to be "punk rock" then you would probably enjoy this film. A few former Sex Pistols have roles in Ladies and Gentlemen, the Fabulous Stains. If you get a chance to see this movie I recommend it, but don't expect a masterpiece. It's just a film every post-punk should see. And always remember, The Stains do NOT put out!

I was a student in high school when the film crew and actors/actresses came to Vancouver, British Columbia Canada to film this movie.

They had a radio contest at the local radio station called 14 CFUN and they wanted people to come down to the radion station to sign up to be "extras" in the movie. I had never done this before, but took a chance and was selected. I was to play a "skunk".

We filmed down at the exhibition grounds of the P.N.E. {Pacific National Exhibition}.

I missed 3 days of school to do this movie and had the time of my life! Actually, it was even more fun when I found a friend of mine was also picked as an extra.

I remember meeting and getting the autographs of the Sex Pistols and Clash members who were there. I actually didn't even know that there were other "stars" in this movie until I had found this website and saw the cast list.

I also remember eating way too much "White Spot" {burgers and fries}. It seemed like that is all they fed us. I had been "called back" for a 3rd day of the shoot because they had chosen me for some "close-up shots".....much to my surprise.

I remember the costume and the makeup that we wore as "skunks". We all wore see-through red blouses with very high pumps on our feet. The makeup was kind of "skanky" and the big white stripe that they put down the middle of your hair. I can barely remember what we looked like.

I signed a contract with Paramount Pictures when the movie was still called "All Washed Up". I never did see it. Actually, when I was in Waikiki, Hawaii a couple of years later, we had been watching "sumo wrestling" on one of their channels and had fallen asleep. When I woke up, the credits to this movie were scrolling by!!!!!

I was soooooo upset about it, because I had never even seen the movie.

I have still yet to find this movie and would like very much to attain a copy of it on DVD.

Unreleased theatrical feature financed by Paramount was once an '80s staple on the USA network (in their weekend "Night Flight" movie slot). It's a satirical comedy-drama with music which finds angry, rebellious teen Diane Lane caught by reality-TV cameras getting fired from a fast food restaurant; soon, she, her sister, and a cousin hit the road with their barely-rehearsed punk band and find failure, success, unintended exploitation, and life's little ironies outside of their blue-collar town. Reminiscent of the later "This is Spinal Tap", the film has a sense of humor far more sly, less forced and obvious. Lane is so tough at first, one doesn't know how to respond to her (she pushes everyone away); somewhere down the line she begins to soften and becomes more flexible, and you see the desperation underneath her scowl--you see her pathos just once, when she gives the bus-driver money for his brother (a subtle scene that speaks volumes). Harsh in both its writing and directing, unblinking in its teenage hostility, the film still manages to be funny (intentionally so) and with a cutting edge; it's like a breath of fresh air to the disenfranchised. *** from ****