Galaxy of Terror

I recently came across the Robert Englund and Sid Haig cult classic Galaxy of Terror (1981) on MAX. The story follows a spaceship crew that stumbles upon a vessel with a missing crew. As they investigate, hoping to find survivors, they instead encounter alien creatures that begin picking off the members of their own ship one by one.

The film also stars Erin Moran (Happy Days), Ray Walston (The Stand), and Edward Albert (Power Rangers), and is directed by Bruce Clark (Ski Bum and The Hammer).

It's clear that Galaxy of Terror was aiming to capitalize on the success of Alien, which had been released two years earlier. However, the special effects and action sequences here are far from the quality of Alien, and often come off as a bit cheesy. Despite being released in 1981, the film has more of a '70s sci-fi feel. Overall, it's an average to below-average entry in the sci-fi genre that might only appeal to diehard fans of Englund or Haig. I'd rate it a 5/10.

Early eighties Roger Corman sci-fi flick featuring a cast of b-grade actors on a mission to a distant planet to investigate a dying signal from a doomed space vessel. Once they arrive on the planet they soon discover that the crew is no more and that a black pyramid draws them in mysteriously. The cast's worst nightmares are manifested into reality as they are picked off one by one. But by whom exactly? If you were stumped as to who it was might I interest you in some low-property tax swamp land.

I have never been much of a Corman fan but this is one of his most ambitious and entertaining films. The fact that this is considered one of the 50 worst films of all time is not only silly but calls into question the bad movie credentials of whomever listed Galaxy of Terror. Have you even seen War of the Robots? Any movie that dispatches Erin Moran by crushing her skull and features the Hentai-like mutant worm raping to death a very buxom Taaffe O'Connell deserves cult status damn you! This is my third Zalman King film reviewed on this site, through no fault of my own mind you, and his limited range as an actor leaves little wonder why he made the move to directing light porn. Edward Albert is not very engaging as the male lead Cabren while I hope Sid Haig was paid by his screen time rather his amount of dialogue. Robert Englund, Ray "I've been old for 1000 years" Walston and Grace Zabriskie, who was great in Twin Peaks, round out the cast. If you happen upon this movie give it a watch. It's sure to entertain.

As is the case with a slew of Roger Corman-produced films, this flick underwent several title changes -- Mindwarp: An Infinity in Terror, Planet of Horrors, Quest - before settling on the worst choice. When I picked it up, I actually thought it was an old '60s film, as the tape-cover aped some old-school EC sci-fi comics with the names `Ray Walston' and `Edward Albert.' I immediately assumed it was Eddie Albert of `Green Acres' fame, not his son, along with Walston, fighting space invaders in their plundering youth. I was wrong. very wrong. Instead, I got a rip-off of Alien (1979) with a heaping portion of David Hewitt's 1965 snooze-a-thon Wizard of Mars (aka Horrors of the Red Planet), though Walston is no John Carradine! Likewise, Galaxy of Terror is peppered with the `guard duty' slant from The Sentinel (1976) and the Jedi theme of the Star Wars films (seen here as `The Master'), as there's some sub-plot about a long line of guardians or protectors that make a rite-of-passage through the planet's funhouse. There may have even been a narrative of some sort surrounding 'symbolic salvation' at one point before all the gratuitous violence was jostled in! As is the case with Wizard of Mars, our astronauts land the Goodship Quest only to discover the remains of an ancient civilization replete with an ancient pyramid-like structure and horrible, horrible aliens (a giant sexually-charged mealworm, an arachnid, some self-propelling leeches, and an extra-terrestrial that looks like the masked assailant in George Romero's Season of the Witch). The cast is a mishmash of TV personalities, actors past their prime, a few Corman/New World regulars, and a few up-and-coming stars (a trend that arguably began with disaster films like Earthquake and Airport). Erin Moran of Happy Days is fairly good here as a telepathic `biosensor' (and fairly sexy too), as is pre-Freddy Krueger Robert Englund (perhaps the highlight of the film). Nevertheless, our cast is picked off one-by-one by an unknown force that preys on fear (personified in physical form). Most of the kills are pretty lame, and Taaffe O'Connell's big scene with the mealworm is ineffectual as well. Still, the crew is every bit as good as the one in Alien, though there's no Sigourney Weaver here (big difference). Unbelievably, this film helped launch the careers of Englund (who would have become a great actor had he not lapsed into Elm Street limbo) and James Cameron who was the production designer here (perhaps prepping him for Piranha II: The Spawning). Perhaps to Cameron's credit (I guess), the Martian landscape is convincing and the sets and visual effects are great, even if it steals sets from other films (Corman's Forbidden World). Plus, it has a few scenes of cool stop-motion photography (now a thing of the past) courtesy Brian Chin. On the bad side, it's too dimly lit (though the water-slide caverns and Tron-like wall of lights are well captured) and has inappropriate music (which you didn't get in Alien). Lastly, the characters have great names like Cabren, Alluma, Kore, Ilvar, Baelon, Quuhod. It's too bad this film didn't take off and spawn licensing deals, as this crew would have made great space-soldier action-figures, as their back-packs already look like Cobra Commander accessories! All in all, a operative film, albeit not the best I've ever seen.

I really wanted to see this film, especially because my kids liked it years ago and I never saw it. Of course, it probably was okay then but it is far too simple to enjoy it now. It is not boring because there is something happening all the time but it is not interesting and really only the sex and violence stands out today. I still love the poster.

I first saw this in the early 90s on a vhs n had a solid wtf reaction regarding the notorious rape scene of the buxom babe. Revisited it recently. The plot is basically a rip off of Alien but the film has some well known horror veterans, Sid Haig n Robert Englund. It also has erotic film director Zalman King. Inspite of the film being a Roger Corman production, it has some well done effects due to the involvement of a very early James Cameron. Cameron must be laughing at the thrusting movement of the giant worm.