एक जर्मन यू-नाव उत्तरी अटलांटिक के ठंडे पानी का पीछा करती है।एक जर्मन यू-नाव उत्तरी अटलांटिक के ठंडे पानी का पीछा करती है।एक जर्मन यू-नाव उत्तरी अटलांटिक के ठंडे पानी का पीछा करती है।
- निर्देशक
- लेखक
- स्टार
- 6 ऑस्कर के लिए नामांकित
- 15 जीत और कुल 12 नामांकन
Heinz Hoenig
- Hinrich
- (as Heinz Hönig)
Ralf Richter
- Frenssen
- (as Ralph Richter)
सारांश
Reviewers say 'Das Boot' is celebrated for its gripping depiction of submarine life during WWII, exploring themes of heroism, duty, and the futility of war. The film is lauded for its realistic portrayal, authentic dialogue, and strong performances, especially Jürgen Prochnow. Critics appreciate its anti-war message and emotional impact. Some note pacing issues, but overall, it is considered a genre masterpiece with exceptional cinematography and sound design.
फ़ीचर्ड समीक्षाएं
Das Boot (1981)
Widely considered the most impressive submarine movie ever made, I'll go so far as to say it's easily the most accurate that I've seen. The action scenes, the sense of doom, the eerie quiet and then explosive depth charges, the grime and the crowded conditions, all of this is palpable.
But more impressive, I think, is how the movie works as a German movie about Germans in a war where the Germans were painted as evil. American movies to this day still glorify and make heroic their roles in WWII (unlike the willingness, at times, to show the problems of Americans involved in Viet Nam, say), especially in the European side. But in movie after movie, the German film industry has confronted the real problem of being aggressors, and of being under the Nazi sway. "Das Boot" is typical, and key. The captain goes so far as to openly make fun of the German propaganda coming in on their radio. It isn't just that war is bad, but that the Nazis are bad.
Nevertheless, there they are, and they have a job to do, and they're going to do it well. So a small group of men in a small underwater tin can try to survive the boredom as much as the British, who come very close to getting them several times. It's a great movie, one of the best at capturing the feeling of being there.
What is less impressive, at times, is the more ordinary character development that seems inevitable in a movie this long--2 ½ to 4 hours depending on the version you have, I saw the long one, the director's cut. I think the acting is superb, and so it's easy to go along with the conversations and interactions, but they aren't always compelling in themselves, more just creating some space before the next conflict arises. Maybe, in some honest sense, this is exactly how it would have been. Life for most people is pretty ordinary.
But this movie is not. Or it makes what is ordinary in war--the nostalgic to the profound and deadly--believable, and not simply big and dramatic, which it also is.
For full German effect, I suggest seeing it with the original German language track on and subtitles if you need them, though I tested the dubbed version in English and it's really well done. I also suggest, if you have doubts about such an involved war movie, trying to find the older, shorter release. The visuals are not enhanced, but some of the character development sections are left out and I don't think you'll miss them. Then, of course, if you want the whole kit and caboodle, try to find the 5 hour version released in sections for British and German television.
Widely considered the most impressive submarine movie ever made, I'll go so far as to say it's easily the most accurate that I've seen. The action scenes, the sense of doom, the eerie quiet and then explosive depth charges, the grime and the crowded conditions, all of this is palpable.
But more impressive, I think, is how the movie works as a German movie about Germans in a war where the Germans were painted as evil. American movies to this day still glorify and make heroic their roles in WWII (unlike the willingness, at times, to show the problems of Americans involved in Viet Nam, say), especially in the European side. But in movie after movie, the German film industry has confronted the real problem of being aggressors, and of being under the Nazi sway. "Das Boot" is typical, and key. The captain goes so far as to openly make fun of the German propaganda coming in on their radio. It isn't just that war is bad, but that the Nazis are bad.
Nevertheless, there they are, and they have a job to do, and they're going to do it well. So a small group of men in a small underwater tin can try to survive the boredom as much as the British, who come very close to getting them several times. It's a great movie, one of the best at capturing the feeling of being there.
What is less impressive, at times, is the more ordinary character development that seems inevitable in a movie this long--2 ½ to 4 hours depending on the version you have, I saw the long one, the director's cut. I think the acting is superb, and so it's easy to go along with the conversations and interactions, but they aren't always compelling in themselves, more just creating some space before the next conflict arises. Maybe, in some honest sense, this is exactly how it would have been. Life for most people is pretty ordinary.
But this movie is not. Or it makes what is ordinary in war--the nostalgic to the profound and deadly--believable, and not simply big and dramatic, which it also is.
For full German effect, I suggest seeing it with the original German language track on and subtitles if you need them, though I tested the dubbed version in English and it's really well done. I also suggest, if you have doubts about such an involved war movie, trying to find the older, shorter release. The visuals are not enhanced, but some of the character development sections are left out and I don't think you'll miss them. Then, of course, if you want the whole kit and caboodle, try to find the 5 hour version released in sections for British and German television.
Das Boot is one of the most emotionally involving movies I have ever seen. The characters are developed richly, without those awkward moments in movies when you realize that the director is doing so. You sympathize with the crew, and FEEL their plight as they struggle, cramped in a rickety U-boat against the odds. At times the movie grows slow and drawn out, but that is intentional- to make you feel like you are trapped in an underwater coffin with nothing to do, no where to go. The directing is great, the sound is fabulous! I've never heard faint noises tell a story like this before.
My late father served in the Royal Navy in WWII and was torpedoed by a U Boat, so when I sat with him to watch this in 1986, I fully expected him to be filled with hatred for them. Nothing could have been further from the truth. He told me that seamen, even those on opposite sides, share something unique. He told me that his ship picked up some U Boat survivors from a ramming. They were just ordinary men doing the bidding of their masters, just like he was. They were put down at Scapa Flow as POW's after being at sea for 5 weeks. Many of them had formed friendships with the Royal Navy men, including my father. He formed a friendship with a submariner called Gotz Stiffel and they remained friends until Gotz passed away. My father attended his funeral in Duisburg and he was welcomed as an old friend by the survivors of that U Boat sinking. My father said that film bought tears to his eyes. They were just ordinary men caught up in extraordinary times and this film captured everything from fear to boredom and relief. He said, and I utterly agreed with him this was just about the finest anti-war film ever made.
I spent 17 years of my life in Royal Navy submarines. 'T' class, 'A' class and 'R' class. Das Boot is the only submarine movie that shows exactly how it was. It could be a documentary. Bouncing around in the Bay of Biscay with the sea too rough to be able to dive safely and get away from it. 'Goffers' pouring down the conning tower and the control room deck ankle deep in the green stuff. Going down backwards at 500ft and you know there is 10,000ft below you, with seawater pouring in through a burst cooling pipe and one main motor out of action. Existing for two weeks on kai or oxo because your stomach is rebelling against the elements. Laying in your bunk in ultra quiet routine with the sweat just dribbling down. When the sweat starts to dribble upwards you know it's a cockroach crawling up your body. And that Klaxon. 'Hunt for Red October', 'Crimson Tide'. They are just adventure films.
"Das Boot" is a classic. This film couldn't be more intense and emotionally draining. It is a work of genius. Jurgen Prochnaw gives a spectacular performance as the German U-Boat Captain. The acting is first rate as the cast of characters is as realistic and believable as it gets. Don't watch this film unless you are absolutely prepared to immerse yourself into the drama of life as a crewman aboard a German submarine during war. This is a very rare portrayal of battle through the eyes of our enemy and will actually have you cheering for the "bad guys" at times. This is a one of a kind movie that must be seen to be believed. Words in a review cannot describe the experience of "Das Boot." A tremendous film! A 12 on a scale of 10!
क्या आपको पता है
- ट्रिवियाThe cast was deliberately kept indoors continually during the shooting period in order to look as pale as a real submarine crew would on a mission at sea.
- गूफ़In the bordello sequence prior to the launch scene, swing music was being played. Under Hitler, swing or big band music was forbidden, and only German classical music could be played. However, popular music was common in such service clubs, especially outside Germany proper.
- भाव
Lt. Werner: Captain?
Captain: I'm sorry.
Lt. Werner: You think it's hopeless now?
Captain: It's been 15 hours. He'll never do it. I'm sorry.
Lt. Werner: They made us all train for this day. "To be fearless and proud and alone. To need no one, just sacrifice. All for the Fatherland." Oh God, all just empty words. It's not the way they said it was, is it? I just want someone to be with. The only thing I feel is afraid.
- इसके अलावा अन्य वर्जनThe 5.1 remix for the 209-minute director's cut (for both the English and German dubs) contains entirely new sound effects in place of the sound effects from the original stereo mix. In addition to that, the original Columbia Pictures logo from 1981 featured in the opening is plastered with a silent version of the 1997 Columbia logo instead. The Blu-ray release contains both the original 149-minute theatrical version and the 1997 director's cut on two separate discs, making this release the first time in the US since the VHS and Laserdisc days that the theatrical version has been made available. However, on the disc containing the theatrical version, despite being listed as a 5.1 remix on the case and the menu, it instead contains only the original stereo mix for both the German and English tracks (in addition to restoring the original 1981 Columbia Pictures logo to the opening).
- कनेक्शनEdited from Battle of Britain (1969)
- साउंडट्रैकLa Paloma
(uncredited)
Written by Sebastian Iradier (as Sebastian de Yradier) and Michael Jary
Performed by Rosita Serrano
Published by Edition Cinema
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषाएं
- इस रूप में भी जाना जाता है
- Das Boot
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- DEM 3,20,00,000(अनुमानित)
- US और कनाडा में सकल
- $1,14,87,676
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $26,994
- 14 फ़र॰ 1982
- दुनिया भर में सकल
- $1,14,89,051
- चलने की अवधि
- 2 घं 29 मि(149 min)
- रंग
- ध्वनि मिश्रण
- Dolby Stereo(original release)
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें