Gregory's Girl

Excellent stuff from Bill Forsyth. Admittedly, the plot is strangely lop-sided, with the last 15 minutes proving quite detatched from the rest of it, and a perhaps quite unpredictable ending.

But what is great about this film is its depiction of adolescent gangly awkwardness, mostly in the form of John Gordon Sinclair. He and the other characters come across very strongly, partly I am sure due to the almost jaw-droppingly plain and dull backdrop, in the form of Cumbernauld, filmed with great care. This, coupled with the rather odd electric jazz soundtrack, result in a strange sterility of surroundings otherwise only found in the likes of 2001 etc. The beauty of the hills and the sunsets are left to towards the end, which acts as a great contrast.

Certain comparisons might even be drawn with later films like The Rachel Papers and Ferris Bueller's Day Off (ie the role of Cameron), although don't expect either of those to prepare you for the dazzling Gregory!

Good to see Clare Grogan pre- pop stardom with Altered Images too...

Gregory's Girl is written and directed by Bill Forsyth. It stars John Gordon Sinclair, Dee Hepburn and Clare Grogan. Music is scored by Colin Tully and cinematography by Michael Coulter.

The perils of school day love get the once over by Forsyth in a film that oozes simplicity of charm and understated warmth. Plot focuses on gawky teenager Gregory (J G Sinclair) who becomes infatuated by the latest addition to the school's football team, Dorothy! (Hepburn). As imbalanced hormones rage and awkwardness takes a hold, Gregory lunges from one sequence to another not getting any help from his equally awkward pals. Everyone, it seems, has their own quirky issues, while Forsyth drops in some delightfully off kilter touches to further emphasise the roller coaster ride of puppy love.

Performances are nailed on perfect. Sinclair proves adroit at physical comedy, his portrayal of shyness and yearning a real treat. Hepburn is deliberately coy as Dorothy, her athleticism to be applauded, and future Altered Images popstrel Grogan leaves a telling mark as the sexy joker in the pack. But it's Allison Forster as Gregory's kid sister Madeline who really is the surprise, precocious and deftly etched into the narrative, it's a key girl role that in young Foster's hands bridges the link between Gregory's emotional chaos and mental happiness.

Irresistible and enchanting movie. 8/10

A lot of so called comedies get one or two big laughs in the whole film, often by reaching down for a reference to one or another substance that comes from the human body. Gregory's Girl makes me laugh every few seconds, and the only mention of a bodily excretion I can remember is Andy's "chat up line" in the school cafeteria: "Did you know that when you sneeze, it comes out of your nose at a 100 miles an hour?" Even though I thought I knew all the funny bits after seeing it so many times, each viewing finds me laughing at things I hadn't noticed before, as well as at all the other bits that never seem to grow stale.

There's the occasional Pythonesque line, as the football coach's description of the "two basic skills" of a goal scorer: "Ball control, shooting accuracy, and the ability to read the game." But Forsyth the writer creates a constant stream of little gems that are very much his own style of wry humour, taking real life and stretching it just that little bit further, but not so far that it's no longer recognisable. He's got teenage life down perfectly. Girls talk, plan, and seem to know what they want. Guys are clueless. Guys are obsessed by numbers. But girls know all the best ones.

It's fun to see how comic setups and situations from Gregory's Girl come back in Forsyth's Local Hero ("everyone's second favourite film", as Mark Kermode put it), deeper and more fully developed.

Despite the dated fashions and soundtrack, highly recommended.

While I'm sure I was a teenager once (my parents will attest to that), I was never a teenager in Scotland. This film makes me wish I had been.

This unpretentious tale of adolescent adoration (all right, puppy love), is one of the purest, most enjoyable, romance films I have ever seen.

Unlike American cinema where the main characters would be satisfying raging hormonal urges in gratuitously graphic sexual detail, this film by Mr. Forsythe catches the true essence of "young love" by letting the cast be what they are. Simply young people with an awkward sense of decency and a genuine curiosity for the opposite sex.

This is a must see, especially if you ever thought you might have been in love or think you are now.

Try to see the uncut version, as the British film industry has a different sense of 'Family Values' (whatever that is).

I love the secondary sub-plots. So, pay close attention.

This is one of the funniest and most warm-hearted films ever! John Gordon Sinclair and Dee Hepburn were absolutely wonderful in this story of teenage love and the sudden twists & turns that occur when you think you've met THE ONE, but then someone else...