मर्लिन जादूगर आर्थर पेंड्रैगन को कैमलॉट की गोल मेज के चारों ओर ब्रिटेन को एकजुट करने में मदद करता है।मर्लिन जादूगर आर्थर पेंड्रैगन को कैमलॉट की गोल मेज के चारों ओर ब्रिटेन को एकजुट करने में मदद करता है।मर्लिन जादूगर आर्थर पेंड्रैगन को कैमलॉट की गोल मेज के चारों ओर ब्रिटेन को एकजुट करने में मदद करता है।
- 1 ऑस्कर के लिए नामांकित
- 2 जीत और कुल 11 नामांकन
Ciarán Hinds
- Lot
- (as Ciarin Hinds)
फ़ीचर्ड समीक्षाएं
I first saw this film back when it came out and I was an usher at a local theatre (I was in high school). I have seen many films based on King Arthur, and for some reason this one always causes a stronger reaction in me. I think it is because it is so dark as well as intense. Merlin is borderline looney yet powerful; Arthur starts off as a good-hearted child and then before your eyes self-destructs under his self-imposed weight of leadership; Modred is mocking and disgusting. The fight scenes and the costumes/armor are disturbing; this is no desensitized movie! I own the VHS and sometimes I like to watch up to the point where Guin's deceit with Lancelot takes place, and then stop. After that point, until the very end, the movie is about the fall of a legend, and I like my legends on their pedestals.
it is not easy to say why.and the explanation is the last detail for look for. maybe because it remains the most inspired adaptation of a story to well known.but the cause remains always a must define. and it could be, maybe , the mix of Wagner, kitsch and late romanticism. for acting. and for tension. for the great poetry of image. or , only, for the memories about a fresco about a time as fruit of myths. Excalibur remains unique. and this is the only important thing for define it. as a seductive show. maybe, as an experience. about fascination for an ambiguous past. and refuge in a world who seems out of each form of illusion. or reality.
Movie that succeeds to be at the same time bad movie and the best adaptation of legend of King Arthur and Knights of the Round Table. For 1981. it's visually fascinating and deserves Best Cinematography Oscar it's nominated for. But however magical and hypnotizing it may be, it's also full of flaws. It's poorly written, story is undeveloped, things just happen without explanation and movie makes rough time jumps without transition. Characters are two-dimensional and occasional attempts to add them some depth are tragicomic. With few exceptions, acting is better left uncommented. When I was a child I was stunned with this movie, but from current perspective, changed by few decades of movie experience, this movie is so hollow that I simply can not turn the blind eye to all its flaws, but still so beautiful that I can not rate it low either.
7/10
7/10
This is by far the best Arthurian film offering - sure, sure it gets a bit loopy with the Quest for the Grail, but I'm pretty sure such a Quest would involve some loopiness. The acting is v. good given the material, the atmosphere is strong and the use of Wagner is, at times, inspired. Oh, and there's no Richard Gere looking purty...
I am an Arthurian buff and a film fan (aspiring to be a novelist and a screenwriter). EXCALIBUR is a great, great film that holds up very well after more than 20 years. It is an expert distillation of the essential Arthurian legend (this from someone who has read and re-read Malory's original work, Le Morte D'Arthur, on which the movie was based, as well as Tennyson, White, Steinbeck, and many of the other modern fictional treatments, as well as a lot of the secondary literature on the history and meaning of the Arthur myth). The film is wonderful on many, many levels, from Boorman's masterful direction and writing (along with Pallenberg, his screenwriter), to the cinematography, the armor and costumes, the sets and production design, and the acting (with a great cast too numerous to mention). The film has violence, sex, myth, drama, intrigue, heroics, pathos, and aspirations to art, all in the best senses of those terms. The film probably works best if you already have some sort of sense of the Arthur legends, but I would recommend it to anyone. Also, listen to Boorman's director's commentary on the DVD. Perhaps the best and most lucid DVD commentary that I have heard on video; interesting and sharp comments throughout the entire film, and well worth replaying if you aspire to filmmaking in any way, or just want to hear a smart filmmaker talk about his work. I have tried to write Arthurian stories and an Arthurian script, but all have so far paled in comparison to Boorman and Pallenberg's work. Long live Boorman and long live EXCALIBUR!
क्या आपको पता है
- ट्रिवियाDame Helen Mirren and Nicol Williamson were initially reluctant to work with each other. They'd been in a disastrous production of "Macbeth", and were not on speaking terms. Writer, producer, and director Sir John Boorman cast them because their natural animosity would be perfect. According to Mirren, she and Williamson "wound up becoming very good friends" during filming.
- गूफ़During the final battle scene against Mordred, the background audio track of men yelling and swordplay is clearly a re-tread of the Leon De Grance castle battle. In the final battle scene, one can clearly hear the "throw the rope" line that Merlin yells to Arthur from Leon De Grance castle battle, as well as the yell from Arthur as he jumped from the castle into the moat. (00:37:02 same as 02:88:18, 00:40:12 same as 02:09:58).
- भाव
Merlin: STAND BACK! Be silent! Be still!... That's it... and look upon this moment. Savor it! Rejoice with great gladness! Great gladness! Remember it always, for you are joined by it. You are One, under the stars. Remember it well, then... this night, this great victory. So that in the years ahead, you can say, 'I was there that night, with Arthur, the King!' For it is the doom of men that they forget.
- इसके अलावा अन्य वर्जनCBS edited 20 minutes from this film for its 1985 network television premiere.
- कनेक्शनEdited into Wizards and Warriors: The Kidnap (1983)
- साउंडट्रैकPrelude to Parsifal
by Richard Wagner
Specially recorded by London Philharmonic Orchestra (as The London Philharmonic Orchestra)
Conducted by Norman Del Mar
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Excalibur
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $1,10,00,000(अनुमानित)
- US और कनाडा में सकल
- $3,49,67,437
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $45,19,706
- 12 अप्रैल 1981
- दुनिया भर में सकल
- $3,49,72,104
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें