Continental Divide

I loved this movie when it first came out, and after catching it again recently, I was reminded of why I liked it so much. John Belushi is so good and so funny, it reminds me again of how sad it was to lose this comedy gem. And it's always great to see Blair Brown, one of our best actresses ever. Seeing her in her prime again is delightful. I was also impressed at how well it holds up over time. It's a shame it was critically panned and did poorly at the BO when it came out, b/c in a decade full of strange movies, this is a standout, and now, IMHO, a classic. And the best part? Being reminded that the Bald Eagle population in the early 80s was only 2,000 in North America, and now it's in the six figures. The mountain lion scene is a little far-fetched, but, goodness, that is a gorgeous cat.

This movie gives me one more reason to wish that John Belushi had taken care of himself, rather than diving into self-destruction. It shows that he had talent well beyond sketch comedy, or Animal House buffoonery. I wish he were still with us.

I'm a sucker for romantic comedies, and -- while not as comedic as most of the genre -- I think Continental Divide definitely qualifies. It's a great "opposites attract" film, and it works for me. The fact that each of the central characters has a vocational passion makes them all the more attracted to each other, despite their callings being separated by a lot of geography, and a lot of psychological differences. I love the scenery, I love Blair Brown, and I love the energy of Belushi's character. We can't bring him back, but I'm thankful we have J.B.'s films to watch forever.

Predictable and clichéd as it may be, Continental Divide isn't a bad film. The performances are sincere, the mood upbeat, and the characters easy enough to root for. The story deals with a streetwise Chicago reporter having to get out of town for a while after incurring the wrath of a corrupt local politician. Is there any other kind in the Windy City? Anyway, his editor and the editor's wife think he should write a story about a mysterious female ornithologist living in the mountains of Wyoming. Apparently she has lived all alone for 4 years and has become the world's foremost expert on bald eagles. Predictably the reporter is skeptical of this assignment, but of course in the very next scene we see him stumbling up the side of a mountain, cursing the entire way. Naturally when the reporter and scientist meet, it isn't love at first sight. They bicker about this and that between shots of nature and occasional animal attacks. The reporter is sexually attracted to the woman, but it takes a while for her to dump her mountain man lover and warm to her new guest.

In some ways, this plot reminded me of Crocodile Dundee which I've seen recently. Only this time, the reporter mostly stays in the wilderness and HE is the fish out of water. This film clearly marked a turning point in Belushi's brief career. Here he was definitely trying to tone things down from his demeanor in previous films, and he pretty much pulls it off. He could have played just about any role had he lived long enough to do so. He does however look about a decade older than he actually was when this was made. The years of drug abuse were taking their tole. Blair Brown is fetching, energetic, and someone who could have had a bigger career. She is believable as the bird-lover, though the interior of her cabin is too LL Bean-ish compared to the rugged exterior we see in outdoor shots. Indoor and outdoor scenes were likely filmed in different locations. And the film uses the scenic Empire Builder route of Amtrack as the setting for a marathon love-making session by our two leads. Very romantic, indeed.

This film has some glaring lapses in logic, as many romantic comedies do. Do you really think that street muggers would recognize even the most famous of city beat reporters on sight as they rob him for his watch and wallet? How about prostitutes? These don't seem like the types that read newspapers too often. How often do hunters actually shoot at bald eagles? Not much if ever. Despite their reputations among city folk, most hunters have a great love and respect for nature and would never take a shot at an endangered symbol of our country. It does set up a scene with an interesting payoff, though. 6 of 10 stars.

The Hound.

I think this is Belushi's best work. Although he stays in a kind of character you might find on Saturday Night Live (when it was still funny) he develops the character in a way that Nell and you fall in love with him. BE WARNED, however I first saw this film after Belushi's death and found his character's frequent references to death disturbing. Michael Apted does well in the director's chair. Be sure to see some of his other work i.e. Coal Miner's Daughter, Gorky Park, and The World Is Not Enough.

Continental Divide is by far John Belushi's greatest performance. Most people are quick to disagree, usually for one reason, and that is because they didn't find it believable. His audience was so accustomed to his characters, 'Bluto' from Animal House and 'Jake' from The Blues Brothers on the big screen and his usually wild and loud skits on SNL that they couldn't accept him as playing the lead in a romantic comedy. They couldn't and wouldn't accept this new role for him. For Belushi, it was his chance to break out of his stereotype and tackle a role that he felt would prove that he was more than just a skit on SNL. In my opinion, he did just that. Although this is not one of the greatest movies ever made, it certainly isn't as bad as some have claimed it to be. There are some dull moments, but for the most part Belushi comes off as a very likable and convincible guy. Belushi fans waited impatiently for him to get off a good one-liner or to blow mashed potatoes all over the place, but when that never happens they write it off as a bad movie and an even worse performance by John. I like to point this out: Let's pretend that this is Belushi's first movie, forget Bluto, Jake Blues or any character he ever did on SNL. With all of that in mind, watch the movie. John will surprise you by how well he plays his character. If this was in fact, the first movie Belushi ever did, it would of gotten way better reviews and press, and would have been more accepted by his audience, since they wouldn't have been expecting him to pull a Bluto stunt or break out into somersaults a la Jake Blues. The only thing that disturbs me in this movie is that his character makes several remarks about dying very soon. In 1981, it probably wasn't even given a second thought, but, unfortunately as we all know now, Belushi died very soon after this movie was released. Had John not died so soon and so young I think he would still be making movies today, unlike so many of his other SNL co-stars who seemed to have faded away into the woodwork. To make a long story short… Forget about Bluto, Jake and SNL and just watch the movie, you should really enjoy it.