भूट कहानी

I initially wanted to rate "Ghost Story" a fine 7/10, but I figured since I (voluntarily) had to endure watching such heavy rubbish earlier this week, I'd just chip in an extra point. I feel no shame about this, as the film is actually very good. At the start of the '80s, the horror landscape was changing. Films got a lot crazier, partly due to many great sfx artists rising to the scene and otherwise because of the mindset of that era (fashion, trends, etc). Often filmmakers cared less about telling a coherent story and more about making their films go over-the-top in any way they'd see fit. So in a way "Ghost Story" really feels like if it was one of the last 'classic' horror movies at the time. From the orchestrated soundtrack over the slow pace of the film, relying more on mood, tension and atmosphere to the splendid performances of our veteran foursome Fred Astaire, Melvin Douglas, John Houseman and Douglas Fairbanks Jr. The film is ingeniously structured, with various stories within the main story, nightmarish dream sequences and a great flashback story to the 1930's era. The settings provide some classic horror elements too, like the isolated snowy town, grisly frozen lakes and an old ramshackle haunted mansion. Sporadically, the film is also injected with some amusing scares provided by ghostly rotting appearances and the special visual effects by master matte artist Albert Whitlock are outstanding. Gorgeous actress Alice Krige has that icy cold mysteriousness over her that is fitting for her role. On top of that, she has more scenes with her clothes off then on. There are a couple subplots that could have been altered to make it an even better movie, but these are only minor problems. If you want a decent scary movie double bill with a classy feel to it for a dark & stormy night, I think teaming up John Irvin's "Ghost Story" (1981) with Peter Medak's "The Changeling" (1980) might work wonders.

Watched this one in the theater when I was a kid, still enjoy it to this day as one my all time favorite movies. Yes, it does have holes in it and sparks some questions as to why the one seeking revenge is doing what they're doing. There are solid performances from ALL the cast members, especially from Craig Wasson and Alice Krieg If you've ever read the book by Peter Struab, you'll know why there's holes in the movie as the book is very much like a 'Stephen King' book, in that it is so rich with information and atmosphere that the film producers and John Irvin just could not get all of it into a 2 hour film. I actually a couple of years ago that they might be re'making this one, but as a Mini-Series on TV

I give it 8 out of 10 stars

Enjoy

Four elderly men members of The Chowder Society fall victim to a vengeful ghost (Alice Krige) who seems to be connected to something they did decades ago and who once dated one of the member's son (Craig Wasson) from beyond the grave. Old fashioned, entertaining film features possibly the best cast ever gathered to star in a horror film. The film itself has a very atmospheric feel to it and generates some suspense, but never really scares the auidence.

Rated R; Nudity, Sexual Situations, Violence, and Profanity.

I read Peter Straub's book and was quite pleased with the result of the movie. First of all, like many, I loved the cast. They are all great men of the world cinema and the pull off the story with great aplomb. The movie is about something someone does in his or her youth and then must live with forever. In a good ghost story, the characters get no points for being once youthful and reckless. The fact that they meet and share their stories means that they never seem to intend closure. They never allow themselves to face the music and, hence, the revenge of the spirit is acceptable in the world where they find themselves. I just thought that a society devoted to the telling of ghost stories was a great idea. Anyway, while the plot does wander around a bit and it takes time to get to the point, it still works great. It was nice to see that Fred Astaire could still act (because he was such a great dancer we forget that he had a great comic talent and, in this case, a dramatic talent). The others are equally formidable. There are also some pretty slimy, putrid visions that appear and make for a pretty good rank on the jump scale. The actually scene that explains everything (I won't spoil it) is both sad and revealing. While not the greatest movie, it works very well and I would recommend it.

"Ghost Story" charts two generations of men who find themselves being stalked by the vengeful spirit of a woman, hellbent on revenge against four elderly New England plutocrats who share a fifty year-old secret. When one of the men's sons returns to town after his brother's mysterious death, they are forced to unravel the story behind her.

Based on Peter Straub's wildly successful novel, "Ghost Story" came about during the peak of the slasher film and is one of the few remembered supernatural horror films of the eighties. Straub's source novel is probably one of the greatest American ghost novels ever written, and some people have found the adaptation unforgivable, as it does excise a great deal from the book; I personally am able to get past this.

What "Ghost Story" really is is a dark drama with a splash of horror, and this also has been a point of contention for genre fans. The film moves at a leisurely pace, and the scares are few and far between, but what director John Irvin does supply the audience is a profound atmosphere and general sense of weirdness that is unforgettable. The wintry Vermont landscape, the stuffy drawing rooms of the old men, and the abandoned mansion on the hill all provide a somber and pastoral backdrop that lend to the film's icy old-fashioned feel, and comparisons to "The Woman in Black" are well-earned.

The cast is one of the major selling points here: Fred Astaire, Melvyn Douglas, Douglas Fairbanks, John Houseman, and Patricia Neal round out a roster of classic Hollywood stars in their old age (for many, this was their last film). Craig Wasson plays two roles of the second generation, with Alice Krige as the haunting woman that runs between them. The acting is solid overall, though some of the older cast feel a bit underused; I think that may have to do with some wonky editing in the film, which is one of its few downfalls. It also feels dated at times, though not to its detriment.

Overall, "Ghost Story" is no less a well-made film with a classic, ghastly edge to it. It is a slow film in many ways, but the subtlety employed here combined with the bleak and picturesque New England winterland really made this an enjoyable experience. There are some phenomenal Gothic images throughout, and the story itself has a certain timelessness to it in spite of the film's more dated qualities. Memorable and atmospheric for a variety of reasons. 8/10.