Beau père

When a woman is killed in a car wreck, she leaves behind a husband and a daughter by an exhusband who become the center of gravity of the film. As the step father and beautiful 14 year old nymphet share their grief under the same roof, the girl reveals an uncommon maturity as she insinuates herself into the step father's life by taking on her mother's responsibilities and demanding her place in his bed. What follows is an unemotional, matter of fact, tastefully presented tale of two people whose familial love morphs into something more as they grapple with all the issues which come with their extraordinary and taboo relationship. "Beau Pere" aims for the head and ricochets off the heat but leaves the crotch alone. Not "Lolita" and not a film about pedophilia or seduction, this flick should be an interesting watch for anyone into films about atypical romantic relationships. (B+)

"Beau-Père" is not a skin flick, though the cover of the DVD and VHS would make you think otherwise. Yes, it's about a very taboo topic, to say the least - the sexual relationship between a 40-ish piano player and his 14-year-old stepdaughter - but the great Bertrand Blier, who explored similar territory in "Get Out Your Handkerchiefs" eases the unease by doing the unthinkable and turning the movie into a screwball comedy.

Well, that's what we think, at first. Remi (played magnificently by Blier favorite Patrick Dewaere), not unlike Humbert in Nabokov's "Lolita" tells us of his tragic plight; after his wife dies tragically, he is left with his stepdaughter, Marion (Ariel Besse). Uncomfortable with the new rift in the household, Marion childishly assumes the "mother" role and takes on all motherly duties - including seducing her stepfather. Remi refuses, but there is danger lurking in Marion's pubescent body and puppy-dog eyes. Not realizing this danger, he eventually gives in.

Of course, giving into his stepdaughter is a mistake that plunges both Remi and Marion deeper and deeper into misery. Even Marion's real father suspects a mutual sexuality between them and, in one of the film's more heartbreaking moments, completely dissolves his obligation as a father and OKs the incestuous affair. Remi and Marion, then, are not so much connected by their sexual bond, but by the fact that they've both been abandoned by the people they love. There's no real question about where the affair is going, but the tragedy lies in who gets hurt the most. The final image of the movie may haunt me forever.

The movie is obviously not for all tastes, but it should be said that the sex is never gratuitous. In fact, it seems almost distracting when compared to what Blier really wants to get across - the divide between adolescence and adulthood and how seemingly frivolous sexual encounters can ruin lives forever. And, like "Hankerchiefs", the movie somehow provides some truly funny moments. "Beau-Père" is Bertrand Blier's masterpiece and a film that should be seen by all connaisseurs of intelligent, challenging cinema. 10/10

I was 14 years old and traveling to Florida and we spent the night in a hotel. I was up late watching HBO when this movie came on. As I sat and watched it I was mesmerized by Patrick Deweare! The movie and his performance touched something very deep in me, I became an instant fan of his and the memory of that movie stayed with me for years. I purchased the movie as an adult. I think it was the deep sadness that emanated from him, just the sad looks he would convey without actually speaking. I love this movie as much today as I did at 14, which at that time I did not know that he had just died. With the advent of the Internet I was able to find out much more about this man who's performance haunted me and learned where that sadness came from.

Separated from his stepdaughter, raised for eight years as his own, after the girl's mother dies in a car crash, a pianist begins to mistake his fatherly affection towards her for romantic love, which causes a problem since the girl feels the same way and is set on taking her mother's place in this controversial Bertrand Blier film. The movie is actually far less sleazy than it might sound from the outset; there is relatively little in the way of nudity and lovemaking with the film instead focused on the mental dynamics between the pair, neither quite sure how properly express their strong feelings for one another. Things seem to get even more interesting as the girl's birth father catches on to how intimate the pair have become since the mother's death, and yet the film's meandering second half does the material no justice. There is so much build-up and tension leading up to the pair taking things too far that the film has trouble refocusing afterwards. That said, the movie ends on a pitch perfect suggestive final note. The gliding cinematography courtesy of the legendary Sacha Vierny is also excellent throughout with mirrored surfaces nicely favoured for a film about two individuals forced to reflect upon themselves. Blier additionally uses an interesting technique of having a handful of characters talk to the camera to provide narration, though the inconsistency of the narration is a tad jarring.

Yes, I am aware of the fact the rather vulgar and tasteless subject line entirely misfits the overall tone of this film, but when else am I going to have the chance to use this clichéd saying in a review? "Stepfather" is a provocative and mildly controversial "Lolita"-themed drama, but with a healthy sense of humor and extremely likable characters. Britney Spears provided the best one-line plot description imaginable for this film: Not a Girl, Not yet a Woman. After the sudden and accidental death of her mother, beautiful 14-year-old Marion insists on staying with her manic depressed stepfather instead of returning to her natural father. The girl soon openly confesses Rémi she has romantic feelings for him and doesn't really make it a secret that she wants to sleep with him. Rémi tries very hard (honestly, he does) to resist the temptation, but what's a lonely man to do when a scantily clad young gal keeps throwing herself at him and continues to sneak into his bed at night? Most of the – admittedly overlong - film focuses on Rémi fighting, accepting and regretting his own feelings towards Marion, but still the film never really feels boring and there are plenty of neat details to keep you pleased. The narrative, for example, is ingenious as several characters (including Rémi) explain the story whilst facing the camera. He works as unsuccessful pianist in a restaurant and the camera often pans around him as he's narrating his own life with people dining in the background. It's also quite remarkable how the script never reverts to being gratuitous exploitation, even though all the themes hint towards that direction. A truly ravishing and often barely dressed minor literally offers herself at this potent, thirty-something guy, and yet there are no explicit sex sequences or gratuitous insinuations being made. Ariel Besse (16 at the time and a terrific actress) strips fully naked a couple of times, but all the sex & nudity sequences are elegantly presented and not the least bit offensive. Patrick Dewaere is great as well and it was quite a shock to discover he committed suicide shortly after the release of this film. According to several sources, including the IMDb, the actors struggled with depressions and mental torture for years and years. The only consolation he had was that his own mental condition gave an even deeper dimension to his character in "Stepfather". Recommended.