Hell Night

Linda Blair stars as one of four college pledges who must spend the night in the creepy old mansion(reputed to be haunted, with a murderous history) in order to join the sorority and fraternity. Seniors plan to pull pranks on them for fun, but discover to their dismay that "reputed" turns out to mean "factual"...

Surprisingly effective thriller may not be original, but has good performances and direction, which create characters you come to care about, and a genuinely spooky atmosphere, especially when it moves underground. Scary and (reasonably) smart, this one stands out from the usual "slashers" of the period, and results are above average, with a memorable ending.

I love slasher films and this is one of my favorites....it seems one of the biggest complaints about 'Hell Night' is the lack of blood. Am I the only one here who remembers two other horror classics that have little bloodshed....'Halloween' and 'Texas Chain Saw Massacre' and before you disagree....watch them again. And notice that all the times that Leatherface smacks heads with the hammer and carves bodies with his chainsaw- very little blood hits the ground.....even 'Prom Night' shows black screen when someone is getting hacked up with an axe... And not all slasher films have to have the 'guess who the killer is' theme....in 'Halloween' we knew it was Michael Meyers and 'Chain Saw Massacre' we knew it was Leatherface and his family.... Back to 'Hell Night'...I thought everybody gave really good performances throughout...Linda Blair and Vincet Van Patten standout the most. I enjoyed the background story about the house's history...the house itself was an excellent setting. Character interaction was interesting...it didn't seem like pointless time filler. The killers were alot more scary than most of the slasher villains...plus the fact that they didn't get a lot of screen time which added to the suspense. A very under-rated slasher film. 'Hell Night' and almost any slasher film post 1979 are called 'Halloween' rip-offs...but, remember 'Black Christmas' came out years before 'Halloween'

This film is everything most slashers are - i.e. redundant, pointless, silly and all the rest of it. However, unlike the majority of the sub-genre; this one isn't all that bad. The plot is hardly original in it's fusion of the haunted house tradition and eighties slasher trash, but at least it gives the film a slight edge over it's less imaginative counterparts. The plot sees a group of four high school 'kids' having to spend a night in a creepy old house as an initiation ceremony for the fraternity they want to join. However, this isn't just a creepy old house and by way of a super-camp story telling sequence, we learn that the master of the house killed himself, his wife and three of his four horribly deformed children. This, of course, means that one survived; and that one, is course, rumoured to still be hanging around the creepy old house. That is, of course, a rumour that turns out be true! What then follows is the usual slasher sort of stuff, with the kids inside getting sliced and diced along with the ones outside, who were just trying to make their new frat-mate's stay a little scarier.

Linda Blair, now all grown up since her role in The Exorcist, takes the lead role and does pretty much what you would expect the heroine to do. There's some nice murder sequences in this film, but the gore is never over the top. I actually like over the top gore, but despite not having much of it, it never really harms this film. The murders are stylishly shot, and the way it portrays them allows it to be shocking without the need for a lot of bloodshed. In a sub-genre that is primarily concerned with bloodletting; this is actually quite admirable. The sets are one of the best things about this film. The Gothic mansion gives it that great atmosphere that is usually reserved for haunted house movies. The movie doesn't always make best use of it's settings, however, with too many scenes being restricted to close-up's when a shot that takes in more of the surrounding area would have been better. The fact that the killer is deformed gives it a bit of an edge over the likes of Halloween because aside from there being a killer, you also want to see him to find out how badly deformed he is. It is a disappointment when he's finally revealed...but the wait holds some suspense. On the whole, this isn't all that good; but it's not bad either. Slasher fans will find something to like.

Basic Plot = four pledges must spend the night in Garth Manor, twelve years to the day after the previous resident murdered his entire family. Two of the pledges, Marti (Linda Blair, The Exorcist) and Jeff (Peter Barton), ignore the rumours that the now-deserted mansion is haunted by a crazed killer, until one-by-one, members of their group mysteriously disappear. Could this be part of the fraternity prank or is it a demented former tenant seeking revenge? When the seemingly innocent rite of passage turns deadly, these college students will do anything to survive Hell Night." Hell Night is a fun way to waste a couple of hours, a definite popcorn flick which isn't a bad thing, the cast are clearly having fun with they're roles, Suki Goodwin, as Denise, is a scream; providing the film's main comedy moments without really grating. She sails through the film on a wave of booze, Quaaludes (whatever happened to those?) and double-ententes. Linda Blair is also as effortlessly likable as you'd imagine, as the slightly tomboyish girl (with the handy mechanic skills).

Hell Night never fails to be entertaining,It's the fun early 80's slasher flick - designed for retro thrills, fun scares and popcorn munching. It takes itself seriously enough to stop from descending into self-parody funny to talk about innocence in a film where a bunch of people get carved up in creative ways, but HELL NIGHT is a perfect twilight genre example of the slasher flick before it descended into self parody and rapidly shrinking budgets.

Four college kids are sent to an abandoned mansion to fend for themselves during a hazing ritual gone wrong in "Hell Night." During their stay at Garth Manor, the group deal with pesky pranks from their peers and face off against a "gork" dubbed Andrew. We never find out what a gork is exactly, but it sounds relatively un-PC. At any rate, Andrew "Gork" Garth is a deformed child who has been left alone to his own devices. Now that he's all grown up, he's hellbent on murdering anyone who steps foot onto his property. That's unfortunate for Linda Blair and company, who lack the benefit of something like TripAdvisor. One thing's for sure, though; if they live through the night, this place is getting a dismal one-star review.

"Hell Night" came out in 1981, just as the slasher genre was gaining traction. It is at times derivative, and at others, it surprisingly deviates from the beaten path. The initial set up of four characters who alternate between horny, funny, smart and sympathetic is one we've seen countless times in the genre, but "Hell Night" puts a refreshing spin on things. For starters, its cast has a chemistry and a shared likability rarely seen in the slasher subset. An all-grown-up Linda Blair leads the cast with her charming girl-next-door presence, while pretty-boy Peter Barton ("Friday the 13th: The Final Chapter") plays her good-guy boyfriend. In the next room are the Spicoli-esque surfer dude and his hilariously charming and sexy girlfriend, played by Vincent Van Patten (son of Dick) and Suki Goodwin respectively. Goodwin in particular is a real firecracker, an endless ball of charm. It's a shame she quit acting shortly after this film came out. Her comedic chemistry with Van Patten jumps off the screen and nearly steals the show. That being said, all four actors are quite solid and work together to keep the film going, even through it's duller moments.

Speaking of dull moments, there's more than a few of those here. Since the film is about 15-20 minutes longer than the average slasher, it's only natural this would happen. The atmosphere is pretty well established early on, and while the characters are never a chore to visit, the often-protracted stalking sequences can sometimes feel endless or even pointless. Having said that, when the jump scares hit, they hit hard. The film is a bit of a workhorse in that regard, as by the end, we are treated to a big jump seemingly every other minute. Tim DeSimone, who had previously worked in the adult film industry under the impossibly awesome psuedonym of Lancer Brooks, apes the likes of "Friday the 13th" and "Halloween" quite competently here. There are moments midway through the film that feel like someone traced over John Carpenter's work, right down to the sparse, synth-led score. Yet, for all that it borrows, it never feels entirely redundant. One digression in particular, where a lead character escapes the mansion and goes off to find help, is a welcome curveball. It's little moments like this that give the film its own unique flavor.

While one could probably spend the bulk of its running length nit-picking it to death, there's just something undeniably charming about the way "Hell Night" plays out. It feels familiar, but at the same time, keeps us on our toes. With characters that you actually want to see survive and a killer who is not wearing a mask or wielding a chainsaw, "Hell Night" at least offers something you won't always find in '80s slashers. It's not a classic by any stretch of the imagination, but necessary viewing for any fan of the genre. "Hell Night" is, like the ritual itself: a rite of passage everyone should go through at least once.