First Monday in October

You have to hand it to Walter Matthau, the older he gets, the more feisty his characters become!!

This is a sorely underappreciated minor gem with two brilliant performances from Matthau and Clayburgh. Their chemistry is wonderful. All in all the film is clever, funny, original, and down right fun!!!

If you happen to find this film at your local video store, check it out...its well worth discovering!

When I first saw this movie, I had a discussion with a friend of mine over many of the things shown in this movie. After several years I again had another discussion with the same friend and it again was very interesting although very different. I can say this about two handful of movies. I give it a 10...

Walter Matthau will always be one of my favorites from the sleazy bar-owner in King Creole to Hopscotch(another unusual pairing with Glenda Jackson)to countless other films he has appeared in... His droll comments and quick wit are hilarious.... and Jill Clayburgh does stand up to the occasion of matching him in legal argument(although scripted).... Of all the Matthau pieces, I think this is well worth the time, though I think the title(refers to the first sitting each year of the Supreme Court Judges)could have been a little more enticing to the general public... I think as a result of the title this movie has been largely overlooked... It is a funny, believable piece, well worth catching if you can!

The US Supreme Court elects its first Madam Justice, an attractive, widowed judge from California; the first issue on the docket is whether a Nebraska zealot pining for family values can ban a pornographic film (it's title: "The Naked Nymphomaniac"). Jerome Lawrence and Robert E. Lee's script, based upon their play, is cognizant of the effects of a female voice on the Supreme Court, but doesn't give Jill Clayburgh's Ruth Loomis anything but obvious points to make. She is a Woman, hear her Roar! The cutesy repartee with fellow Justice Snow (an uncomfortable-seeming Walter Matthau) matches her women's-lib quips with his scratchy retorts, and no matter how truthful Loomis' arguments may be, everything in this version is underlined with whimsy. It's a poor substitute for strong political comedy, coming off more like a Hepburn-and-Tracy cast-off unearthed in a filing cabinet. *1/2 from ****

Though First Monday In October didn't last too long on Broadway, the Jerome Lawrence-Robert E. Lee play made one fine sparkling movie for Walter Matthau and Jill Clayburgh taking over the roles that Henry Fonda and Jill Alexander did on the stage.

In 1978 when this was on stage, the iconoclastic William O. Douglas had been gone three years from the Supreme Court and the idea of a woman justice was yet untried. So imagine the serendipitous joy with the producers when Ronald Reagan added Sandra Day O'Connor to the court. You couldn't buy better publicity.

Matthau is clearly based on William O. Douglas who was a far seeing advocate for social justice and change on the bench. Matthau if you can believe is a kinder, gentler version of Douglas. In real life Douglas was not a nice guy, in fact personally he was a swine. The banter with which you see him engage his law clerk James Stephens would never happen, he went through law clerks like he did wives. Ditto with Jan Sterling playing Mrs. Matthau. The first Mrs. Douglas had taken a hike years earlier and Douglas was on wife number 4 in her twenties at this time. He died in 1980.

O'Connor replaced Potter Stewart in 1981 on the bench so in real life these two never served. Still First Monday In October you'd like to think would be how they got along with even a little romance thrown in once the two got to know each other. Douglas never got along with colleagues, especially those who had a different point of view.

Still Matthau is one of his patented curmudgeons and Clayburgh do have a good cinema chemistry which makes First Monday In October a pleasant piece of viewing.