Eu Te Amo

I guess several so called "art" movies of the 70's and 80's didn't pass the test of time. The script is poor, the lines said by the actors are bad and the actors spit them out as if it was a first reading rehearsal. The props in the apartment and the costumes are nice. But the "high tech" gadgets used in the apartment, like the sculpture of tube TVs, the hand held camera, all look laughable today. The top prize goes to the ridiculous remote control with a joystick and a an antenna. It dates the movie too much. I must say, Braga and Fisher are at their prime beauty, but Pereio seems to be pathetically personifying the director's sexual fantasies. Full of cliches. It gets one extra star because the sound track is excellent. The theme song's lyrics make for a better plot then the one used in the movie.

I personally admit I'm into Brazilian cinematic experimentation. Here, the plot could seem surreal but it isn't at all. Just think about the socio-political context existing in Brazil at that epoch. Alternative and "controversial" issues were always severely banned, since Sganzerla and Rocha began in 1960s.

Actors and filmmakers who believed and embraced the idea in order to make a radical change are ALWAYS precious gems to keep alive and kicking in our heritage. People to treasure, then.

I cannot stand all this bigotry comments/reviews merely concerning sex scenes and full nudity. People who are miserably interested in peeking Braga's tits or "X rated action" stuff, among this movie, would better get a quick search entering Xhamster or Youporn.

The 1980 climate is astonishing. The photography is excellent, as well as the scenography.

The acting, especially by Sonia Braga, is outstanding… The film is quite sensual, revealing, comic, even at times tragic... A warm, friendly film that takes its time developing its view of the erotic attraction between the sexes…

The story is quite simple, transparent even... A member of the Brazilian upper-class has a bra factory that just went bankrupt and a beautiful blonde wife that just left him… He revels in self-pity in his expensive penthouse apartment… He finally goes out, gets drunk, and ends up in the middle of a lover's angry dispute… He asks the woman in the altercation to come up to his place, and surprisingly she accepts… She pretends to be a whore, and a comic repartee comes as a result, ending in a impudent erotic affair…

For a mainstream film, the sexual encounters are quite graphic, but do not dwell… Instead, the scenes are shot from a distance, rapidly and teasingly, with numerous close-ups of the lovers' faces twisting in ecstasy…

The cinematography is appealing, colorful, and contains a lot of black space for effect… It creates a world filled with shadows and only an occasional bright spot… The bedroom is bathed in golden light

Very good film about human relationships, loneliness, personal growth and love. At the core here is the importance of human contact to move one's life forward. The film defines love as something different than in a typical love story. In a typical love story lust for another sometimes runs against what is right for one's self. In Eu Te Amo, lust comes out of self-preservation, an instinct to provide for certain emotions, but with the respect for other people's wills. Sexuality and the need to be sexual with another person may not be the only way to achieve self-love, but this film shows that it is the way these two people are attempting to achieve it, and if they end up caring about each other, so much the better. This is an R-rated film and I don't think it is anything beyond that, certainly not X-rated. It is for adults wishing to examine adult situations or for those afraid to enter into a new relationship. Sonia Braga's nude scenes are very appropriate for the story-line, not raunchy, they are important to describe where she is emotionally in the story.

A marvellous film. Claustrophobic apartment and all. Braga and Paulo are brilliant. And the film 'is' about the celebration of life. Made during Braga's Brazilian heyday the film is somewhat known for it's explicit sex scenes. It was ahead of it's time considering whats being done as far as sex in films today. Some people may not have grasped this film but it's basically about two people who meet through some circumstances(exchanging phone nos. in a bar actually)and are undergoing a change in their lives. Braga's Maria/Monica masquerades as a hooker but she's not & has a degree in Art History. Paulo has lost his job in a brassiere factory after 37 years because his company sold out to the Americans. Sounds familiar to those of us in the U.S.! But I thought the dark almost undershot cine-photography was right on time & Braga is outstandingly beautiful even in dark photography. Finally the ending is as incongruent as it is wonderful. Braga & Paulo dance a musical duet ala Astaire & Rogers which as the credits roll out signifies the whole essence of this film. Life, despite it's ups & downs, is a celebration!

(**pluses in film: much action takes place in a real Rio apartment which seemed bigger than most peoples' houses. Dig that Proscenium like feature in Paulo's living room. Also great hand held camera shots as well as nice nighttime shots of Rio.)